Yvonne Watterson Writing
Yvonne Watterson Writing

considering the lilies & lessons from the field ©

More About Yvonne

More About Yvonne

More about Yvonne

Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Yvonne's writing life began in November 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing beyond this blog in The Irish Times, Irish Central, Reading Ireland, and other outlets. Yvonne's essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, a six-piece Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, also a writer, lives in Arizona. “If you have the words, there's always a chance that you'll find the way.” ― Seamus Heaney

About Yvonne

From there to here . . . Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans nearly 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Her writing life began in 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing in The Irish Times, Irish Central, Reading Ireland, and other outlets. Her essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, an Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, is also a writer, living in Arizona.

  • Apartheid,  Betty Williams and Mairead Corrigan,  Death and dying,  From the Republic of Conscience,  Funerals,  Human Rights,  Loss,  Nelson Mandela,  Northern Ireland,  Politics,  saying goodbye,  Seamus Heaney,  Soundtracks of our Lives,  The Cure at Troy,  Themes of Childhood,  Writing

    Dear Nelson Mandela

    July 18, 2022 / 2 Comments

    I believe in Nelson Mandela’s vision. I believe in a vision shared by Gandhi and King and Abraham Lincoln. I believe in a vision of equality, justice, freedom and multi-racial democracy, built on the premise that all people are created equal. - Barack Obama

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    Editor
  • Act Two,  Castledawson,  Family,  Memoir,  Mother Daughter Relationship,  Mother's Day,  Northern Ireland,  Northern Ireland Culture,  Ordinary Things,  Poetry,  Rites of passage,  Rituals,  Seamus Heaney

    a dance for mother’s day

    March 27, 2022 / 1 Comment

    It is Mother’s Day in Ireland. I am hoping the flowers arrived and that the florist remembered to write on the card, “I’ll see you next weekend.” It’s been a long three years, the pandemic and its attendant restrictions keeping us apart. As my brother – only 250 odd miles away from her – reminded me, “this thing has made…

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    Editor
  • Language of Cancer,  Leontia Flynn,  Memoir,  Northern Ireland,  Rituals,  Seamus Heaney,  Themes of childhood

    P.S. The Lovely Uselessness of Poetry

    March 21, 2022 / 1 Comment

    Ukrainian-American poet,  Ilya Kaminsky, writes in the New York Times, of his desperation to find ways out of Ukraine for his friends - writers, poets, and translators. Many of them do not want to leave their homes, even as Russia continues to bombard their cities: I ask how I can help. Finally, an older friend, a lifelong journalist, writes back:…

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    Editor
  • Being a Widow,  Facebook,  Friendship,  Loss,  Love,  Memoir,  Milestones,  Rites of passage,  Rituals,  Social Media,  Themes of childhood,  Valentines Day,  widowed

    love love letters ~ happy valentine’s day.

    February 14, 2022 / No Comments

    Many relationships in my life, I conduct almost entirely by telephone, including those with the people dearest to me. With so many miles of ocean or freeway stretching between our houses, it has been easier to carry on conversations from the comfort of our own homes. I suppose in that regard, it has been business as usual during the pandemic.…

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