Yvonne Watterson Writing
Yvonne Watterson Writing

considering the lilies & lessons from the field ©

More About Yvonne

More About Yvonne

More about Yvonne

Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Yvonne's writing life began in November 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing beyond this blog in The Irish Times, Irish Central, Reading Ireland, and other outlets. Yvonne's essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, a six-piece Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, also a writer, lives in Arizona. “If you have the words, there's always a chance that you'll find the way.” ― Seamus Heaney

About Yvonne

From there to here . . . Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans nearly 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Her writing life began in 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing in The Irish Times, Irish Central, Reading Ireland, and other outlets. Her essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, an Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, is also a writer, living in Arizona.

  • All The Young Dudes,  david bowie,  Dispatch from the Diaspora,  Drive in Saturday,  Lazarus,  Life on Mars,  Rebel Rebel,  Rock n Roll Suicide,  Young Americans

    bowie – is it any wonder?

    January 10, 2020 / No Comments

    The following post was also published on the Irish Times website as part of a collective tribute to David Bowie from Irish writers Julian Gough, Joseph O’Connor, Edna O’Brien, Roddy Doyle, Eimear McBride, Hugo Hamilton, John Kelly, John McAuliffe and many others –  David Bowie: Irish Writers Pay Tribute  It was just after one o’clock in the morning. On my bedside…

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  • All The Young Dudes,  david bowie,  Dispatch from the Diaspora,  Drive in Saturday,  Lazarus,  Life on Mars,  Rebel Rebel,  Rock n Roll Suicide,  Young Americans

    bowie – is it any wonder?

    January 11, 2019 / 5 Comments

    The following post was also published on the Irish Times website as part of a collective tribute to David Bowie from Irish writers Julian Gough, Joseph O’Connor, Edna O’Brien, Roddy Doyle, Eimear McBride, Hugo Hamilton, John Kelly, John McAuliffe and many others –  David Bowie: Irish Writers Pay Tribute  It was just after one o’clock in the morning. On my bedside…

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    Editor
  • Arizona Humane Society,  Chihuahuas,  Dog Rescue,  Dogs,  Door into the Dark,  Greyhound,  Loss,  Love,  Mary Oliver,  Memoir,  Rites of passage,  Seamus Heaney,  Starting over,  The Midnight Anvil

    for national puppy day – an emotional rescue

    March 23, 2016 / No Comments

    A dog can never tell you what she knows from the smells of the world, but you know, watching her, that you know almost nothing. ~ Mary Oliver, Dog Songs First there was Molly, a retired racer who loved me. We had rescued her in the Christmas of 2008, on the heels of a spectacular crisis in my professional life, and…

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    Editor
  • Act Two,  After death of a spouse,  Aging,  Being a Widow,  Birthdays,  Dispatch from the Diaspora,  Father Daughter Relationships,  Fatherless daughters,  Fourth of July,  Loss,  Memoir,  Milestones,  Rites of passage,  Second Birthday Without Him,  Soundtracks of our Lives,  Ted Kooser

    Marking your Birthday – “Slow Learning but You Learn to Sway”

    September 21, 2015 / 13 Comments

    It is your birthday, and for the second time since we met, you are not with me on your day. How should we mark the occasion? Without any fuss, I can hear you say, and maybe you can hear me ignore you as I plan a fuss of some kind, the way I did for each of the 23 birthdays you celebrated with…

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