Irish DIASPORA – Page 6 – Yvonne Watterson Writing

More about Yvonne

Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Yvonne's writing life began in November 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing beyond this blog in The Irish Times, Irish Central, Reading Ireland, and other outlets. Yvonne's essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, a six-piece Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, also a writer, lives in Arizona. “If you have the words, there's always a chance that you'll find the way.” ― Seamus Heaney

About Yvonne

From there to here . . . Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans nearly 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Her writing life began in 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing in The Irish Times, Irish Central, Reading Ireland, and other outlets. Her essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, an Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, is also a writer, living in Arizona.

9/11, Anything can Happen, Billy Collins, Healing Field Tempe, Memoir, Remembering September 11th, Seamus Heaney, Terrorism, Themes of childhood

naming names – 9.11

September 10, 2018 / No Comments

Flanked by row upon row of flagpoles set five feet apart, we can stretch out our arms to touch two lives at a time, lest we forget what happened on September 11, 2001. The 9.11 memorial in Tempe, Arizona, is heartbreakingly beautiful, each one of its 2,996 flags signifying a life taken on that horrific autumn morning. We first visited the memorial in…

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A Poem for Michael and Christopher, Act Two, Door into the Dark, Postscript, Seamus Heaney, The Underground

Dear Seamus Heaney,

August 29, 2018 / No Comments

Whether it be a matter of personal relations within a marriage or political initiatives within a peace process, there is no sure-fire do-it-yourself kit. There is risk and truth to yourselves and the world before you. And so, my fellow graduates, make the world before you a better one by going into it with all boldness. You are up to…

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Birthdays, bombing, IRA, John Hewitt, Loughinisland, Memoir, Northern Ireland, Omagh, Peace, Sectarianism, The Good Friday Agreement, The Peace Process, The Troubles, Themes of childhood, UVF, W.B. Yeats

At this moment, bear in mind Omagh.

August 14, 2018 / No Comments

As we plan to mark the 20th anniversary of the Omagh bombing, I am drawn back to the summer of 1998. A new mother, I had taken my baby daughter back home to Northern Ireland, my lovely, tragic Northern Ireland. Between my father, my brother, and a handful of relatives who could keep a secret (an impressive trait in rural County…

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American Dream, Belfast, Bob Dylan, Concerts, Dispatch from the Diaspora, Irish Diaspora, Las Vegas Shooting, Red Rocks Amphitheater, saying goodbye, Soundtracks of our Lives, Tom Petty and the Heartbreakers

Dear Tom Petty . . .

October 2, 2017 / 6 Comments

Dear Tom, Last Friday night, you and your Heartbreakers played the Hollywood Bowl in Los Angeles, and I was there with my boyfriend. It was his first time seeing you perform, but I’ve lost count since I first saw the Grateful Dead open for you and Bob Dylan at Rich Stadium, Buffalo, in 1986. This was special, every bit as…

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