Yvonne Watterson Writing

More about Yvonne

Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Yvonne's writing life began in November 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing beyond this blog in The Irish Times, Irish Central, Reading Ireland, and other outlets. Yvonne's essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, a six-piece Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, also a writer, lives in Arizona. “If you have the words, there's always a chance that you'll find the way.” ― Seamus Heaney

About Yvonne

From there to here . . . Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans nearly 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Her writing life began in 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing in The Irish Times, Irish Central, Reading Ireland, and other outlets. Her essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, an Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, is also a writer, living in Arizona.

Blogging, Breast Cancer Treatment, Culture of breast cancer, Facebook, Health Activist Writer's Challenge 2013, Health Statistics, Language of Cancer, Memoir, Pink Ribbons, Social Media, television, Themes of childhood, Twitter, Van Morrison

on television, Twitter, & the truth

April 11, 2013 / 7 Comments

This instrument can teach, it can illuminate; yes, and it can even inspire. But it can do so only to the extent that humans are determined to use it to those ends. Otherwise it is merely wires and lights in a box. There is a great and perhaps decisive battle to be fought against ignorance, intolerance and indifference. This weapon…

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Culture of breast cancer, Health Activist Writer's Challenge 2013, Language of Cancer, Memoir, Memoir, Poetry, Toxic Workplaces

breast cancer ice-breaker

April 9, 2013 / 12 Comments

I don’t care much for today’s WEGO Health Challenge that aks if my health condition were an animal what would it be? It reminds me of those frivolous team-building activities often employed to “break the ice” at professional retreats or new employee orientations. We’ve all been there, and I know I am not the only one who silently groans when a well-meaning facilitator announces,…

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Breast Cancer Treatment, Cancer Language, Chemotherapy, Health, Health Activist Writer's Challenge 2013, Health Statistics, Language of Cancer, Mastectomy, Radiation, World Health Organization

prescribing health

April 5, 2013 / 12 Comments

According to the World Health Organization (WHO), health is . . . a state of complete physical, mental and social well-being and not merely the absence of disease or infirmity. Living as opposed to surviving. Wholly well rather than declared NED (No Evidence of Disease), the state commonly used to describe a patient’s status after treatment. Breast cancer surgeon, Dr. Deanna Attai, explains that,…

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Breast Cancer Awareness Month, Cancer Language, Culture of breast cancer, Health Activist Writer's Challenge 2013, Language matters, Language of Cancer, Themes of Childhood, Van Morrison, Writing

“between cars on a passenger train”

April 3, 2013 / 8 Comments

Not quite a “Wordless Wednesday” . . . If I close my eyes to remember, I can just make out the shadow of my former self standing up and walking out the door, mortally offended by the kindly Breast Cancer Navigator who had just told me I had cancer. Like an unexpected snow, the pronouncement fell from her lips, rendering…

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