Yvonne Watterson Writing

More about Yvonne

Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Yvonne's writing life began in November 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing beyond this blog in The Irish Times, Irish Central, Reading Ireland, and other outlets. Yvonne's essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, a six-piece Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, also a writer, lives in Arizona. “If you have the words, there's always a chance that you'll find the way.” ― Seamus Heaney

About Yvonne

From there to here . . . Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans nearly 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Her writing life began in 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing in The Irish Times, Irish Central, Reading Ireland, and other outlets. Her essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, an Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, is also a writer, living in Arizona.

Dispatch from the Diaspora, Enniskillen, Remembrance Sunday 2015, Wilfred Owen

For My Granda on the 100th Anniversary of the Battle of the Somme

July 1, 2016 / No Comments

My grandfather died on June 22, 1977, a decade before the Enniskillen bombing. Had he been alive on that day, he would have been wearing his pressed suit, with medals and poppy attached to the lapels, not unlike those pensioners gathered respectfully at the Cenotaph where at 10:43am, with chilling choreography, an IRA bomb exploded, killing eleven and wounding 68.…

Read More

Editor
A Call, Coming of age, Death of parent, Dennis O'Driscoll, Dispatch from the Diaspora, Father Daughter Relationships, Father's Day, magic and loss, Saying Thank You, Seamus Heaney, The Diviner, Those Winter Sundays

what love sounds like – for father’s day

June 16, 2016 / No Comments

We knew love. It wasn’t a matter of declaring it. It was proven. ~ Seamus Heaney I am part of a tableau of ordinariness in which a cold beer sweats on the kitchen table, and an artichoke simmers on the stove. A man who makes me smile checks for doneness. Again. It is not quite ready, so his daughter adds more water. Laughing and lovely and impatient to eat, she spies…

Read More

Editor
Damian Gorman, Devices of Detachment, Dispatch from the Diaspora, Mass shootings, Orlando, The Troubles, Themes of childhood

blood on my hands and yours . . . from sea to shining sea

June 14, 2016 / No Comments

Since he took office, President Obama has had to publicly address sixteen mass shootings in these United States. Sixteen times he has stared into a camera and uttered the best words for the worst of times knowing he will probably have to do it again. Each time, we listen to him, we ask why, and we shake our heads and shed tears…

Read More

Editor
Act Two, Castledawson, Family, Memoir, Mother Daughter Relationship, Mother's Day, Northern Ireland, Northern Ireland Culture, Ordinary Things, Poetry, Rites of passage, Rituals, Seamus Heaney

still we dance – on mother’s day in america

May 6, 2016 / No Comments

This weekend marks another Mother’s Day without the man who made a mother out of me, the man who loved me so well and for so long. Our girl plans to take time off work to spend the day with me, and we know – but we keep it to ourselves – that looking forward to a special Sunday together will lead to looking back to the…

Read More

Editor