Yvonne Watterson Writing

More about Yvonne

Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Yvonne's writing life began in November 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing beyond this blog in The Irish Times, Irish Central, Reading Ireland, and other outlets. Yvonne's essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, a six-piece Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, also a writer, lives in Arizona. “If you have the words, there's always a chance that you'll find the way.” ― Seamus Heaney

About Yvonne

From there to here . . . Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans nearly 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Her writing life began in 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing in The Irish Times, Irish Central, Reading Ireland, and other outlets. Her essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, an Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, is also a writer, living in Arizona.

Act Two, Amputation, Breast Cancer Advocacy, Breast Cancer Treatment, Breast Reconstruction, Cancer Language, david bowie, Diagnosis, Glenn Frey, Language matters, Mastectomy, Memoir, Milestones

The work of a November. . .

November 11, 2019 / 1 Comment

On the anniversary of his death, she told me it was beyond her grasp that one day it would be ten years, twenty years, forty years, since her dad last held her hand in the frozen food section of the grocery store. To keep her warm.

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Art, Awesome Women, Breast Cancer Treatment, Breast Reconstruction, Culture of breast cancer, Feminism, Kellys Cellars, Mammograms, Mother Daughter Relationship, Nipple Tattoo, P.INK DAY 2013, Pink Ribbon Culture, Pink Ribbons, Pinkwashing, Sexism, Shopping, Themes of childhood, Tina Fey, Writers

A mastectomy by any other name . . .

October 17, 2019 / 2 Comments

NOTE: A version of this post appeared on October 20, 2013, as Breast Cancer Awareness Month was winding down. The pictures on this post offended someone so much that she or he reported them to Facebook and asked to have them removed. And I thought the cancer was the offensive thing. The story that follows is mine. I chose to share…

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Act Two, Amputation, Breast Cancer Advocacy, Breast Cancer Treatment, Breast Reconstruction, Cancer Language, david bowie, Diagnosis, Glenn Frey, Language matters, Mastectomy, Memoir, Milestones

spare me the cancer celebration – a reprise

January 20, 2018 / 22 Comments

On the anniversary of his death, she told me it was beyond her grasp that one day it would be ten years, twenty years, forty years, since her dad last held her hand in the frozen food section of the grocery store. To keep her warm.

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Awesome Women, Breast Cancer Advocacy, Breast Cancer Awareness, Cancer Language, Culture of breast cancer, Diagnosis, Early Detection, Facebook, Family, Health, Language of Cancer, Mammograms, Memoir, Mother Daughter Relationship, Pink Ribbon Culture, Pink Ribbons, Social Media, Twitter, Wilfred Owen, World Cancer Day, Writing

world cancer day: a reprise

February 4, 2014 / 19 Comments

My breast cancer is not just about me as I discovered when my then fourteen year old daughter decided to break her silence about it. In her own way, on her Facebook wall, and on World Cancer Day 2012. Thus, on this day designated for speaking up and out, in 2014 focusing on Target 5 of the World Cancer Declaration which…

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