Yvonne Watterson Writing

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Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Yvonne's writing life began in November 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing beyond this blog in The Irish Times, Irish Central, Reading Ireland, and other outlets. Yvonne's essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, a six-piece Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, also a writer, lives in Arizona. “If you have the words, there's always a chance that you'll find the way.” ― Seamus Heaney

About Yvonne

From there to here . . . Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans nearly 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Her writing life began in 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing in The Irish Times, Irish Central, Reading Ireland, and other outlets. Her essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, an Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, is also a writer, living in Arizona.

Belfast, Blogging, Brian Baird, cancer, Education, Fathers and sons, favorite teacher, Memoir, News, Northern Ireland, Seamus Heaney, Sectarianism, Social Media, television, The Diviner, The Forge, The Troubles, Walter Kronkite, Writing

credit to a newsman: teacher appreciation day 2022

May 3, 2022 / No Comments

Once upon a time, before news traveled at break-neck speed to our smart phones and our Cable TV networks, we waited for it. We had no choice, and when “the news” came on at teatime, it was a serious affair that demanded our attention. It was rarely, if ever, about a new animal born at the zoo or a celebrity’s wardrobe…

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9.11.2013, 9/11, Anything can Happen, Belfast, Billy Collins, Blogging, bombing, British Army, cancer, Diary, Dispatch from the Diaspora, Healing Field Tempe, Loss, Memoir, Memoir, Northern Ireland, Northern Ireland Culture, Ordinary Things, Peace, Poetry, Remembering September 11th, Seamus Heaney, September 11, The Peace Process, The Troubles, The Troubles, Themes of Childhood, Writers

Dear Igor . . . the last name on the list

September 11, 2021 / No Comments

Time after time, I have stood on the virtual doorsteps of people in the middle of lives parallel to my own, beautifully blindsided by unexpected coincidences and exchanges of truths that may not otherwise have seen the light of day. In my virtual home, it is often easy to pull up a chair and trade ideas and opinions with people…

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9.11.2013, 9/11, Anything can Happen, Belfast, Billy Collins, Blogging, bombing, British Army, cancer, Diary, Dispatch from the Diaspora, Healing Field Tempe, Loss, Memoir, Memoir, Northern Ireland, Northern Ireland Culture, Ordinary Things, Peace, Poetry, Remembering September 11th, Seamus Heaney, September 11, The Peace Process, The Troubles, The Troubles, Themes of Childhood, Writers

The Last Name on the List on the Eleventh of September

September 10, 2018 / 2 Comments

I have yet to be disappointed by what happens when my online world collides with its ‘real’ counterpart. Landing on the virtual doorsteps of people in the middle of lives parallel to my own, I have been beautifully blindsided by unexpected coincidences and exchanges of truths that may not otherwise have seen the light of day. In my virtual home, it…

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2017 V by Very Blog Awards Ireland, Blogging, Blogging, Dispatch from the Diaspora, Irish Diaspora, Writing

Shortlisted People ~ Randy Newman, Susan Lucci, & Me.

September 17, 2017 / 4 Comments

I love a list. It has a beginning and an ending. It’s a certainty. A sure thing. Naturally, then, I love Rob Gordon, a kindred spirit erstwhile hapless record shop owner in Nick Hornby’s High Fidelity. A compulsive maker of lists which somehow make sense of a world that doesn’t always make sense, Rob’s “top fives” run the gamut of pop culture, eclectic compilations that include…

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