Yvonne Watterson Writing
Yvonne Watterson Writing

considering the lilies & lessons from the field ©

More About Yvonne

More About Yvonne

More about Yvonne

Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Yvonne's writing life began in November 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing beyond this blog in The Irish Times, Irish Central, Reading Ireland, and other outlets. Yvonne's essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, a six-piece Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, also a writer, lives in Arizona. “If you have the words, there's always a chance that you'll find the way.” ― Seamus Heaney

About Yvonne

From there to here . . . Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans nearly 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Her writing life began in 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing in The Irish Times, Irish Central, Reading Ireland, and other outlets. Her essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, an Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, is also a writer, living in Arizona.

  • 9/11,  Anything can Happen,  Billy Collins,  Healing Field Tempe,  Memoir,  Remembering September 11th,  Seamus Heaney,  Terrorism,  Themes of childhood

    naming names on 9.11

    September 11, 2014 / 6 Comments

    Flanked by row upon row of flagpoles set five feet apart, we can stretch out our arms to touch two lives at a time, lest we forget what happened on September 11, 2001. The 9.11 memorial in Tempe, Arizona, is heartbreakingly beautiful, each one of its 2,996 flags signifying a life taken on that horrific autumn morning.  We first visited the memorial in…

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  • A Poem for Michael and Christopher,  After death of a spouse,  Aging,  Anahorish,  Art,  Bellaghy,  Coming of age,  Death and dying,  Door into the Dark,  Family,  Fathers and sons,  Loss,  Memoir,  Northern Ireland Culture,  Personal Helicon,  Poetry,  Seamus Heaney,  Soundtracks of our Lives,  The Forge,  Writing

    walking round a space without seamus heaney

    August 29, 2014 / 9 Comments

    I thought of walking round and round a space Utterly empty, utterly a source Where the decked chestnut tree had lost its place In our front hedge above the wallflowers. It’s been a year, and it is still strange to type the words. Seamus Heaney is dead. There is still no way for me to convey the inestimable impact of…

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    Editor
  • Belfast,  Crafts,  Family,  Fathers and sons,  Happy Father's Day,  Memoir,  Memoir,  Northern Ireland,  Ordinary Things,  Poetry,  Seamus Heaney,  Social Media,  Soundtracks of our Lives,  Themes of Childhood

    inarticulate speech of the heart – on father’s day

    June 15, 2014 / 29 Comments

    This will not be a happy Father’s Day for my father.  From far away, he will worry about my daughter and me and how we are doing on this, my daughter’s first Father’s Day without her dad. He’ll wish he could be in Phoenix, to fix things for us, to paint the laundry room or clean the windows or mix cement to…

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    Editor
  • Act Two,  Castledawson,  Family,  Memoir,  Mother Daughter Relationship,  Mother's Day,  Northern Ireland,  Northern Ireland Culture,  Ordinary Things,  Poetry,  Rites of passage,  Rituals,  Seamus Heaney

    a mother’s day dance

    May 10, 2014 / 8 Comments

    This Mother’s Day weekend in America finds me thinking about my mother back in Castledawson, County Derry, a great armful of sheets rescued from the clothes-line before the rain begins to fall. Then, the folding, a precise ritual, my father her partner in a dance handed down from one generation to the next. My daughter learned those same moves not by…

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