Yvonne Watterson Writing

More about Yvonne

Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Yvonne's writing life began in November 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing beyond this blog in The Irish Times, Irish Central, Reading Ireland, and other outlets. Yvonne's essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, a six-piece Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, also a writer, lives in Arizona. “If you have the words, there's always a chance that you'll find the way.” ― Seamus Heaney

About Yvonne

From there to here . . . Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans nearly 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Her writing life began in 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing in The Irish Times, Irish Central, Reading Ireland, and other outlets. Her essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, an Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, is also a writer, living in Arizona.

Belfast, Blogging, Brian Baird, cancer, Education, Fathers and sons, favorite teacher, Memoir, News, Northern Ireland, Seamus Heaney, Sectarianism, Social Media, television, The Diviner, The Forge, The Troubles, Walter Kronkite, Writing

credit to a newsman: teacher appreciation day 2022

May 3, 2022 / No Comments

Once upon a time, before news traveled at break-neck speed to our smart phones and our Cable TV networks, we waited for it. We had no choice, and when “the news” came on at teatime, it was a serious affair that demanded our attention. It was rarely, if ever, about a new animal born at the zoo or a celebrity’s wardrobe…

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Actors, Art, Children's Books, Gary Shteyngart, HBO, James Gandolfini, Maurice Sendak, Memoir, Soundtracks of our Lives, television, The Sopranos, Themes of Childhood, Where The Wild Things Are

thinking about james gandolfini ~ forever with the wild things

September 20, 2021 / No Comments

I’m watching The Sopranos. Again. This time I’m watching it with the man I love who loves it when I don’t tell him what’s going to happen next. Unthinkably, he’s never seen The Sopranos. The only non-book that ever occupied my bookshelves was the Sopranos DVD collection. Apropos that it sat there for years among some of the most compelling…

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Actors, Art, Children's Books, Gary Shteyngart, HBO, James Gandolfini, Maurice Sendak, Memoir, Soundtracks of our Lives, television, The Sopranos, Themes of Childhood, Where The Wild Things Are

james gandolfini ~ forever with the wild things

September 17, 2019 / No Comments

The only non-book that ever occupied my bookshelves was the Sopranos DVD collection. Apropos that it sits – still – among some of the most compelling stories ever told because, as Gary Shteyngart once pointed out, The Sopranos is “storytelling for the new century.” And, a good story lasts forever. Once upon a time, at 8 o’clock every night, my late husband…

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Actors, Art, Children's Books, Gary Shteyngart, HBO, James Gandolfini, Maurice Sendak, Memoir, Soundtracks of our Lives, television, The Sopranos, Themes of Childhood, Where The Wild Things Are

james gandolfini ~ forever with the wild things

July 23, 2016 / No Comments

The only non-book on my bookshelves is the Sopranos DVD collection. Apropos that it sits among some of the most compelling stories ever told because, as Gary Shteyngart says, The Sopranos is “storytelling for the new century.” And, a good story lasts forever. Every night at 8PM my husband used to ask me, “So are you ready for Tony and the boys?”…

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