Yvonne Watterson Writing
Yvonne Watterson Writing

considering the lilies & lessons from the field ©

More About Yvonne

More About Yvonne

More about Yvonne

Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Yvonne's writing life began in November 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing beyond this blog in The Irish Times, Irish Central, Reading Ireland, and other outlets. Yvonne's essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, a six-piece Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, also a writer, lives in Arizona. “If you have the words, there's always a chance that you'll find the way.” ― Seamus Heaney

About Yvonne

From there to here . . . Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans nearly 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Her writing life began in 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing in The Irish Times, Irish Central, Reading Ireland, and other outlets. Her essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, an Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, is also a writer, living in Arizona.

  • Guns,  Police shootings,  Racism,  Sectarianism,  The Cure at Troy,  The Troubles

    has anybody seen my old friend, America?

    July 10, 2016 / No Comments

    I often feel guilty for having left my Northern Ireland. I often wonder if perhaps the better thing or the best thing would have been to stay, to stay and strive to see far beyond the images that flickered on our television screen at six o’clock every night. But I didn’t stay. I fled. I became an immigrant in an…

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  • Being young,  Belfast,  Belfast Peace Lines,  bombing,  Borders,  Brexit,  Dispatch from the Diaspora,  EUFA Cup 2016,  IRA,  Loughinisland,  Martin McGuinness,  Northern Ireland,  Sport,  The Good Friday Agreement,  The Troubles,  The Troubles,  World Cup Football

    Confronting Brexit & my Identity Crisis

    June 28, 2016 / 4 Comments

    Before I built a wall I’d ask to know What I was walling in or walling out, And to whom I was like to give offence. Something there is that doesn’t love a wall, That wants it down. ~ Robert Frost Less than a week ago, the United Kingdom voted to leave the European Union. Let that sink in. I haven’t…

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    Editor
  • Damian Gorman,  Devices of Detachment,  Dispatch from the Diaspora,  Mass shootings,  Orlando,  The Troubles,  Themes of childhood

    blood on my hands and yours . . . from sea to shining sea

    June 14, 2016 / No Comments

    Since he took office, President Obama has had to publicly address sixteen mass shootings in these United States. Sixteen times he has stared into a camera and uttered the best words for the worst of times knowing he will probably have to do it again. Each time, we listen to him, we ask why, and we shake our heads and shed tears…

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    Editor
  • Belfast,  Blogging,  Brian Baird,  cancer,  Education,  Fathers and sons,  favorite teacher,  Memoir,  News,  Northern Ireland,  Seamus Heaney,  Sectarianism,  Social Media,  television,  The Diviner,  The Forge,  The Troubles,  Walter Kronkite,  Writing

    In appreciation of a teacher . . .

    May 3, 2016 / 1 Comment

    Remembering Brian Baird . . . Once upon a time, before news traveled at break-neck speed to our smart phones and our Cable TV networks, we waited for it. We had no choice, and when “the news” came on at teatime, it was a serious affair that demanded our attention. It was rarely, if ever, about  a new animal born at…

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