Feminism – Yvonne Watterson Writing

More about Yvonne

Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Yvonne's writing life began in November 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing beyond this blog in The Irish Times, Irish Central, Reading Ireland, and other outlets. Yvonne's essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, a six-piece Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, also a writer, lives in Arizona. “If you have the words, there's always a chance that you'll find the way.” ― Seamus Heaney

About Yvonne

From there to here . . . Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans nearly 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Her writing life began in 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing in The Irish Times, Irish Central, Reading Ireland, and other outlets. Her essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, an Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, is also a writer, living in Arizona.

Memoir

Primavera Forever.

February 23, 2025 / No Comments

Edna St. Vincent Mallay, who brought us the candle burning at both ends, was born on February 22nd 1892, a woman before her time. Enchanting, bold, and brilliant, her poetry was described by Thomas Hardy as one of America’s two greatest attractions—the other was the skyscraper. In Savage Beauty: The Life of Edna St. Vincent Mallay, biographer Nancy Milford clocks the…

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Feminism, Memoir

About my hair. Seriously.

May 22, 2019 / 1 Comment

It was with a mix of delight and anxiety that I read in today’s Guardian that the perm is making a comeback. You read that right. Hair-rising news that takes me back to that day a few years ago when a middle-aged bald man reached across an impressive stretch of time and distance to announce on my Facebook page, “Hey!” …

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and What I Wore, Art, Awesome Women, Carly Simon, Cat Stevens, Culture of breast cancer, Facebook, Feminism, Memoir, Memoir, Mother Daughter Relationship, Nora Ephron, Soundtracks of our Lives, Theater, Writers

In Control – Remembering Nora Ephron on International Women’s Day.

March 8, 2018 / 2 Comments

It was leukemia that took Nora Ephron from us, a cancer she had kept private in a world that already knew many of the intimate details of her aging neck, her dry skin, the contents of her purse, her small breasts about which she wrote A Few Words, and her weapon of choice against not only the gray hair that grows…

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Feminism, Memoir

Hair Matters – Just Ask Hillary Clinton.

July 29, 2016 / No Comments

“Didn’t we used to call you Crystal Tipps?” Why yes, you did. Relentlessly. It was funnier to you than it was to me. Teetering on the edge of adolescence in the early seventies, I instinctively knew that Crystal’s coiffure, a big triangular purple frizz, belonged only on the BBC, in the groovy world of cut-out animation created by Hilary Hayton.…

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