Yvonne Watterson Writing
Yvonne Watterson Writing

considering the lilies & lessons from the field ©

More About Yvonne

More About Yvonne

More about Yvonne

Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Yvonne's writing life began in November 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing beyond this blog in The Irish Times, Irish Central, Reading Ireland, and other outlets. Yvonne's essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, a six-piece Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, also a writer, lives in Arizona. “If you have the words, there's always a chance that you'll find the way.” ― Seamus Heaney

About Yvonne

From there to here . . . Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans nearly 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Her writing life began in 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing in The Irish Times, Irish Central, Reading Ireland, and other outlets. Her essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, an Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, is also a writer, living in Arizona.

  • Dunblane,  Guns,  Memoir,  Newtown,  School shootings,  Themes of childhood

    Silent Nights – from Scotland to Sandy Hook.

    December 14, 2019 / No Comments

    December 14, 2012 Cold and lifeless, the bodies of twenty little children lie where they were gunned down that morning at Sandy Hook Elementary School. The crime scene, a day before, was a school. The medical examiner’s team begins its work through the night to make sure there are no mistakes, no shadow of doubt about the names of those children  – 12…

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  • Art,  Awesome Women,  Breast Cancer Treatment,  Breast Reconstruction,  Culture of breast cancer,  Feminism,  Kellys Cellars,  Mammograms,  Mother Daughter Relationship,  Nipple Tattoo,  P.INK DAY 2013,  Pink Ribbon Culture,  Pink Ribbons,  Pinkwashing,  Sexism,  Shopping,  Themes of childhood,  Tina Fey,  Writers

    A mastectomy by any other name . . .

    October 17, 2019 / 2 Comments

    NOTE: A version of this post appeared on October 20, 2013, as Breast Cancer Awareness Month was winding down. The pictures on this post offended someone so much that she or he reported them to Facebook and asked to have them removed. And I thought the cancer was the offensive thing. The story that follows is mine. I chose to share…

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  • A Sense of Wonder,  Aging,  Barmbrack,  Belfast,  Best friends,  Dispatch from the Diaspora,  Good Vibrations,  Hyndford Street,  In the Days Before Rock n' Roll,  Irish culture,  Little Feat,  Madame George,  Memoir,  Milestones,  Music,  Norn Iron Soul Food,  Northern Ireland,  Paris Buns,  pop culture,  Pop Music,  Pop-in Records,  Record Shops,  Rites of passage,  Rituals,  Seamus Heaney,  Snowball,  Soundtracks of our Lives,  Terri Hooley,  Themes of childhood,  Van Morrison,  Vinyl Records,  WagonWheel,  When the Healing Has Begun

    Caught One More Time . . . Happy Birthday, Van Morrison.

    September 1, 2019 / No Comments

    From Cyprus Avenue on Van Morrison's 70th birthday - when the familiar refrain streamed across a continent into my kitchen in the desert, and the appreciative whistles from the Belfast crowd, my whole world stopped for a second. Back street jelly roll . . .

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  • Antrim,  Belfast,  bombing,  British Army,  Castledawson,  Claudy,  IRA,  La Mon House Hotel Bombing,  Memoir,  Northern Ireland,  Omagh,  Sectarianism,  The Miami Showband,  The Troubles,  Themes of childhood,  UVF

    How Long Must we Sing This Song? For the Miami Showband . . .

    July 30, 2019 / No Comments

     Any atrocity reported in isolation can be used to beat the other “side,” but together with stories from both communities, it is clear that no “side” has a monopoly on suffering or loss. ~Stephen Travers, July 30, 2018 On July 30, 1972, the year of Bloody Sunday and Bloody Friday, the final details were being planned for what would happen…

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