Yvonne Watterson Writing
Yvonne Watterson Writing

considering the lilies & lessons from the field ©

More About Yvonne

More About Yvonne

More about Yvonne

Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Yvonne's writing life began in November 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing beyond this blog in The Irish Times, Irish Central, Reading Ireland, and other outlets. Yvonne's essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, a six-piece Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, also a writer, lives in Arizona. “If you have the words, there's always a chance that you'll find the way.” ― Seamus Heaney

About Yvonne

From there to here . . . Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans nearly 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Her writing life began in 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing in The Irish Times, Irish Central, Reading Ireland, and other outlets. Her essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, an Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, is also a writer, living in Arizona.

  • Aging,  Art,  Children's Books,  Coming of age,  Death of parent,  Education,  Fatherless daughters,  learning to drive,  Memoir,  Milestones,  Mother Daughter Relationship,  Mr. Jones,  Poetry,  Rituals,  The Gone of You

    commencement exercises

    May 21, 2019 / No Comments

    Home is where I want to be Pick me up and turn me round I feel numb – born with a weak heart I guess I must be having fun The less we say about it the better Make it up as we go along Feet on the ground Head in the sky It’s ok I know nothing’s wrong… nothing…

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  • cancer,  Feminism,  Irish Diaspora,  Love,  Memoir,  Mothering,  widowed

    Make Some Noise, Murphy – We’re All Ears.

    September 23, 2018 / No Comments

    In December 1988, shortly after Candice Bergen showed up as Murphy Brown on American TV, I took up permanent residence in these United States.  And for the next decade, I liked knowing I could find her if I needed her on a Thursday night at nine o’clock. Characterized as “Mike Wallace in a dress,” she was tough and didn’t suffer…

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    Editor
  • Addiction,  Dead Poet's Society,  Death and dying,  Depression,  Good Morning Vietnam,  Good Will Hunting,  Loneliness,  Loss,  Love,  Mental Health,  Mrs. Doubtfire,  Robin Williams,  saying goodbye,  Self-medicating,  widowed

    out of this world – robin williams

    August 13, 2018 / No Comments

    You’re only given a little spark of madness. You mustn’t lose it. I first encountered Robin Williams on the TV in our living room in Antrim. Remembering his death four years ago, I am a teenager in Northern Ireland once more, and Robin Williams is an alien from outer space on the Mork and Mindy show. Brilliantly, he was Mork from Ork.…

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    Editor
  • Apartheid,  Betty Williams and Mairead Corrigan,  Death and dying,  From the Republic of Conscience,  Funerals,  Human Rights,  Loss,  Nelson Mandela,  Northern Ireland,  Politics,  saying goodbye,  Seamus Heaney,  Soundtracks of our Lives,  The Cure at Troy,  Themes of Childhood,  Writing

    “madiba magic” ~ once in a hundred years

    July 17, 2018 / 23 Comments

    Back in June, I imagine Seamus Heaney was vexed over the thought of a world without Mandela. I think we all were. I remember my husband and I talking about his charisma, the "Madiba magic" that changed the world. We were sad that Mandela's time with us was coming to an end, and I remember turning to the poetry of…

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