Yvonne Watterson Writing

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Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Yvonne's writing life began in November 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing beyond this blog in The Irish Times, Irish Central, Reading Ireland, and other outlets. Yvonne's essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, a six-piece Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, also a writer, lives in Arizona. “If you have the words, there's always a chance that you'll find the way.” ― Seamus Heaney

About Yvonne

From there to here . . . Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans nearly 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Her writing life began in 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing in The Irish Times, Irish Central, Reading Ireland, and other outlets. Her essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, an Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, is also a writer, living in Arizona.

Art, Belfast, Belfast Peace Lines, Berlin Wall, Borders, Bruce Springsteen, Bruce Springsteen & The E Street Band, Coming of age, Gaza, Human Rights, Kai Wiedenhöfer, Memoir, Northern Ireland, Photography, The Troubles, United States-Mexico Border, W.B. Yeats, Writers

‘peace comes dropping slow’

August 10, 2014 / 4 Comments

I always thought Robert Frost was very sensible to ask so plainly in a poem we had to memorize for school, why it is that good fences make good neighbors: Before I built a wall I’d ask to know What I was walling in or walling out, And to whom I was like to give offence. Something there is that doesn’t love…

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Children of The Troubles, Damian Gorman, Devices of Detachment, For too many Palestinian and Israeli Parents, Gaza, Memoir, Northern Ireland, Poetry, Tony Parker

Gaza ~ how long must we sing this song?

July 31, 2014 / 11 Comments

One child has been killed each hour in Gaza over the past two days Kyung-Wha Kang, Assistant Secretary-General for Humanitarian Affairs and UN Deputy Emergency Relief Coordinator told those gathered at an emergency meeting of the United Nations Human Rights Council six days ago. Far away, I begin the mental mathematics. Adding it up, I know for sure only this about Gaza –…

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Cancer Language, Culture of breast cancer, Damian Gorman, Damian Gorman, Death and dying, Memoir, Poetry, Road trips, Soundtracks of our Lives, Summertime, Van Morrison, Writing

rest easy, Dermot Healy

July 1, 2014 / 4 Comments

Breast cancer forever changed the connotations of certain words for me – “staging” I no longer immediately associate with the theater; “fog” I am more apt to attach to a state of cognitive loss instead of the stuff of Van Morrison’s misty mornings or the cloud that can obscure parts of Pacific Coast Highway as we head north in the summertime; “cure” no longer the…

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Belfast, Crafts, Family, Fathers and sons, Happy Father's Day, Memoir, Memoir, Northern Ireland, Ordinary Things, Poetry, Seamus Heaney, Social Media, Soundtracks of our Lives, Themes of Childhood

inarticulate speech of the heart – on father’s day

June 15, 2014 / 29 Comments

This will not be a happy Father’s Day for my father. From far away, he will worry about my daughter and me and how we are doing on this, my daughter’s first Father’s Day without her dad. He’ll wish he could be in Phoenix, to fix things for us, to paint the laundry room or clean the windows or mix cement to…

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