Yvonne Watterson Writing

More about Yvonne

Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Yvonne's writing life began in November 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing beyond this blog in The Irish Times, Irish Central, Reading Ireland, and other outlets. Yvonne's essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, a six-piece Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, also a writer, lives in Arizona. “If you have the words, there's always a chance that you'll find the way.” ― Seamus Heaney

About Yvonne

From there to here . . . Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans nearly 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Her writing life began in 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing in The Irish Times, Irish Central, Reading Ireland, and other outlets. Her essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, an Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, is also a writer, living in Arizona.

9/11, Anything can Happen, Billy Collins, Healing Field Tempe, Memoir, Remembering September 11th, Seamus Heaney, Terrorism, Themes of childhood

naming names – 9.11

September 10, 2018 / No Comments

Flanked by row upon row of flagpoles set five feet apart, we can stretch out our arms to touch two lives at a time, lest we forget what happened on September 11, 2001. The 9.11 memorial in Tempe, Arizona, is heartbreakingly beautiful, each one of its 2,996 flags signifying a life taken on that horrific autumn morning. We first visited the memorial in…

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9.11.2013, 9/11, Anything can Happen, Belfast, Billy Collins, Blogging, bombing, British Army, cancer, Diary, Dispatch from the Diaspora, Healing Field Tempe, Loss, Memoir, Memoir, Northern Ireland, Northern Ireland Culture, Ordinary Things, Peace, Poetry, Remembering September 11th, Seamus Heaney, September 11, The Peace Process, The Troubles, The Troubles, Themes of Childhood, Writers

The Last Name on the List on the Eleventh of September

September 10, 2018 / 2 Comments

I have yet to be disappointed by what happens when my online world collides with its ‘real’ counterpart. Landing on the virtual doorsteps of people in the middle of lives parallel to my own, I have been beautifully blindsided by unexpected coincidences and exchanges of truths that may not otherwise have seen the light of day. In my virtual home, it…

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A Poem for Michael and Christopher, Act Two, Door into the Dark, Postscript, Seamus Heaney, The Underground

Dear Seamus Heaney,

August 29, 2018 / No Comments

Whether it be a matter of personal relations within a marriage or political initiatives within a peace process, there is no sure-fire do-it-yourself kit. There is risk and truth to yourselves and the world before you. And so, my fellow graduates, make the world before you a better one by going into it with all boldness. You are up to…

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Apartheid, Betty Williams and Mairead Corrigan, Death and dying, From the Republic of Conscience, Funerals, Human Rights, Loss, Nelson Mandela, Northern Ireland, Politics, saying goodbye, Seamus Heaney, Soundtracks of our Lives, The Cure at Troy, Themes of Childhood, Writing

“madiba magic” ~ once in a hundred years

July 17, 2018 / 23 Comments

Back in June, I imagine Seamus Heaney was vexed over the thought of a world without Mandela. I think we all were. I remember my husband and I talking about his charisma, the "Madiba magic" that changed the world. We were sad that Mandela's time with us was coming to an end, and I remember turning to the poetry of…

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