Yvonne Watterson Writing

More about Yvonne

Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Yvonne's writing life began in November 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing beyond this blog in The Irish Times, Irish Central, Reading Ireland, and other outlets. Yvonne's essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, a six-piece Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, also a writer, lives in Arizona. “If you have the words, there's always a chance that you'll find the way.” ― Seamus Heaney

About Yvonne

From there to here . . . Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans nearly 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Her writing life began in 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing in The Irish Times, Irish Central, Reading Ireland, and other outlets. Her essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, an Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, is also a writer, living in Arizona.

A Poem for Michael and Christopher, After death of a spouse, Aging, Anahorish, Art, Bellaghy, Coming of age, Death and dying, Door into the Dark, Family, Fathers and sons, Loss, Memoir, Northern Ireland Culture, Personal Helicon, Poetry, Seamus Heaney, Soundtracks of our Lives, The Forge, Writing

walking round a space without seamus heaney

August 29, 2014 / 9 Comments

I thought of walking round and round a space Utterly empty, utterly a source Where the decked chestnut tree had lost its place In our front hedge above the wallflowers. It’s been a year, and it is still strange to type the words. Seamus Heaney is dead. There is still no way for me to convey the inestimable impact of…

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Art, Belfast, Belfast Peace Lines, Berlin Wall, Borders, Bruce Springsteen, Bruce Springsteen & The E Street Band, Coming of age, Gaza, Human Rights, Kai Wiedenhöfer, Memoir, Northern Ireland, Photography, The Troubles, United States-Mexico Border, W.B. Yeats, Writers

‘peace comes dropping slow’

August 10, 2014 / 4 Comments

I always thought Robert Frost was very sensible to ask so plainly in a poem we had to memorize for school, why it is that good fences make good neighbors: Before I built a wall I’d ask to know What I was walling in or walling out, And to whom I was like to give offence. Something there is that doesn’t love…

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Friendship, Ireland, Irish culture, Irish Diaspora, Language matters, Phoenix Art Museum, Shel Silverstein, Social Media, Twitter, Writing

looking after Ireland . . . madeleine albright & me

January 28, 2014 / 20 Comments

The Voice by Shel Silverstein There is a voice inside of you, That whispers all day long, “I feel that this is right for me, I know that this is wrong.” No teacher, preacher, parent, friend Or wise man can decide What’s right for you– just listen to The voice that speaks inside. I’m finding that with age, it is easier for…

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Art, Lou Reed, Memoir, Neil Gaiman, New York, Soundtracks of our Lives, The Velvet Underground

my first sunday morning without Lou Reed

October 27, 2013 / 5 Comments

For as long as I can remember, I have known that Holly came from Miami, FLA and hitch-hiked her way across the USA; that little Joe never gave it away; and, that Jackie thought she was James Dean for a day. As young as I was when I first heard Lou Reed’s “Walk on the Wild Side,” I cannot possibly have…

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