Yvonne Watterson Writing

More about Yvonne

Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Yvonne's writing life began in November 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing beyond this blog in The Irish Times, Irish Central, Reading Ireland, and other outlets. Yvonne's essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, a six-piece Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, also a writer, lives in Arizona. “If you have the words, there's always a chance that you'll find the way.” ― Seamus Heaney

About Yvonne

From there to here . . . Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans nearly 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Her writing life began in 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing in The Irish Times, Irish Central, Reading Ireland, and other outlets. Her essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, an Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, is also a writer, living in Arizona.

Act Two, Amputation, Breast Cancer Advocacy, Breast Cancer Treatment, Breast Reconstruction, Cancer Language, david bowie, Diagnosis, Glenn Frey, Language matters, Mastectomy, Memoir, Milestones

The work of a November. . .

November 11, 2019 / 1 Comment

On the anniversary of his death, she told me it was beyond her grasp that one day it would be ten years, twenty years, forty years, since her dad last held her hand in the frozen food section of the grocery store. To keep her warm.

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Act Two, Amputation, Breast Cancer Advocacy, Breast Cancer Treatment, Breast Reconstruction, Cancer Language, david bowie, Diagnosis, Glenn Frey, Language matters, Mastectomy, Memoir, Milestones

spare me the cancer celebration – a reprise

January 20, 2018 / 22 Comments

On the anniversary of his death, she told me it was beyond her grasp that one day it would be ten years, twenty years, forty years, since her dad last held her hand in the frozen food section of the grocery store. To keep her warm.

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BC Action, Belfast, bombing, Breast Cancer Advocacy, Breast Cancer Awareness, Breast Cancer Awareness Month, Breast Cancer Treatment, Cancer Language, Culture of breast cancer, Language matters, Language of Cancer, Memoir, Memoir, Pink Ribbons, Pinkwashing, Sexism, Shopping, The Troubles, Themes of Childhood

booby-trapped this October?

September 24, 2013 / 28 Comments

boo·by trap Meaning: A practical joke. Also a concealed and possibly lethal trap. Noun: A thing designed to catch the unwary, in particular Verb: Place a booby trap in or on (an object or area): “the area was booby-trapped.” Synonyms: snare, trick into doing something “Thirty days hath September, April, June, and November . . .” the rhyme reminds me, as…

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Bullying, Cancer Language, Health Activist Writer's Challenge 2013, Language matters, Mastectomy, Memoir, Poetry, Seamus Heaney, Shirley Jackson, Short Stories, Tamoxifen, Writing

breast cancer: she brought it upon herself

April 25, 2013 / 20 Comments

Illness is the night-side of life, a more onerous citizenship. Everyone who is born holds dual citizenship, in the kingdom of the well and in the kingdom of the sick. Although we all prefer to use only the good passport, sooner or later each of us is obliged, at least for a spell, to identify ourselves as citizens of that…

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