Yvonne Watterson Writing

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Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Yvonne's writing life began in November 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing beyond this blog in The Irish Times, Irish Central, Reading Ireland, and other outlets. Yvonne's essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, a six-piece Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, also a writer, lives in Arizona. “If you have the words, there's always a chance that you'll find the way.” ― Seamus Heaney

About Yvonne

From there to here . . . Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans nearly 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Her writing life began in 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing in The Irish Times, Irish Central, Reading Ireland, and other outlets. Her essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, an Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, is also a writer, living in Arizona.

Antrim Guardian, Being young, Belfast, British Army, Family, Funerals, IRA, Loughinisland, Memoir, News Travels by Yvonne Watterson, Northern Ireland, Punishment, Sectarianism, The Good Friday Agreement, The Troubles, The Troubles, Themes of Childhood, Themes of childhood, UVF

loughinisland lingers . . .

March 13, 2014 / 2 Comments

To forget them would be a second death. I don’t think I am responsible for their first death. But I can be responsible, if I am not careful, in the second death.” ~ ELIE WIESEL Yes. It is important. To bear witness. To say their names. I was recently contacted by Colm Smyth who survived the heartless attack on 16…

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Belfast, Blogging, Brian Baird, cancer, Education, Fathers and sons, favorite teacher, Memoir, News, Northern Ireland, Seamus Heaney, Sectarianism, Social Media, television, The Diviner, The Forge, The Troubles, Themes of Childhood, Walter Kronkite, Writing

newsworthy: thank you, Brian Baird

September 17, 2013 / 8 Comments

Once upon a time, before news traveled at break-neck speed to our very smart phones and our Cable TV networks, we actually waited for it. We had no choice. When “the news” came on at teatime, it was serious business, and we paid attention. It wasn’t about a new animal born at the zoo or a wardrobe malfunction of someone famous. When…

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9.11.2013, 9/11, American Dream, Anything can Happen, Arizona, Art, Belfast, bombing, Healing Field Tempe, Human Rights, Loss, Memoir, Northern Ireland, Phoenix, Remembering September 11th, Rolling Stones, Seamus Heaney, Sectarianism, Terrorism, The Troubles, Themes of childhood

moving memories from New York to Phoenix

September 10, 2013 / No Comments

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Anahorish, Anahorish, Antrim, Arizona, Bellaghy, Borders, British Army, Broagh, Castledawson, Dennis O'Driscoll, Fosterling, From the Republic of Conscience, grandmother, IRA, Language matters, Loss, Love, Memoir, Memoir, Memory, Mother Daughter Relationship, Northern Ireland, Northern Ireland Culture, Ordinary Things, Personal Helicon, Poetry, Politics, Sectarianism, The Good Friday Agreement, The Peace Process, The Troubles, Tony Parker, Writing

back to Anahorish ~ Seamus Heaney’s ‘first hill in the world’

August 31, 2013 / 46 Comments

Our poet, Seamus Heaney, will be buried in Bellaghy tomorrow evening, his body brought home from Dublin to rest next to the grave of his little brother, Christopher, whom many of us know from “Mid-Term Break,” a poem now learned by heart by Irish children in schools North or South of the border. The first time, I heard Mid-Term Break, was…

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