Facebook – Yvonne Watterson Writing

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Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Yvonne's writing life began in November 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing beyond this blog in The Irish Times, Irish Central, Reading Ireland, and other outlets. Yvonne's essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, a six-piece Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, also a writer, lives in Arizona. “If you have the words, there's always a chance that you'll find the way.” ― Seamus Heaney

About Yvonne

From there to here . . . Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans nearly 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Her writing life began in 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing in The Irish Times, Irish Central, Reading Ireland, and other outlets. Her essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, an Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, is also a writer, living in Arizona.

Awesome Women, Carly Simon, Cat Stevens, Culture of breast cancer, Facebook, Fashion, Memoir, Memoir, Mother Daughter Relationship, Nora Ephron, Soundtracks of our Lives, Theater

worn out

September 4, 2023 / 1 Comment

"I have been 60 for four years now, and by the time you read this I will probably have been 60 for five. I survived turning 60, I was not thrilled to turn 61, I was less thrilled to turn 62, I didn't much like being 63, I loathed being 64, and I will hate being 65. I don't let…

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and What I Wore, Art, Awesome Women, Carly Simon, Cat Stevens, Culture of breast cancer, Facebook, Memoir, Memoir, Mother Daughter Relationship, Nora Ephron, Soundtracks of our Lives, Theater, Writers

worn out

September 6, 2021 / No Comments

The other day, I went shopping in Guadalajara where I found a blouse I’ve been looking for – for almost 40 years. I suppose an explanation is in order. It begins – as many stories do – with an encounter with something by Nora Ephron. In the summer of 2013, my best friend and I went to see the enchanting…

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Friendship, Ireland, Irish culture, Irish Diaspora, Language matters, Phoenix Art Museum, Shel Silverstein, Social Media, Twitter, Writing

looking after Ireland . . . madeleine albright & me

January 28, 2014 / 20 Comments

The Voice by Shel Silverstein There is a voice inside of you, That whispers all day long, “I feel that this is right for me, I know that this is wrong.” No teacher, preacher, parent, friend Or wise man can decide What’s right for you– just listen to The voice that speaks inside. I’m finding that with age, it is easier for…

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and What I Wore, Art, Awesome Women, Carly Simon, Cat Stevens, Culture of breast cancer, Facebook, Memoir, Memoir, Mother Daughter Relationship, Nora Ephron, Soundtracks of our Lives, Theater, Writers

what I wore, a mountain of life & missing Nora Ephron . . .

June 5, 2013 / 18 Comments

Last night, my best friend and I went to see the enchanting and poignant Love, Loss, and What I Wore, Nora and Delia Ephron‘s stage-adaptation of Ilene Beckerman’s book by the same name. Like each of the five women on stage, I can peer into my wardrobe and hang on the clothes and shoes and handbags bulging from it, some…

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