Yvonne Watterson Writing

More about Yvonne

Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Yvonne's writing life began in November 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing beyond this blog in The Irish Times, Irish Central, Reading Ireland, and other outlets. Yvonne's essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, a six-piece Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, also a writer, lives in Arizona. “If you have the words, there's always a chance that you'll find the way.” ― Seamus Heaney

About Yvonne

From there to here . . . Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans nearly 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Her writing life began in 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing in The Irish Times, Irish Central, Reading Ireland, and other outlets. Her essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, an Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, is also a writer, living in Arizona.

Children of The Troubles, Damian Gorman, Devices of Detachment, For too many Palestinian and Israeli Parents, Gaza, Memoir, Northern Ireland, Poetry, Tony Parker

Gaza ~ how long must we sing this song?

July 31, 2014 / 11 Comments

One child has been killed each hour in Gaza over the past two days Kyung-Wha Kang, Assistant Secretary-General for Humanitarian Affairs and UN Deputy Emergency Relief Coordinator told those gathered at an emergency meeting of the United Nations Human Rights Council six days ago. Far away, I begin the mental mathematics. Adding it up, I know for sure only this about Gaza –…

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Cancer Language, Culture of breast cancer, Damian Gorman, Damian Gorman, Death and dying, Memoir, Poetry, Road trips, Soundtracks of our Lives, Summertime, Van Morrison, Writing

rest easy, Dermot Healy

July 1, 2014 / 4 Comments

Breast cancer forever changed the connotations of certain words for me – “staging” I no longer immediately associate with the theater; “fog” I am more apt to attach to a state of cognitive loss instead of the stuff of Van Morrison’s misty mornings or the cloud that can obscure parts of Pacific Coast Highway as we head north in the summertime; “cure” no longer the…

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Art, Belfast, Breast Cancer Treatment, Cancer Language, Culture of breast cancer, Damian Gorman, Damian Gorman, Memoir, Poetry, Seamus Heaney, Seamus Heaney, Survivorship, The Troubles, The Troubles, Themes of childhood, Writing

Please don’t call me a cancer survivor . . .

June 2, 2013 / 12 Comments

“He not being busy born, is busy dying.” ~ Bob Dylan it is the first Sunday in June, a day set aside to celebrate cancer survivorship. Did you know this “treasured worldwide celebration of life” has been on the calendar for twenty-six years? I wonder would I have been any the wiser had I not been diagnosed myself. So who…

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Amputation, Awesome Women, Breast Cancer Treatment, Cancer Language, Culture of breast cancer, Damian Gorman, Feminism, Fiftieth Birthday, Guest Post, Health Activist Writer's Challenge 2013, Language matters, Lois Hjemlstad, Marge Piercy, Mastectomy, Memoir, Poetry, Seamus Heaney, Teaching, Ted Kooser, Writing

Amputation by any other name . . .

April 14, 2013 / 9 Comments

This post includes a 1930 video of the Radical Amputation of A Left Breast. Viewer Discretion Advised. I discovered the elegance of Lois Hjelmstad‘s poetry and prose in March 2012. Tentatively broaching the subject of my return to work, having undergone a mastectomy just 47 days earlier, I wrote in Resuming Old Ways of the final pre-operative surgical procedure – the administration of the…

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