Yvonne Watterson Writing

More about Yvonne

Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Yvonne's writing life began in November 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing beyond this blog in The Irish Times, Irish Central, Reading Ireland, and other outlets. Yvonne's essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, a six-piece Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, also a writer, lives in Arizona. “If you have the words, there's always a chance that you'll find the way.” ― Seamus Heaney

About Yvonne

From there to here . . . Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans nearly 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Her writing life began in 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing in The Irish Times, Irish Central, Reading Ireland, and other outlets. Her essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, an Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, is also a writer, living in Arizona.

Blogging, Breast Cancer Awareness Month, Breast Cancer Treatment, Breast Reconstruction, Cancer Language, Culture of breast cancer, Diagnosis, Early Detection, Language of Cancer, Mammograms, Mastectomy, Pink Ribbon Culture, Pink Ribbons, Sexism, Shopping, Susan G Komen Foundation

a pink ribbon made a blogger out of me

October 14, 2015 / 7 Comments

It is October 2015 and we are in the throes of breast cancer awareness. Again. #NoBraDay confirms for me that it is still acceptable to sanitize and sexualize a deadly disease, to glamorize and trivialize it in ways that confound me. Once upon a time – if I’m honest – I probably would have participated in the latest breast cancer awareness…

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BC Action, Breast Cancer Advocacy, Breast Cancer Awareness, Breast Cancer Awareness Month, Breast Cancer Treatment, Breast cancer walks, Culture of breast cancer, Early Detection, Mammograms, Mastectomy, Pink Ribbons, Pinkwashing, Profiting from breast cancer, Susan G Komen Foundation

the five people I met in cancer country . . .

October 7, 2014 / 12 Comments

Opening the in-flight menu on my trip back from Denver this past Sunday, I was reminded that Breast Cancer (industry) Awareness Month is in full swing. Again. So again, I am reminding my friends to remind their friends to think before they pink. With all that’s happened over the past year, I have chosen not to dwell so much on being diagnosed with cancer, living with cancer,…

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BRCA genes, Breast Cancer Treatment, Diagnosis, Gene Patenting, Mastectomy, Myriad Genetics, preventive mastectomy

so who owns your genes, Angelina?

May 15, 2013 / 31 Comments

Actress Angelina Jolie has made very public her personal and medical choice to undergo a preventive double mastectomy. Untold millions now know about her family history of breast cancer that robbed her of her mother, young at 56, and the mutation of the BRCA1 gene that led her to choose preventive mastectomies. Doing so reduced her risk of developing breast cancer from 87%…

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Bullying, Cancer Language, Health Activist Writer's Challenge 2013, Language matters, Mastectomy, Memoir, Poetry, Seamus Heaney, Shirley Jackson, Short Stories, Tamoxifen, Writing

breast cancer: she brought it upon herself

April 25, 2013 / 20 Comments

Illness is the night-side of life, a more onerous citizenship. Everyone who is born holds dual citizenship, in the kingdom of the well and in the kingdom of the sick. Although we all prefer to use only the good passport, sooner or later each of us is obliged, at least for a spell, to identify ourselves as citizens of that…

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