Yvonne Watterson Writing
Yvonne Watterson Writing

considering the lilies & lessons from the field ©

More About Yvonne

More About Yvonne

More about Yvonne

Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Yvonne's writing life began in November 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing beyond this blog in The Irish Times, Irish Central, Reading Ireland, and other outlets. Yvonne's essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, a six-piece Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, also a writer, lives in Arizona. “If you have the words, there's always a chance that you'll find the way.” ― Seamus Heaney

About Yvonne

From there to here . . . Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans nearly 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Her writing life began in 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing in The Irish Times, Irish Central, Reading Ireland, and other outlets. Her essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, an Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, is also a writer, living in Arizona.

  • Dispatch from the Diaspora,  World Cup Football,  Writers,  Writing

    𝗢𝗽𝗲𝗻𝗶𝗻𝗴 𝗗𝗮𝘆 𝗶𝗻 𝗔𝗺𝗲𝗿𝗶𝗰𝗮 (𝗮𝗻𝗱 𝘁𝗵𝗲 𝗢𝘁𝗵𝗲𝗿 𝗚𝗮𝗺𝗲 𝗧𝗵𝗮𝘁 𝗕𝗿𝗲𝗮𝗸𝘀 𝗠𝘆 𝗛𝗲𝗮𝗿t 𝗮𝗻𝗱 𝗪𝗵𝘆 𝗜 𝗕𝗲𝗹𝗶𝗲𝘃𝗲 𝗔𝗻𝘆𝘄𝗮𝘆)

    March 27, 2026 / No Comments

    I don’t know when I fell in love with the idea of baseball. This is bothersome, because I like to know exactly when things begin so I can blame them properly later. What drew me to it? Maybe it was that unnaturally beautiful moment in “The Natural” when the beautiful Robert Redford sends the ball screaming into the stadium lights,…

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    Editor
  • Language of Cancer,  Leontia Flynn,  Memoir,  Northern Ireland,  Rituals,  Seamus Heaney,  Themes of childhood

    Poetry: Works like a Charm

    March 22, 2026 / No Comments

    Ukrainian-American poet,  Ilya Kaminsky, writes in the New York Times, of his desperation to find ways out of Ukraine for his friends - writers, poets, and translators. Many of them do not want to leave their homes, even as Russia continues to bombard their cities: I ask how I can help. Finally, an older friend, a lifelong journalist, writes back:…

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    Editor
  • Awesome Women,  Carly Simon,  Cat Stevens,  Culture of breast cancer,  Facebook,  Fashion,  Memoir,  Memoir,  Mother Daughter Relationship,  Nora Ephron,  Soundtracks of our Lives,  Theater

    worn out

    September 4, 2023 / 1 Comment

    "I have been 60 for four years now, and by the time you read this I will probably have been 60 for five. I survived turning 60, I was not thrilled to turn 61, I was less thrilled to turn 62, I didn't much like being 63, I loathed being 64, and I will hate being 65. I don't let…

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    Editor
  • Apartheid,  Betty Williams and Mairead Corrigan,  Death and dying,  From the Republic of Conscience,  Funerals,  Human Rights,  Loss,  Nelson Mandela,  Northern Ireland,  Politics,  saying goodbye,  Seamus Heaney,  Soundtracks of our Lives,  The Cure at Troy,  Themes of Childhood,  Writing

    Dear Nelson Mandela

    July 18, 2022 / 2 Comments

    I believe in Nelson Mandela’s vision. I believe in a vision shared by Gandhi and King and Abraham Lincoln. I believe in a vision of equality, justice, freedom and multi-racial democracy, built on the premise that all people are created equal. - Barack Obama

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