Yvonne Watterson Writing

More about Yvonne

Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Yvonne's writing life began in November 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing beyond this blog in The Irish Times, Irish Central, Reading Ireland, and other outlets. Yvonne's essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, a six-piece Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, also a writer, lives in Arizona. “If you have the words, there's always a chance that you'll find the way.” ― Seamus Heaney

About Yvonne

From there to here . . . Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans nearly 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Her writing life began in 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing in The Irish Times, Irish Central, Reading Ireland, and other outlets. Her essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, an Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, is also a writer, living in Arizona.

Antrim, Belfast, bombing, British Army, Castledawson, Claudy, IRA, La Mon House Hotel Bombing, Memoir, Northern Ireland, Omagh, Sectarianism, The Miami Showband, The Troubles, Themes of childhood, UVF

How Long Must we Sing This Song? For the Miami Showband . . .

July 30, 2019 / No Comments

Any atrocity reported in isolation can be used to beat the other “side,” but together with stories from both communities, it is clear that no “side” has a monopoly on suffering or loss. ~Stephen Travers, July 30, 2018 On July 30, 1972, the year of Bloody Sunday and Bloody Friday, the final details were being planned for what would happen…

Read More

Editor
favorite teacher, Frank O'Connor, Great teachers, Memoir, Mr. Jones, Music, Short Stories, Teacher Appreciation Week, Teaching, Themes of childhood

mr. jones and me . . . in appreciation of a teacher

May 6, 2019 / 1 Comment

There’s no word in the language I revere more than ‘teacher.’ My heart sings when a kid refers to me as his teacher, and it always has. I’ve honored myself and the entire family of man by becoming a teacher. This week, I will not be the only one to invoke Pat Conroy’s Prince of Tides. All over America, during Teacher Appreciation Week,…

Read More

Editor
Dunblane, Guns, Memoir, Newtown, School shootings, Themes of childhood

Silent Night – from Scotland to Sandy Hook.

December 14, 2018 / No Comments

December 14, 2012 Cold and lifeless, the bodies of twenty little children lie where they were gunned down that morning at Sandy Hook Elementary School. It is a crime scene that the day before was a school. The medical examiner’s team begins its work through the night to make sure there are no mistakes, no shadow of doubt about the names of those children –…

Read More

Editor
Aging, An Ulster Twilight, Castledawson, Christmas, Dispatch from the Diaspora, Father Daughter Relationships, Northern Ireland, Northern Ireland Culture, Ordinary Things, Seamus Heaney, Themes of childhood

Another Ulster Twilight

December 10, 2018 / 6 Comments

It is Christmas morning, 1967, in a modest house on Antrim’s Dublin Road. With a big satin bow in her hair, the little girl is the picture of happiness, wrapped up in an outfit her mother knit for the occasion. Santa has left a new bicycle. It is her first, and it is equipped with stabilizers. Stabilizers – her first big word. Even…

Read More

Editor