Yvonne Watterson Writing
Yvonne Watterson Writing

considering the lilies & lessons from the field ©

More About Yvonne

More About Yvonne

More about Yvonne

Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Yvonne's writing life began in November 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing beyond this blog in The Irish Times, Irish Central, Reading Ireland, and other outlets. Yvonne's essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, a six-piece Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, also a writer, lives in Arizona. “If you have the words, there's always a chance that you'll find the way.” ― Seamus Heaney

About Yvonne

From there to here . . . Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans nearly 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Her writing life began in 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing in The Irish Times, Irish Central, Reading Ireland, and other outlets. Her essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, an Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, is also a writer, living in Arizona.

  • Act Two,  Castledawson,  Family,  Memoir,  Mother Daughter Relationship,  Mother's Day,  Northern Ireland,  Northern Ireland Culture,  Ordinary Things,  Poetry,  Rites of passage,  Rituals,  Seamus Heaney

    and still we dance . . . happy mother’s day

    March 14, 2021 / 1 Comment

    In Ireland, it is Mother’s Day and it is also still impossible to visit my mother and the place that made her. A phone call later will help minimize the miles between Castledawson and a village in Mexico, me falling easily back into the comforting colloquialisms of home, but it won’t be the same as surprising her the way I used…

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    Editor
  • A Poem for Michael and Christopher,  Act Two,  Door into the Dark,  Postscript,  Seamus Heaney,  The Underground

    P.S. Thank you, Seamus Heaney.

    August 30, 2020 / No Comments

    Whether it be a matter of personal relations within a marriage or political initiatives within a peace process, there is no sure-fire do-it-yourself kit. There is risk and truth to yourselves and the world before you. And so, my fellow graduates, make the world before you a better one by going into it with all boldness. You are up to…

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    Editor
  • A Sense of Wonder,  Aging,  Barmbrack,  Belfast,  Best friends,  Dispatch from the Diaspora,  Good Vibrations,  Hyndford Street,  In the Days Before Rock n' Roll,  Irish culture,  Little Feat,  Madame George,  Memoir,  Milestones,  Music,  Norn Iron Soul Food,  Northern Ireland,  Paris Buns,  pop culture,  Pop Music,  Pop-in Records,  Record Shops,  Rites of passage,  Rituals,  Seamus Heaney,  Snowball,  Soundtracks of our Lives,  Terri Hooley,  Themes of childhood,  Van Morrison,  Vinyl Records,  WagonWheel,  When the Healing Has Begun

    Caught One More Time . . . Happy Birthday, Van Morrison.

    September 1, 2019 / No Comments

    From Cyprus Avenue on Van Morrison's 70th birthday - when the familiar refrain streamed across a continent into my kitchen in the desert, and the appreciative whistles from the Belfast crowd, my whole world stopped for a second. Back street jelly roll . . .

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    Editor
  • A Poem for Michael and Christopher,  Act Two,  Door into the Dark,  Postscript,  Seamus Heaney,  The Underground

    Dear Seamus Heaney,

    August 30, 2019 / No Comments

    Whether it be a matter of personal relations within a marriage or political initiatives within a peace process, there is no sure-fire do-it-yourself kit. There is risk and truth to yourselves and the world before you. And so, my fellow graduates, make the world before you a better one by going into it with all boldness. You are up to…

    Read More
    Editor
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