Yvonne Watterson Writing
Yvonne Watterson Writing

considering the lilies & lessons from the field ©

More About Yvonne

More About Yvonne

More about Yvonne

Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Yvonne's writing life began in November 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing beyond this blog in The Irish Times, Irish Central, Reading Ireland, and other outlets. Yvonne's essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, a six-piece Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, also a writer, lives in Arizona. “If you have the words, there's always a chance that you'll find the way.” ― Seamus Heaney

About Yvonne

From there to here . . . Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans nearly 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Her writing life began in 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing in The Irish Times, Irish Central, Reading Ireland, and other outlets. Her essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, an Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, is also a writer, living in Arizona.

  • Breast Cancer Awareness,  Damian Gorman,  Dispatches from the Diaspora,  Jonathan Klein,  Let Them Come,  Photos That Changed the World,  Refugees,  Sarah Lewis,  Syria

    the only home you know ~ agus ta fáilte romhaibh

    June 26, 2019 / No Comments

    In his 2010 TED talk, Photos That Changed the World, co-founder of Getty, Jonathan Klein, maintains that a picture can make the world a better place. With clear-eyed compassion, he proves his point, presenting a series of images many of us know well, images from which we can neither look away nor back. In her book, The Rise, Sarah Lewis refers to this…

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    Editor
  • Breast Cancer Advocacy,  Breast Cancer Treatment,  cancer,  Cancer Language,  Damian Gorman,  John McCain,  Memoir

    P.S. Moxie is No Match for Cancer

    July 25, 2017 / No Comments

    I don’t know John McCain. I don’t know if he cried when he learned of his cancer diagnosis. I don’t know how he feels about expectations of him to beat it because, after all, he has proven – in the context of war – that he is a fighter: “Senator John McCain has always been a fighter. Melania and I…

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    Editor
  • Breast Cancer Awareness,  Damian Gorman,  Dispatches from the Diaspora,  Jonathan Klein,  Let Them Come,  Photos That Changed the World,  Refugees,  Sarah Lewis,  Syria

    The Only Home We’ve Ever Known . . .

    September 2, 2015 / 4 Comments

    In his 2010 TED talk, Photos That Changed the World, co-founder of Getty, Jonathan Klein, maintains that a picture can make the world a better place. With clear-eyed compassion, he proves his point, presenting a series of images many of us know well, images from which we can neither look away nor back. In her book, The Rise, Sarah Lewis refers to this…

    Read More
    Editor
  • Cancer Language,  Culture of breast cancer,  Damian Gorman,  Damian Gorman,  Death and dying,  Memoir,  Poetry,  Road trips,  Soundtracks of our Lives,  Summertime,  Van Morrison,  Writing

    rest easy, Dermot Healy

    July 1, 2014 / 4 Comments

    Breast cancer forever changed the connotations of certain words for me – “staging” I no longer immediately associate with the theater; “fog” I am more apt to attach to a state of cognitive loss instead of the stuff of Van Morrison’s misty mornings or the cloud that can obscure parts of Pacific Coast Highway as we head north in the summertime; “cure” no longer the…

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