Yvonne Watterson Writing

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Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Yvonne's writing life began in November 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing beyond this blog in The Irish Times, Irish Central, Reading Ireland, and other outlets. Yvonne's essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, a six-piece Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, also a writer, lives in Arizona. “If you have the words, there's always a chance that you'll find the way.” ― Seamus Heaney

About Yvonne

From there to here . . . Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans nearly 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Her writing life began in 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing in The Irish Times, Irish Central, Reading Ireland, and other outlets. Her essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, an Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, is also a writer, living in Arizona.

Anne Lamotte, Arizona, Awesome Women, Belfast, Blogging, Creative Non-Fiction, Culture of breast cancer, Gabriel Garcia Marquez, Irish Diaspora, Joan Didion, Memoir, New widowhood, Northern Ireland Culture, Paula Meehan, Seamus Heaney, Social Media, The Troubles, Themes of Childhood, Tom Petty & the Heartbreakers, Van Morrison

me. the live tour.

April 25, 2014 / 28 Comments

Anyone who reads this blog knows I consider it a home away from home, a safe place to fall where I can put my feet up, have a beer, and listen to Tom Petty and the Heartbreakers all day long if I feel like it. I don’t have to keep it clean. I don’t have to check the mail – I don’t even have…

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Arizona, Awesome Women, Books, Bridget Jones, Death and dying, Door into the Dark, Family, FInal wishes, Friendship, Grieving, Helen Fielding, Marriage, Memoir, Mourning, Northern Ireland, Ordinary Things, Poetry, saying goodbye, Seamus Heaney, The Devil Wears Prada, The Midnight Anvil, Wedding Anniversary, Wendy Cope, widowed

newly widowed ~ instructions not included

November 20, 2013 / 126 Comments

They tell me I am in a state of shock and to take one day at a time. They tell me he is in a far better place now. Really? How could any place be better than in our dining room next month to light sixteen candles on my daughter's birthday cake or in the audience to cheer our girl…

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Art, Lou Reed, Memoir, Neil Gaiman, New York, Soundtracks of our Lives, The Velvet Underground

my first sunday morning without Lou Reed

October 27, 2013 / 5 Comments

For as long as I can remember, I have known that Holly came from Miami, FLA and hitch-hiked her way across the USA; that little Joe never gave it away; and, that Jackie thought she was James Dean for a day. As young as I was when I first heard Lou Reed’s “Walk on the Wild Side,” I cannot possibly have…

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Art, Awesome Women, Breast Cancer Treatment, Breast Reconstruction, Culture of breast cancer, Feminism, Kellys Cellars, Mammograms, Mother Daughter Relationship, Nipple Tattoo, P.INK DAY 2013, Pink Ribbon Culture, Pink Ribbons, Pinkwashing, Sexism, Shopping, Themes of childhood, Tina Fey, Writers

Tattoo. Taboo. Oh how we judge you . . .

October 18, 2013 / 35 Comments

NOTE: On October 20, 2013, as Breast Cancer Awareness Month winds down, the pictures on this post offended someone so much that she or he reported them to Facebook and asked to have them removed. And I thought the cancer was the offensive thing. The story that follows is mine. I chose to share it. I make no apology. I did…

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