Writing by Yvonne Watterson

~ considering the lilies & lessons from the field ©

Writing by Yvonne Watterson

Category Archives: The Good Friday Agreement

Omagh. On a sunny afternoon.

15 Thursday Aug 2024

Posted by Editor in Birthdays, bombing, IRA, John Hewitt, Loughinisland, Memoir, Northern Ireland, Omagh, Peace, Sectarianism, The Good Friday Agreement, The Peace Process, The Troubles, Themes of childhood, UVF, W.B. Yeats

≈ 1 Comment

Tags

"Neither an Elegy nor a Manifesto", 1994 World Cup, 2004 World Series, bombings, Boston Red Sox, Giants Stadium, Good Friday Agreement, Ireland, Irish DIASPORA, John Hewitt, New Jersey, North Antrim Coast, Northern Ireland, Omagh, REAL IRA

photo-62

“It is not possible to be in favor of justice for some people and not be in favor of justice for all people.” – Martin Luther King Jr.

Last month, after almost 26 years, the British government opened the first hearing of an independent statutory inquiry into the 1998 Omagh bombing that claimed 29 lives and injured hundreds in the County Tyrone market town on 15 August 1998. 

If justice comes, it won’t be swift. The first hearing is mainly  procedural. No witnesses will be called or evidence heard until next year.  Bereaved and traumatized families and survivors must wait, as they have done for almost three decades.

They are in my thoughts as I look out on the morning from my parents house in Northern Ireland. I think it is the first time I have been back here on this date since the summer of 1998. 

A brand new mother that year, I had come home with my baby girl. Between my father, my brother, and a handful of relatives who could keep a secret – and this is no small feat in rural County Derry – we had planned a “This is Your Life” style surprise to celebrate my mother’s sixtieth birthday.  It was delicious. We had all swallowed the same secret, and my all-knowing mother was completely in the dark.

The Troubles had tainted previous visits home, but this time was different. We really believed it was over, that there would be no bombings, no shootings, no army checkpoints. There was something symbolic, magical even, in returning home with a baby in my arms to a brand new optimism fueled by The Good Friday Agreement signed only four months before.

It had been different four years before. That trip had coincided with Ireland’s qualifying for the World Cup. The country was ecstatic – factories, offices, shops, even banks, all closing early so everyone could make it home, or to the pub, in time for kick-off at the Ireland v Italy match being televised live from Giants Stadium in New Jersey. My brother and I had considered going to the pub to watch the first-round match, but daddy convinced us to stay home, have a few tins of Harp, maybe a half ‘un of Whiskey and watch from the comfort of the living room. So we stayed at home and watched on telly – in joyous disbelief –  as Ireland went up 1-0 against Italy at Giants Stadium. When the lads in green scored a goal, we roared with pride even as we were afraid to look, not unlike Boston Red Sox fans prior to the 2004 World Series.

The second half of the match was well underway when two men, their faces hidden behind balaclavas, stormed into a tiny packed pub, The Heights Bar, in the village of Loughinisland, County Down. With an AK47 and a Czech made rifle, they shot madly and indiscriminately at the sixteen men gathered around the bar watching Ireland beat Italy. They killed six of them. According to witnesses, the two gunmen laughed as they made their getaway. The first killed, Barney Green, was in his eighties, someone’s grandfather, and as I recall from the stories that later poured from that heartbroken village, he had put on his best suit to mark Ireland’s making it to the World Cup.

It chills me still to think of Barney Green struck down with such savagery in the very moment as that jubilant Irish squad burst out of an American football stadium, awash in green, buoyed by the chanting of 60,000 supporters, anticipating champagne and a night of revelry, only to be silenced and sickened by the hideous dispatch from a country pub back home. Surely that would be the last time we would hear of such horror. No. It would not. Omagh was just up the road.


For many Northern Ireland families, mine included, the youngest generation had known only a country in conflict. But in 1998, my daughter would witness a new country. The people – including my parents who had voted for the first time in their lives – wanted peace and said ‘yes’ to the question  “Do you support the Agreement reached at the multi-party talks on Northern Ireland and set out in Command Paper 3883?” It was a resounding yes from the people, in anticipation of the brand new day Northern Ireland deserved.

When my mother’s 60th birthday arrived that year, I telephoned in the morning with love and good wishes and a promise that I would arrange a trip back home soon. Yes, she had received the flowers I’d sent, and she was looking forward to going out for dinner with daddy that evening. On their way to a favorite restaurant, he took a detour for a quick visit with my Aunt Sadie, where they were greeted with delighted shrieks of “Surprise!” from the well-hidden gathering of family and friends whose cars were parked on another lane, far out of sight. One of my cousins assumed the role of This is Your Life host, Eamonn Andrews, complete with a big red book and related the story of my mother’s life to all assembled.  When she reached the part about my mother becoming a grandmother for the first time just eight months earlier, she suggested calling me so I could at least be part of the celebration by phone. Naturally, I was unavailable, given that two days earlier, I had flown in to Belfast with Sophie, and had been holed up at my Aunt Sadie’s house enjoying secret visits with my dad and my brother, the three of us delighting in the fact that my mother was oblivious to all the subterfuge.

Naturally, ma was disappointed when the phone went to voicemail, but she was quickly distracted by the doorbell ringing. Thinking it was yet another cousin or a friend with a birthday present, she opened the door, where, looking up at her from a nest of pink blankets, was her beautiful baby granddaughter. A perfectly executed surprise, planned down to the very last minute, it was one my mother would cherish always, a jewel in a box.

At about the same time, another plan was coming to fruition, a diabolical scheme, that would just a week later, rip asunder the tiny market town of Omagh in the neighboring county of Tyrone, devastating families from as near as Donegal and as far away as Madrid, Spain, and reminding us all that Northern Ireland’s Troubles were far from over.

Like most of us here, I don’t know all the details. I’m afraid of them.

It frightens me to consider the machinations of minds that could craft a plan to load a nondescript red car, plate number MDZ 5211, with 500 pounds of explosives, park it in the middle of a busy shopping area, and place two phone calls to the local television station, one to the Coleraine Samaritans, with a warning 40 minutes before the bomb inside it exploded. There was confusion as the police evacuated the shoppers – mostly mothers and children on back-to-school shopping sprees. Thinking they were moving them away from the Court House to safety, the police moved people to the bottom of Market Street, where the bomb was about to be detonated.

I wonder if they felt that familiar relief, the kind you know from past experiences of bomb-scares and hoaxes, if they felt they were out of harm’s way and just in time, believing that it would all be alright. Maybe they told themselves it was just a bomb scare, like old times, and not to be taken very seriously, but they would of course cooperate with authorities so they could get back to their Saturday afternoon shopping, seeking out bargains for backpacks and books, new uniforms and lunch-boxes, full of the promise that accompanies the start of a new school year.

omagh_imminent

Spaniard Gonzalo Cavedo and child posing by the car carrying the bomb that killed 29 people, many of whom are in the picture, including the photographer. Mr. Cavedo and the child survived. (Source: Belfast Telegraph)

Mere seconds after this photo was taken with a camera later retrieved from the rubble, the 500 pound bomb inside the red car exploded, blowing the vehicle to bits. Like a butcher’s knife, the blast cut through the row of little shops. I recall the harrowing accounts of witnesses, unable to unsee blood flowing in the gutters and pieces of people in the street, unable to put words to the savagery, the carnage before them. Little Omagh was a killing field.

We weren’t listening to the radio that afternoon, so we didn’t hear the news. My brother, his girlfriend, and my baby girl were driving around the North Antrim coast, listening to CDs of Neil Young and Paul Brady, occasionally breaking into song as we took in the wild scenery around us. We stopped occasionally so Sophie could see up close the horses and cows peering at us over gates on sun-splashed country roads. It was a beautiful, windy Irish day, and we were happy. 

We had no reason to believe anything was wrong. Why would we? But heading home at dusk, we were stopped at a police checkpoint and told to take a detour. Instantly we knew. It had happened again. My parents were at home, stunned by the same old story on the news and they were worried sick. They had no idea where we were and paced the floor until their driveway was lit up again with the headlights of my brother’s car.

There was no peace. 

Another atrocity. Another day on the calendar for the people of Northern Ireland that would leave us wondering how we would ever recover from the maddening, wrenching anguish that visited us once again. My country is so tiny – I’ve been told it fits into one third of the state of Kansas – that I imagine everyone knew someone who knew someone maimed or killed in the largest mass murder in its history.  A relative of an Antrim barman had been killed in the Omagh bombing, and I remember wondering what I could possibly say to him by way of condolences, knowing there are no adequate words.

Like so many others, I had dared to believe that peace had come to the country I had left but still loved. I should have remembered what I know can never be forgotten from The Isle of Innisfree –  that “peace comes dropping slow.”

Nothing had changed, and everything changed at 3:10PM in Omagh when the bomb exploded, injuring over 300 and killing 29 people and unborn twins. Until Britain’s High Court ruled in 2021 that there were plausible arguments that the bombing by the Real IRA militant group could have been prevented, there has been – and little reason to believe that there would be – justice. No one has ever been convicted. 

The Omagh list of dead “reads like a microcosm of Troubles deaths, and left no section of Irish life untouched. The town they attacked is roughly 60:40 Catholic:Protestant, and the dead consisted of Protestants, Catholics, a Mormon and two Spanish visitors. They killed young, old and middle-aged, fathers, mothers, sons, daughters and grannies. They killed republicans and unionists, including a prominent local member of the Ulster Unionist Party. They killed people from the backbone of the Gaelic Athletic Association (GAA). They killed unborn twins, bright students, cheery shop assistants and many young people. They killed three children from the Irish Republic who were up north on a day trip. Everyone they killed was a civilian. The toll of death was thus both extraordinarily high and extraordinarily comprehensive.”

May we never forget them or the thousands of families still seeking justice and information about what happened to their loved ones during The Troubles. May we stand with them and protect their path to the truth, to justice, and to peace.

Bear in mind these dead.

“Neither an Elegy nor a Manifesto” by John Hewitt

So I say only: Bear in mind

Those men and lads killed in the streets;

But do not differentiate between

Those deliberately gunned down

And those caught by unaddressed bullets:

Such distinctions are not relevant . . .

Bear in mind the skipping child hit

By the anonymous ricochet . . .

And the garrulous neighbours at the bar

When the bomb exploded near them;

The gesticulating deaf-mute stilled

by the soldier’s rifle in the town square

And the policeman dismembered by the booby trap

in the car . . .

Patriotism has to do with keeping

the country in good heart, the community

ordered by justice and mercy;

these will enlist loyalty and courage often,

and sacrifice, sometimes even martyrdom.

Bear these eventualities in mind also;

they will concern you forever:

but, at this moment, bear in mind these dead.

13920888_10210319570086764_6748659015835251386_n

James Barker (12) from Buncrana

Fernando Blasco Baselga(12) from Madrid

Geraldine Breslin (43) from Omagh

Deborah Anne Cartwright (20) from Omagh

Gareth Conway (18) from Carrickmore

Breda Devine (20 months) from Donemana

Oran Doherty (8) from Buncrana

Aidan Gallagher (21) from Omagh

Esther Gibson (36) from Beragh

Mary Grimes (65) from Beragh

Olive Hawkes (60) from Omagh

Julia Hughes (21) Omagh

Brenda Logue (17) from Omagh

Anne McCombe (45) from Omagh

Brian McCrory(54) from Omagh

Samantha McFarland (17) Omagh

Seán McGrath (61) from Omagh

Sean McLaughlin (12) from Buncrana

Jolene Marlow (17) Omagh

Avril Monaghan (30) from Augher

Maura Monaghan (18 months) from Augher

Alan Radford (16) Omagh

Rocio Abad Ramos (23) from Madrid

Elizabeth Rush (57) Omagh

Veda Short (46) from Omagh

Philomena Skelton (39) from Durmquin

Frederick White (60) from Omagh

Bryan White (26) from Omagh

Lorraine Wilson (15) Omagh

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Justice Delayed, Justice Denied

04 Saturday Feb 2023

Posted by Editor in Birthdays, bombing, IRA, John Hewitt, Loughinisland, Memoir, Northern Ireland, Omagh, Peace, Sectarianism, The Good Friday Agreement, The Peace Process, The Troubles, Themes of childhood, UVF, W.B. Yeats

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Tags

"Neither an Elegy nor a Manifesto", 1994 World Cup, 2004 World Series, bombings, Boston Red Sox, Giants Stadium, Good Friday Agreement, Ireland, Irish DIASPORA, John Hewitt, New Jersey, North Antrim Coast, Northern Ireland, Omagh, REAL IRA

photo-62

“It is not possible to be in favor of justice for some people and not be in favor of justice for all people.” – Martin Luther King Jr.

After almost 25 years, the British government has announced it will hold an independent statutory inquiry into the 1998 Omagh bombing that claimed 29 lives and injured hundreds in the County Tyrone market town on 15 August 1998. 

For the families affected, this is a momentous decision that comes two years after a High Court judge ruled there were “plausible arguments” that there existed a “real prospect” of preventing the atrocity.  As they brace themselves for next steps and at least two more years during which they will be re-traumatized by festering questions about the bombing, I am drawn back to the summer of 1998. A brand new mother, I had taken my baby daughter back home to Northern Ireland, my lovely, tragic Northern Ireland. Between my father, my brother, and a handful of relatives who could keep a secret – and this is no small feat in rural County Derry – we had planned a “This is Your Life” style surprise to celebrate my mother’s sixtieth birthday.  It was delicious. We had all swallowed the same secret, and my all-knowing mother was completely in the dark.

The Troubles had tainted previous visits home, but this time was different. We believed it was over, that there would be no bombings, no shootings, no army checkpoints. There was something symbolic, magical even, in returning home with a baby in my arms to a brand new optimism fueled by The Good Friday Agreement signed only four months before.

It had been different four years before. That trip had coincided with Ireland’s qualifying for the World Cup. The country was ecstatic – factories, offices, shops, even banks, all closing early so everyone could make it home, or to the pub, in time for kick-off at the Ireland v Italy match being televised live from Giants Stadium in New Jersey. My brother and I had considered going to the pub to watch the first-round match, but daddy convinced us to stay home, have a few tins of Harp, maybe a half ‘un of Whiskey and watch from the comfort of the living room. So we stayed at home and watched on telly – in joyous disbelief –  as Ireland went up 1-0 against Italy at Giants Stadium. When the lads in green scored a goal, we roared with pride even as we were afraid to look, not unlike Boston Red Sox fans prior to the 2004 World Series.

The second half of the match was well underway when two men, their faces hidden behind balaclavas, stormed into a tiny packed pub, The Heights Bar, in the village of Loughinisland, County Down. With an AK47 and a Czech made rifle, they shot madly and indiscriminately at the sixteen men gathered around the bar watching Ireland beat Italy. They killed six of them. According to witnesses, the two gunmen laughed as they made their getaway. The first killed, Barney Green, was in his eighties, someone’s grandfather, and as I recall from the stories that later poured from that heartbroken village, he had put on his best suit to mark Ireland’s making it to the World Cup.

It chills me still to think of Barney Green struck down with such savagery in the very moment as that jubilant Irish squad burst out of an American football stadium, awash in green, buoyed by the chanting of 60,000 supporters, anticipating champagne and a night of revelry, only to be silenced and sickened by the hideous dispatch from a country pub back home. Surely that would be the last time we would hear of such horror. No. It would not. Omagh was just up the road.


For many Northern Ireland families, mine included, the youngest generation had known only a country in conflict. But in 1998, my daughter would witness a new country, a country at peace. The people – including my parents who had voted for the first time in their lives – wanted it, and said ‘yes’ to the question  “Do you support the Agreement reached at the multi-party talks on Northern Ireland and set out in Command Paper 3883?” It was a resounding yes from the people, in anticipation of the brand new day Northern Ireland deserved.

When my mother’s 60th birthday arrived that year, I telephoned in the morning with love and good wishes and a promise that I would arrange a trip home soon. Yes, she had received the flowers I’d sent, and she was looking forward to going out for dinner with daddy that evening. On their way to a favorite restaurant, he took a detour for a quick visit with my Aunt Sadie, where delighted shrieks of “Surprise!”exploded from the well-hidden gathering of family and friends whose cars were parked on another lane, far out of sight. One of my cousins assumed the role of This is Your Life host, Eamonn Andrews, complete with the big red book and related the story of my mother’s life to all assembled.  When she reached the part about my mother becoming a grandmother for the first time just eight months earlier, she suggested calling me so I could at least be part of the celebration by phone. Naturally, I was unavailable, given that two days earlier, I had flown in to Belfast with Sophie, and had been holed up at my Aunt Sadie’s house enjoying secret visits with my dad and my brother, the three of us delighting in the fact that my mother was oblivious to all the subterfuge.

Naturally, ma was disappointed when the phone went to voicemail, but she was quickly distracted by the doorbell ringing. Thinking it was yet another cousin or a friend with a birthday present, she opened the door, where, looking up at her from a nest of pink blankets, was her beautiful baby granddaughter. A perfectly executed surprise, planned down to the very last minute, it was one my mother would cherish always, a jewel in a box.

At about the same time, another plan was coming to fruition, a diabolical scheme, that would just a week later, rip asunder the tiny market town of Omagh in the neighboring county of Tyrone, devastating families from as near as Donegal and as far away as Madrid, Spain, and reminding us all that Northern Ireland’s Troubles were far from over.

I don’t know all the details. I’m afraid of them.

It frightens me to consider the machinations of minds that could craft a plan to load a nondescript red car, plate number MDZ 5211, with 500 pounds of explosives, park it in the middle of a busy shopping area, and place two phone calls to the local television station, one to the Coleraine Samaritans, with a warning 40 minutes before the bomb inside it exploded. There was confusion as the police evacuated the shoppers – mostly mothers and children on back-to-school shopping sprees. Thinking they were moving them away from the Court House to safety, the police moved people to the bottom of Market Street, where the bomb was about to be detonated.

I wonder if they felt that familiar relief, the kind you know from past experiences of bomb-scares and hoaxes, if they felt they were out of harm’s way and just in time, believing that it would all be alright. Maybe they told themselves it was just a bomb scare, like old times, and not to be taken very seriously, but they would of course cooperate with authorities so they could get back to their Saturday afternoon shopping, seeking out bargains for backpacks and books, new uniforms and lunch-boxes, full of the promise that accompanies the start of a new school year.

omagh_imminent

Spaniard Gonzalo Cavedo and child posing by the car carrying the bomb that killed 29 people, many of whom are in the picture, including the photographer. Mr. Cavedo and the child survived. (Source: Belfast Telegraph)

Mere seconds after this photo was taken with a camera later retrieved from the rubble, the 500 pound bomb inside the red car exploded, blowing the vehicle to bits. Like a butcher’s knife, the blast cut through the row of little shops. I recall the harrowing accounts of witnesses, unable to unsee blood flowing in the gutters and pieces of people in the street, unable to put words to the savagery, the carnage before them. Little Omagh was a killing field.

omagh-1776660

We weren’t listening to the radio that afternoon, so we didn’t hear the news. My brother, his girlfriend, and my baby girl were driving around the North Antrim coast, listening to CDs of Neil Young and Paul Brady, occasionally breaking into song as we took in the wild scenery around us. We stopped occasionally so Sophie could see up close the horses and cows peering at us over gates on country roads. It was a beautiful, windy Irish day, and we were happy. 

We had no reason to believe anything was wrong, until, heading home at dusk, we were stopped at a police checkpoint and told to take a detour. Instantly we knew. It had happened again. My parents were at home, stunned by the same old story on the news and they were worried sick. They had no idea where we were and paced the floor until their driveway was lit up again with the headlights of my brother’s car.

There was no peace. 

Another atrocity. Another day on the calendar for the people of Northern Ireland that would leave us wondering how we would ever recover from the maddening, wrenching anguish that visited us once again. My country is so tiny – I’ve been told it fits into one third of the state of Kansas – that I imagine everyone knew someone who knew someone maimed or killed in the largest mass murder in its history.  A relative of an Antrim barman had been killed in the Omagh bombing, and I remember wondering what I could possibly say to him by way of condolence, knowing there are no adequate words.

Like so many others, I had dared to believe that peace had come to the country I had left but still loved. I should have remembered what I know can never be forgotten from The Isle of Innisfree –  that “peace comes dropping slow.”

Nothing had changed, and everything changed at 3:10PM in Omagh when the bomb exploded, injuring over 300 and killing 29 people and unborn twins. Until this past week, there has been – and little reason to believe that there would be – justice. No one has been convicted. 

The Omagh list of dead “reads like a microcosm of Troubles deaths, and left no section of Irish life untouched. The town they attacked is roughly 60:40 Catholic:Protestant, and the dead consisted of Protestants, Catholics, a Mormon and two Spanish visitors. They killed young, old and middle-aged, fathers, mothers, sons, daughters and grannies. They killed republicans and unionists, including a prominent local member of the Ulster Unionist Party. They killed people from the backbone of the Gaelic Athletic Association (GAA). They killed unborn twins, bright students, cheery shop assistants and many young people. They killed three children from the Irish Republic who were up north on a day trip. Everyone they killed was a civilian. The toll of death was thus both extraordinarily high and extraordinarily comprehensive.”

May we never forget them or the thousands of families still seeking justice and information about what happened to their loved ones during The Troubles. May we stand with them and protect their path to the truth, to justice, and to peace. They need us more than ever – especially now – as the British government is also advancing its wretched “legacy” legislation that would grant immunity from prosecution to those who cooperate in investigations of unsolved killings from the three decades of the Troubles. “We can’t bring anybody back from the dead,” said Monica McWilliams told the New York Times this week “But it’s a very timely announcement, given that there’s so much angst surrounding the legacy legislation.” It is.

Bear in mind these dead.

“Neither an Elegy nor a Manifesto” by John Hewitt

So I say only: Bear in mind

Those men and lads killed in the streets;

But do not differentiate between

Those deliberately gunned down

And those caught by unaddressed bullets:

Such distinctions are not relevant . . .

Bear in mind the skipping child hit

By the anonymous ricochet . . .

And the garrulous neighbours at the bar

When the bomb exploded near them;

The gesticulating deaf-mute stilled

by the soldier’s rifle in the town square

And the policeman dismembered by the booby trap

in the car . . .

Patriotism has to do with keeping

the country in good heart, the community

ordered by justice and mercy;

these will enlist loyalty and courage often,

and sacrifice, sometimes even martyrdom.

Bear these eventualities in mind also;

they will concern you forever:

but, at this moment, bear in mind these dead.

13920888_10210319570086764_6748659015835251386_n

James Barker (12) from Buncrana

Fernando Blasco Baselga(12) from Madrid

Geraldine Breslin (43) from Omagh

Deborah Anne Cartwright (20) from Omagh

Gareth Conway (18) from Carrickmore

Breda Devine (20 months) from Donemana

Oran Doherty (8) from Buncrana

Aidan Gallagher (21) from Omagh

Esther Gibson (36) from Beragh

Mary Grimes (65) from Beragh

Olive Hawkes (60) from Omagh

Julia Hughes (21) Omagh

Brenda Logue (17) from Omagh

Anne McCombe (45) from Omagh

Brian McCrory(54) from Omagh

Samantha McFarland (17) Omagh

Seán McGrath (61) from Omagh

Sean McLaughlin (12) from Buncrana

Jolene Marlow (17) Omagh

Avril Monaghan (30) from Augher

Maura Monaghan (18 months) from Augher

Alan Radford (16) Omagh

Rocio Abad Ramos (23) from Madrid

Elizabeth Rush (57) Omagh

Veda Short (46) from Omagh

Philomena Skelton (39) from Durmquin

Frederick White (60) from Omagh

Bryan White (26) from Omagh

Lorraine Wilson (15) Omagh

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Good Trouble – in the Back Seat with Stuart Bailie.

21 Friday Jun 2019

Posted by Editor in Dispatch from the Diaspora, Hank Thompson, Lou Reed, Seamus Heaney, Stiff Little Fingers, The Clash, Kevin Rowland, Dolores O'Riordan, Christy Moore, The Good Friday Agreement, The Troubles, Themes of Childhood, Trouble Songs

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Good Friday Agreement, Good Vibrations Record Shop, John Hume, Los Gatos Irish Arts and Writers Festival, Northern Ireland, Stuart Bailie, Terri Hooley, Trouble Songs, When They See Us

Far away from Belfast, Stuart Bailie and I find ourselves in the foothills of the Santa Cruz mountains in Los Gatos, California. A perfect place to ponder politics, protest, and punk rock, it’s where John Steinbeck penned his angriest book, the soundtrack of America’s Great Depression and Tom Joad’s California. By any other name, The Grapes of Wrath is a punk anthem fulfilling the writer’s goal “to rip a reader’s nerves to rags.”  It is a call to outrage, to make “good trouble” – the kind that might redeem the very soul of a country, resonant and recognizable in the soundtrack of Northern Ireland since 1968. That soundtrack is Trouble Songs – Music and Conflict in Northern Ireland, a potent compilation of moments where music was “inspired, agitated, or brutalized” by the times. For young people like me who spent their Saturday afternoons seeking refuge in Terri Hooley’s record shop, there is no better man to deliver Northern Ireland’s soundtrack, than Stuart Bailie, self-proclaimed “wizened old geezer” –  a middle-aged punk rocker.

Trouble Songs arrives at a seminal moment for Northern Ireland, the title of its first chapter an imperative from a Stiff Little Fingers song – “if these words hit you at the right moment, they would be life changing” – Take a Look at Where You’re Living. Forcing us to take a closer look, Bailie begins his tour of Northern Ireland in 1968, when they blocked the lower deck of the Craigavon Bridge, singing “We Shall Overcome.” Perhaps the first time it was sung in Northern Ireland, this was the song to sing, ringing out from America, from far away freedom rides and sit-ins, union halls and churches, in the face of snarling dogs and high-pressure fire hoses. With all its promise, this was the song that sustained Dr. Martin Luther King, Jr. and Congressman John Lewis, the last surviving speaker of the march to Washington DC in 1968, also the occasion of the “I Have a Dream,” speech.  Lewis says that “without music, the civil rights movement would have been like a bird without wings. We Shall Overcome are those wing.”  It is the quintessential trouble song.

Bailie’s fresh perspective arrives fifty years since civil rights activists took to the streets in Northern Ireland and twenty years since the Good Friday agreement was signed, the anniversary of the latter a publishing deadline for Bailey, the promise of it indelible and on stage at a rock ‘n’ roll concert at the Waterfront Hall in Belfast, when from behind David Trimble and John Hume, the leaders of Northern Ireland’s largest political parties, Bono steps in to hold their arms up like prize fighters. It was their first public handshake, and it was momentous. Choreographed by U2’s front-man, it had also been done before.  Bailie takes us back to a spring evening in 1978 at the National Stadium in Kingston, Jamaica. Without warning, during a rendition of “Jammin’,” reggae boss, Bob Marley, invites political opponents, Michael Manley and Edward Seaga, to join him on stage, to send out a positive gesture to a country in the grip of its most deadly period of political bloodshed and violence. They have no choice. It is an unscripted moment that will make the international headlines the next day, showing the world that if “we gonna make it right, we gots to unite!” The image is iconic – a singer holding the hands of two political leaders, a show of strength against forces that bring out the very worst in us.

This is good trouble. This is one love.            

While the biggest band in the world may have helped save Northern Ireland from impending uncertainty, two decades later the country is without a functioning government. Circumstances in Belfast have changed significantly, summed up in the late Bap Kennedy’s song “Boomtown.” Kids in the city “don’t know how lucky they are, they never heard a bomb,” property prices are soaring, and there are career opportunities in the rebranded Northern Ireland Police Service. Progress? Like Kennedy, Stuart Bailie is not so sure, commenting on what he calls the Disney-fication of his city “Belfast has whored itself out a bit, which really depresses me. The Cathedral Quarter used to be all anarchy with exciting people trying to really change the fabric of the place, but now, it is all about theme pubs and stag weekends.” Brexit and its implications for the border still loom, and, shaken and saddened by the death of journalist, Lyra McKee, killed by a dissident bullet in Derry on Good Friday this year, the people of Northern Ireland brace themselves for taking two steps back. Again. The distance between politicians and the people expands daily as does the sense of disappointment and division. And while the rainbow flag will fly for the first time on Pride Day from Belfast City hall this summer – a small but mighty step forward – Bailie keeps it real:

this is the only place on our islands where we don’t have marriage equality, and the religious fundamentalists still have too much power.”

Across the Atlantic, the same might be said. Following the results of the 2018 mid-term elections the nation is still deeply divided, Dr. King’s legacy perhaps on the line. From cell-phone footage of an incident on the streets of Phoenix, Arizona where just this week several police officers yelled obscenities and threatened to shoot an African-American family after their four-year-old daughter accidentally took a Barbie doll from a store to the Netflix mini-series, When They See Us,  which fictionalizes the very real and massive miscarriage of justice in the 1989 case of the Central Park 5, we are in crisis mode all across the globe.

What’s going on?

And, it leads Bailie to conclude that we are poised for another great era of trouble songs, adding Kendrick Lamar and Eminem to the soundtrack that began with Woody Guthrie, Pete Seeger, Joan Baez, and Marvin Gaye, every song an opportunity to envision a better future.

Bailie does not editorialize. Trouble Songs is about music and about how people related to it; it is about how someone like Stephen Travers, survivor of the Miami Showband massacre, can articulate the importance of music during the worst of times. Travers is quoted on the back cover of the book: “People often say that music was harmless fun. It wasn’t. It must have terrified the terrorists. When people came to see us, sectarianism was left outside the door of the dancehall. That’s the power of music and I think that every musician that ever stood on a stage, north of the border during those decades, every one of them was a hero.” On the front cover, Bailie knew what he did not want. Wary of “Troubles porn, it would not feature men with tanks or bombs and guns; there would be no children at play in a black and white wasteland with sectarian graffiti on the walls and no British Army patrolling the streets. When a friend shared a picture of the Bogside in 1969, Bailie knew he had found his cover.  Taken by the late French photographer Gilles Caron, the photograph captures a then 18-year old Ann Kelly in the aftermath of a riot.  “I thought she looked so composed – she was her own person.”  With permission to use the picture from Caron’s estate, Bailie’s director for cover designer, Stu Bell, was simple – “make it feel like Dexy’s Midnight Runners first album with a wee bit of the first Clash LP.”

Score.  

Aware of the weight of words in Northern Ireland, Bailie handles with circumspection the identity crisis that still defines his tiny country. He takes care to avoid words like “terrorism,” to ensure that Trouble Songs  is not perceived as “a prod thing or a Republican thing,” but a thing that belongs to everyone in Northern Ireland, and anyone with an interest – personal or political –  in the role music plays where they live and beyond. While Trouble Songs never patronizes the reader, it addresses music that sometimes patronized the people affected. Reflecting on political statements about Northern Ireland from the big stadium bands of the 1980s – Simple Minds, Sting, The Police, U2 –  Bailie points out that some of us “got a wee bit fed up with what felt like tourism. We were the subject of virtue signaling before we even knew what it was.”

All over the world, bands were playing to sold-out stadiums with “something to say about Northern Ireland, recording grainy black and white videos depicting West Belfast as a cultural wasteland with slogans on the wall and children running in slow motion, but the band shots were actually filmed in Los Angeles.”

With a reality check, he verbalizes what’s in my head, “they didn’t have the fucking courtesy to shoot their video in Northern Ireland,” but he refrains from lecturing on this topic in his book, opting for empathy as the path to take towards redemption for the soul of Northern Ireland, digging in to recount the story that has to be told without wagging his finger. He looks right at me and asks “Was Christy Moore “more right” than Paul Brady?” The answer hovers.

From his back-seat, Bailie allows his readers to draw their own conclusions.  

 A fan of Tom Wolfe, Gay Talese, and ‘the new journalism,” Bailie draws from the influence of England’s Dreaming by Jon Savage. Obsessed with music and the details that work to create a strong sense of place, Bailie is interested in what people were wearing or what the weather was like. He wants to know “What’s the yarn here? What’s the story? How did this guy arrive in the story and how did he end up writing these lyrics?” Thus, each chapter could stand alone, thematic and episodic, reminiscent of the notes on music and culture on his blog, an online space where he relates “big stories in context and the rich significance of little moments.” Regarding the title of his blog – “Dig with It,” from Heaney’s “Digging,” he explains he wanted “something a bit funky, a bit groovy, a wee bit literate.” With a nod to the Heaney poem, he figured “it’s bit jazz, a bit Irish literature –  that’ll do.”

Of course the DIY ethic of bloggers appeals to Bailie – it’s very punk.  Resentful of writing for pennies for local newspapers, having grown up in an era when writers were paid well for their words, he approached Trouble Songs the way most bloggers approach their writing – “you write for yourself on your own terms.” He knew there would be some fairly substantial spade work involved in the project and that while writing about music is perhaps a dying trade, it is also what he does best and that Trouble Songs was a story he could uniquely tell. He has been writing it in his head for decades. Back in 2007, the Arts Council of Northern Ireland approached him for an essay on popular music for their “Troubles Archive” series.  Combing through the contents of plastic bags stuck under tables, boxes, newspaper cuttings that have yet to make it either of two filing cabinets, each bulging with random information and transcripts of 30 year old interviews from his time as musical journalist and Assistant Editor at NME. This was in the days before Wikipeida when knowledge was power. Unpacking the boxes, he was constantly delighted with his younger self – “a wee bit of a bad boy, a minor hooligan” who had been shown a new way by a London act, The Clash, who sang about urban desolation and riots in Notting Hill and the impact of Northern Ireland in England in a song called “Career Opportunities.” He credits the Clash with opening his mind, encouraging him to think carefully about his social context: “I hate the civil servant rules, I won’t open no letter bombs for you.” Simple and spare, there was a moral code in the musical statements of The Clash, and it paved the way for a band like Stiff Little Fingers to sing about an “Alternative Ulster.”

Punk rock might just have saved Stuart Bailie’s life. But Trouble Songs isn’t just about Stuart Bailie. It’s about everyone else in Northern Ireland too, and how music can transcend the differences that divide them. It’s a matter of life and death. Really. And, yes, you should be surprised that none of the big publishers were interested when Stu Bailie first approached them with the Trouble Songs idea and three chapters focusing on that unforgettable night in the Waterfront in 1998, the massacre of the Miami Showband , and The Clash in Belfast.  A music industry insider, he had expected it to be easier, that he would just knock on doors like a new band with a demo tape.  But Bailie was rejected repeatedly, agents and publishers alike telling him there was simply no market for the project. Then the British Council asked if there was any way he could get it done in time for the Peace and Beyond conference in Belfast to mark the 20th anniversary of the Good Friday Agreement. Fired up, he pressed on, his punk rock ethos leading him to complete it as a solo project with help from the British Council, Bloomfield Press, and EastSide Arts, Belfast.  He turned to crowdfunding with a Kickstarter campaign appeal, telling potential funders that this was “a call to my community to help carry a vital story,” which ultimately involved over 60 interviews and conversations with the likes of Bono, Christy Moore, the Undertones, Stiff Little Fingers, Orbital, Kevin Rowland, Terri Hooley, the Rubberbandits, Dolores O’Riordan and the survivors of the Miami Showband. His community responded and he sold almost 300 books before Trouble Songs was published – punk at its finest.  Chuckling, he describes one of the greatest rewards, an unexpected phone call from Waterstones book store advising him that they needed 50 more books because of Father’s Day sales.  A week later, he was hearing from fathers who wanted to buy the book for their kids. “Don’t read a history book about the Troubles, read what Stu has to say instead.” What of all those defeatist conversations with publishers who made him feel “a wee bit unloved” for such a long time? Any words for them?

“Up yours.” Naturally.

            The son of working-class parents who pushed him to do well in school, Stuart Bailie attended the prestigious Royal Belfast Academical Institution. Simply Inst to the locals, it is one of the city’s oldest schools, the porticoed institution is a handsome example of late Georgian architecture, a posh school where the headmaster shows up to morning assembly in gown and mortar board. In 1970s Belfast, Bailie remembers it was also ‘semi-derelict,’ its windows criss-crossed with tape to catch the shrapnel from a bomb blast in the city center, its classrooms violent and ‘hard men’ beating up first year students in the quadrangle. Too, it was “rock and roll high school,” producing within a very short space of time, punk bands like The Zips, The Tinopers, Acme, Rudi, Victim, and Protex who got a record deal with Polydor around the same time as they were doing their A-level exams. Bailie’s English teacher, was Frank Ormsby, a guy with a fringe and a Fermanagh accent that was out of place in Belfast. Occasionally, Ormsby tossed the prescribed curriculum and instead shares with his pupils something from The Honest Ulsterman, a publication he had edited since 1969.  While such detours did little for Bailie’s exam results, several years later, he realized what Ormsby had given him, “an abiding joy for words. That’s the gift of “a proper teacher –  to love writing. Ormsby taught me not to pass an exam, but to love the words.” 

Showing up to a school above his social league every day, 16 year old Bailie was in the company of aspiring lawyers and dentists. Meanwhile, he tells me, “I had no fucking clue what I was going to do. I wanted to be in a band.” Already a scholar of music, his weekly routine was to buy two albums for 50 pence from Dougie Knights record shop and go home and tape them.  First, he loved Mott the Hoople, then  Bowie, The Faces, Lou Reed. By the time punk arrived,Bailie had found his tribe.

Punk wasn’t that weird – I’d already experienced Lou Reed.

            Somewhat bemused, his parents watched their son transition from model student to a “wee bit of a delinquent” – a punk.  Every weekend, he would make new friends at Caroline Music or Terri Hooleys’s record shop, Good Vibrations, which his friend, Hooley, describes as “a real meeting place . . . it was like an oasis in the middle of this cultural wasteland. We hadn’t a clue what we were doing really; I was just this mad, ex hippy. But the energy of punk gave me the chance to relive my youth again. It was an exciting alternative for all of them.” 

It was also at the height of the conflict in Northern Ireland, and punk rock was fermenting all over the city.  Asked about his impressions of Belfast in 1977, the late Joe Strummer of The Clash was emphatic, “When punk rock ruled over Ulster, nobody ever had more excitement and fun. Between the bombings and shootings, the religious hatred and the settling of old scores, punk gave everybody a chance to LIVE for one glorious burning moment. Let it provide inspiration.”

At the time, of course, the likes of Stuart Bailie and Terri Hooley had no idea that what they were doing was particularly noble or inspired or that it would thirty years later become the stuff of conferences on the role of music in peacemaking.  During that period, it was just about the music. Every Saturday afternoon, Bailie would walk up and down between the two record shops, making five new friends along the way, each of them “lifted out of this sectarian thing around us. It was magic.”  By 1978, he realized he was part of a tribe, a community committed to a more adventurous alternative. “You just knew if someone’s got an Outcast or Rudi badge on their coat, you could talk to them.” Punks stood out.  They knew their rights and they didn’t wear flares or long hair. To cultivate his own style, Bailie had even learned how to use a sewing machine. His first order of business was to take in the legs of every pair of trousers. Next, a shopping trip to his dad’s wardrobe, where he repurposed old suits, accessorizing the lapels with punk band badges. Ready to take on the world, Bailie sauntered into his parent’s kitchen one morning, dressed in one of his father’s old jackets. “I got married in that!” the old man said, remembering, I suppose, who he used to be.

Like the rest of us, Bailie has experienced the realization that once upon a time his dad was cool, “a bit of a boy,” with an impressive record collection that included old 78s by Jerry Lee Lewis, Little Richard, and Hank Williams. Bailie is full of similar surprises himself, and as our conversation draws to a close, he takes me back to summer drives with his parents around Millisle and Ballywalter, Clougy and Comber and a song that is indelible in his memory. He closes his eyes and starts to sing, “When I was young and went to school they taught me how to write/To take the chalk and make a mark and hope it turns out right.”

The journeys seemed endless and very often the windscreen wipers would keep time as they bleated out these fatalistic lyrics. Just play me a bit of Hank Thompson and I’m back there in the back seat, wondering just how many tears it took to clean that slate. 

From an old Hank Thompson song, “Blackboard of my Heart” is a honky tonk tune about getting over the girl. “You gotta hear it,” he tells me. “It’s just gorgeous.”

He’s right of course, as he is about all the songs you gotta hear – the Trouble Songs. And, you gotta see it too. The book, celebrated as one of 2018’s best by Hot Press and Uncut magazine,  is being brought to the big screen as a documentary and will include interviews with young artists like Touts, Susie Blue, and Wood Burning Savages who have something to say about the things that continue to divide and oppress us. In talking to them, Bailie has no doubt that “the era of Trouble Songs is far from over.”

¡Viva la Revolución!

A version of this post originally appeared in Reading Ireland

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At this moment, bear in mind Omagh.

14 Tuesday Aug 2018

Posted by Editor in Birthdays, bombing, IRA, John Hewitt, Loughinisland, Memoir, Northern Ireland, Omagh, Peace, Sectarianism, The Good Friday Agreement, The Peace Process, The Troubles, Themes of childhood, UVF, W.B. Yeats

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"Neither an Elegy nor a Manifesto", 1994 World Cup, 2004 World Series, bombings, Boston Red Sox, Giants Stadium, Good Friday Agreement, Ireland, Irish DIASPORA, John Hewitt, New Jersey, North Antrim Coast, Northern Ireland, Omagh, REAL IRA

photo-62As we plan to mark the 20th anniversary of the Omagh bombing, I am drawn back to the summer of 1998. A new mother, I had taken my baby daughter back home to Northern Ireland, my lovely, tragic Northern Ireland. Between my father, my brother, and a handful of relatives who could keep a secret (an impressive trait in rural County Derry) we had planned a “This is Your Life” style surprise for my mother’s sixtieth birthday.  It was delicious, knowing we had all swallowed the same secret, and that my all-knowing mother was completely in the dark.

The Troubles had tainted previous visits home, but this time would be different – there would be no bombings, no shootings, no army checkpoints. There was something symbolic, magical even, in returning home with a new baby girl in my arms to a new optimism fueled by The Good Friday Agreement.

It had been different four years before. That trip had coincided with Ireland’s qualifying for the World Cup. The country was ecstatic, with factories, offices, shops, even banks, all closing early so everyone could make it home, or to the pub, in time for kick-off at the Ireland v Italy match being televised live from Giants Stadium in New Jersey. We had considered going to the pub to watch the first-round match, but my father convinced us to stay home, have a few drinks, and watch from the comfort of the living room. So we stayed in and watched – in joyous disbelief –  as Ireland went up 1-0 against Italy at Giants Stadium. When the lads in green scored a goal, we roared with pride even as we were afraid to look, not unlike Boston Red Sox fans prior to the 2004 World Series.

The second half of the match was well underway when two men, their faces hidden behind balaclavas, stormed into a tiny packed pub, The Heights Bar, in the village of Loughinisland, County Down. With an AK47 and a Czech made rifle, they shot madly and indiscriminately at the sixteen men gathered around the bar watching Ireland beat Italy. They killed six of them. According to witnesses, the two gunmen laughed as they made their getaway. The first killed, Barney Green, was in his eighties, someone’s grandfather, and as I recall from the stories that later poured from that heartbroken village, he had put on his best suit to mark Ireland’s making it to the World Cup.

It chills me still to think of Barney Green struck down with such savagery in the very moment as that jubilant Irish squad burst out of an American football stadium, awash in green, buoyed by the chanting of 60,000 supporters, anticipating champagne and a night of revelry, only to be silenced and sickened by the hideous dispatch from a country pub back home. Surely that would be the last time we would hear of such horror. No. It would not.


For many Northern Ireland families, mine included, the youngest generation knew only a country in conflict. But in 1998, my daughter would witness a new country, a country at peace. The people had voted for it in anticipation of  the brand new day Northern Ireland deserved.

When my mother’s sixtieth birthday arrived that year, I telephoned in the morning with love and good wishes and a promise that we would arrange a trip home soon. Yes, she had received the flowers I’d sent, and she was looking forward to going out for dinner with daddy that evening. On their way to a favorite restaurant, he took a detour for a quick visit with my Aunt Sadie, where delighted shrieks of “Surprise!”exploded from the well-hidden gathering of family and friends whose cars were parked on another lane, far out of sight. One of my cousins even assumed the role of This is Your Life host, Eamonn Andrews, complete with a big red book, and she related the story of my mother’s life to all assembled.  When she reached the part about my mother becoming a grandmother for the first time just eight months earlier, she suggested calling me so I could at least be part of the celebration by phone. Naturally, I was unavailable, given that two days earlier, I had flown in to Belfast with Sophie, and had been holed up at my Aunt Sadie’s house enjoying secret visits with my dad and my brother, the three of us delighting in the fact that my mother was oblivious to all the subterfuge.

Naturally, she was disappointed that I wasn’t home when she phoned, but she was quickly distracted by the doorbell ringing. Thinking it was yet another cousin or a friend with a birthday present, she opened the door. There, looking up at her from a nest of pink blankets, was her beautiful baby granddaughter. It was a perfectly executed surprise, planned down to the very last minute, and one my mother would cherish always, as a jewel in a box.

At the same time, unbeknownst to us and to most ordinary people in Northern Ireland, another plan was coming to fruition. A diabolical scheme, it would just a week later, rip asunder the tiny market town of Omagh in the neighboring county of Tyrone, devastating families from as near as Donegal and as far away as Madrid, Spain, and reminding us all that Northern Ireland’s Troubles were far from over.

I don’t know all the details. I’m afraid of them.

It frightens me to consider the machinations of minds that could craft a plan to load a nondescript red car, plate number MDZ 5211, with 500 pounds of explosives, park it in the middle of a busy shopping area, and place two phone calls to the local television station, one to the Coleraine Samaritans, with a warning 40 minutes before the bomb inside it exploded. There was confusion as the police evacuated the shoppers – mostly mothers and children on back-to-school shopping sprees. Thinking they were moving them away from the Court House to safety, the police moved people to the bottom of Market Street, where the bomb was about to be detonated.

I wonder if they felt that familiar relief, the kind you know from past experiences of bomb-scares and hoaxes, if they felt they were out of harm’s way and just in time, believing that it would all be alright. Maybe they told themselves it was just a bomb scare, like old times, not to be taken very seriously but still they would cooperate with the authorities so they could get back to their Saturday afternoon shopping, seeking out bargains for backpacks and books, new uniforms and lunch-boxes, full of the promise that accompanies the start of a new school year.

I cannot write about it without weeping.

omagh_imminent

Spaniard Gonzalo Cavedo and child posing by the car carrying the bomb that killed 29 people, many of whom are in the picture, including the photographer. Mr. Cavedo and the child survived. (Source: Belfast Telegraph)

Mere seconds after this photo was taken with a camera later retrieved from the rubble, the 500 pound bomb inside the red car exploded, blowing the vehicle to bits. Like a butcher’s knife, the blast cut through the row of little shops. I recall the harrowing accounts of witnesses, forever altered, who saw blood flowing in the gutters and pieces of people in the street, describing the savagery, the carnage before them as a war zone, a killing field.

omagh-1776660

At the same time, my brother, his girlfriend, and my baby girl were driving around the North Antrim coast, listening to Neil Young and Paul Brady CDs, occasionally breaking into song as we took in wild scenery around us. We stopped to show Sophie the horses and cows that peered over gates along the country roads. It was a beautiful, windy Irish day, and we were happy.

We were not listening to the radio that afternoon, so we didn’t hear the news. We had no reason to believe anything was wrong, until, heading home at dusk, we were stopped at a police checkpoint, where we were told to take a detour. And we knew. It had happened again. My parents knew too. Worse, they were worried sick. Something horrific had happened, and they had no idea where we were.  Worried, they paced the floor until their driveway was lit up again with the headlights of my brother’s car.

There was no peace. 

Another atrocity. Another anniversary for the people of Northern Ireland that would leave us wondering how we would ever recover from the maddening, wrenching anguish that visited us once again. My country is so tiny – I’ve been told it fits into one third of the state of Kansas – that I imagine everyone knew someone who knew someone maimed or killed in the largest mass murder in its history.  A relative of an Antrim barman had been killed in the Omagh bombing, and I remember wondering what I could possibly say to him by way of condolence, knowing there are no adequate words.

I felt sad and foolish. I felt cheated, having dared to believe that peace had come to the country I had left but still loved. I should have remembered what we must never forget from The Isle of Innisfree –  that “peace comes dropping slow.”

Nothing had changed, and everything changed at 3:10PM when the bomb exploded, injuring over 300 and killing 29 people and unborn twins. And there would be no justice. Twenty years later, no one has been convicted. 

The Omagh list of dead “reads like a microcosm of Troubles deaths, and left no section of Irish life untouched. The town they attacked is roughly 60:40 Catholic:Protestant, and the dead consisted of Protestants, Catholics, a Mormon and two Spanish visitors. They killed young, old and middle-aged, fathers, mothers, sons, daughters and grannies. They killed republicans and unionists, including a prominent local member of the Ulster Unionist Party. They killed people from the backbone of the Gaelic Athletic Association (GAA). They killed unborn twins, bright students, cheery shop assistants and many young people. They killed three children from the Irish Republic who were up north on a day trip. Everyone they killed was a civilian. The toll of death was thus both extraordinarily high and extraordinarily comprehensive.”

May we never forget them.

“Neither an Elegy nor a Manifesto” by John Hewitt

So I say only: Bear in mind

Those men and lads killed in the streets;

But do not differentiate between

Those deliberately gunned down

And those caught by unaddressed bullets:

Such distinctions are not relevant . . .

Bear in mind the skipping child hit

By the anonymous ricochet . . .

And the garrulous neighbours at the bar

When the bomb exploded near them;

The gesticulating deaf-mute stilled

by the soldier’s rifle in the town square

And the policeman dismembered by the booby trap

in the car . . .

Patriotism has to do with keeping

the country in good heart, the community

ordered by justice and mercy;

these will enlist loyalty and courage often,

and sacrifice, sometimes even martyrdom.

Bear these eventualities in mind also;

they will concern you forever:

but, at this moment, bear in mind these dead.

13920888_10210319570086764_6748659015835251386_n

James Barker (12) from Buncrana

Fernando Blasco Baselga(12) from Madrid

Geraldine Breslin (43) from Omagh

Deborah Anne Cartwright (20) from Omagh

Gareth Conway (18) from Carrickmore

Breda Devine (20 months) from Donemana

Oran Doherty (8) from Buncrana

Aidan Gallagher (21) from Omagh

Esther Gibson (36) from Beragh

Mary Grimes (65) from Beragh

Olive Hawkes (60) from Omagh

Julia Hughes (21) Omagh

Brenda Logue (17) from Omagh

Anne McCombe (45) from Omagh

Brian McCrory(54) from Omagh

Samantha McFarland (17) Omagh

Seán McGrath (61) from Omagh

Sean McLaughlin (12) from Buncrana

Jolene Marlow (17) Omagh

Avril Monaghan (30) from Augher

Maura Monaghan (18 months) from Augher

Alan Radford (16) Omagh

Rocio Abad Ramos (23) from Madrid

Elizabeth Rush (57) Omagh

Veda Short (46) from Omagh

Philomena Skelton (39) from Durmquin

Frederick White (60) from Omagh

Bryan White (26) from Omagh

Lorraine Wilson (15) Omagh

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Immigration matters

From there to here . . .

Yvonne hails from Antrim, Northern Ireland, and has lived in the desert southwest of the United States for almost thirty years. Married, with a daughter who is navigating her path through the "teen tunnel," and a haughty cat, Atticus, she has spent the better part of the last three decades in the classroom as a student, teacher, and administrator. Her mid-life crisis came as a sneaky Stage II invasive breast cancer diagnosis which subsequently sent her to the blogosphere where she found a virtual home away from home . . .
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