Yvonne Watterson Writing

More about Yvonne

Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Yvonne's writing life began in November 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing beyond this blog in The Irish Times, Irish Central, Reading Ireland, and other outlets. Yvonne's essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, a six-piece Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, also a writer, lives in Arizona. “If you have the words, there's always a chance that you'll find the way.” ― Seamus Heaney

About Yvonne

From there to here . . . Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans nearly 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Her writing life began in 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing in The Irish Times, Irish Central, Reading Ireland, and other outlets. Her essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, an Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, is also a writer, living in Arizona.

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‘racing’ thoughts

February 20, 2012 / 2 Comments

My post-surgical lap around the hospital ward, was at best, tentative and unsteady, but that was more to do with all the things still attached to me, the urinary catheter and the JP drains, as well as the stunning realization that standing up straight is just not possible three days after a DIEP flap reconstruction. Magically, just two weeks later,…

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Dispatch from the Diaspora

happy to be home

January 23, 2012 / No Comments

At 4 o’clock this morning, I called out, “Honey!” Almost instantaneously, “Coming Momma!” from a 14 year old who has been elevated to heroine status for reasons that will become clear as I try to make a point about what coming home means. At the same time, from the den, another “Coming honey!” – my wise and worn-out husband who…

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