Yvonne Watterson Writing

More about Yvonne

Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Yvonne's writing life began in November 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing beyond this blog in The Irish Times, Irish Central, Reading Ireland, and other outlets. Yvonne's essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, a six-piece Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, also a writer, lives in Arizona. “If you have the words, there's always a chance that you'll find the way.” ― Seamus Heaney

About Yvonne

From there to here . . . Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans nearly 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Her writing life began in 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing in The Irish Times, Irish Central, Reading Ireland, and other outlets. Her essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, an Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, is also a writer, living in Arizona.

Breast Cancer Awareness Month, Cancer Language, Culture of breast cancer, Health Activist Writer's Challenge 2013, Language matters, Language of Cancer, Themes of Childhood, Van Morrison, Writing

“between cars on a passenger train”

April 3, 2013 / 8 Comments

Not quite a “Wordless Wednesday” . . . If I close my eyes to remember, I can just make out the shadow of my former self standing up and walking out the door, mortally offended by the kindly Breast Cancer Navigator who had just told me I had cancer. Like an unexpected snow, the pronouncement fell from her lips, rendering…

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Breast Cancer Treatment, Cancer Language, Depression, Language matters, Memoir, Mental Health, Northern Ireland, Ordinary Things, World Mental Health Day 2013

where is it likely to go better?

February 6, 2013 / 22 Comments

roll·er coast·er noun \ˈrō-lər-ˌkō-stər, ˈrō-lē-ˌkō-\ Definition of ROLLER COASTER 1. A steep, sharply curving elevated railway with small open passenger cars that is operated at high speeds as a ride, especially in an amusement park. 2. An action, event, or experience marked by abrupt, extreme change in circumstance, quality, or behavior. You. Have. Cancer. A cliché comes next – a roller-coaster ride. You know…

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Arizona, BRCA genes, Breast Cancer Treatment, Cancer Language, Chemotherapy, Diagnosis, Language of Cancer, Memoir, Northern Ireland, Phoenix, Pink Ribbon Culture

Day 5: The Sentinel’s Watch

April 6, 2012 / 15 Comments

I am five days in to the WEGO Health Activist Writer’s Month Challenge and I’m stuck. Today’s post is an ekphrasis, of all things. It looks exactly like a word I would expect to find in a post about health or medicine, so it’s fitting that I have to look it up. Not what I expected, after all. Ekphrasis ( a noun)…

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BRCA genes, Breast Cancer Treatment, Cancer Language, Diagnosis, Dispatch from the Diaspora, Early Detection, Family history, Mammograms

myths that matter

November 21, 2011 / 10 Comments

Cancer has settled into our house, with its attendant complexities and choices. Although a newcomer, I have quickly surmised that for those ensnared deeper in its labyrinth, cancer is a full-time job. The shock of the diagnosis is initially numbed by a flurry of appointment-making and form-filling, the latter of which necessitates a foray into the family medical history, which…

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