Yvonne Watterson Writing

More about Yvonne

Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Yvonne's writing life began in November 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing beyond this blog in The Irish Times, Irish Central, Reading Ireland, and other outlets. Yvonne's essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, a six-piece Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, also a writer, lives in Arizona. “If you have the words, there's always a chance that you'll find the way.” ― Seamus Heaney

About Yvonne

From there to here . . . Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans nearly 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Her writing life began in 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing in The Irish Times, Irish Central, Reading Ireland, and other outlets. Her essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, an Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, is also a writer, living in Arizona.

Aging, Art, Children's Books, Coming of age, Death of parent, Education, Fatherless daughters, learning to drive, Memoir, Milestones, Mother Daughter Relationship, Mr. Jones, Poetry, Rituals, The Gone of You

Summa Cum Laude in the Time of Corona or How to Be a Sun Devil . . .

May 9, 2020 / No Comments

Home is where I want to bePick me up and turn me roundI feel numb – born with a weak heartI guess I must be having funThe less we say about it the betterMake it up as we go alongFeet on the groundHead in the skyIt’s ok I know nothing’s wrong . . . nothing Lyrics: David Byrne I am…

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Aging, Awesome Women, Castledawson, Coming of age, Family, grandmother, Irish culture, Irish mammies, Memoir, Mother Daughter Relationship, Mother's Day, Northern Ireland, Northern Ireland Culture, Seamus Heaney, Soundtracks of our Lives, Themes of Childhood

mothering in the time of COVID-19 . . .

March 21, 2020 / No Comments

Having worked in education for over thirty years, it is not uncommon for me to encounter – in real life or the virtual version – my former students, all grown-up, some of them married with careers and children. Surreal to find myself standing shoulder to shoulder with these adults who, just a twinkling ago, were scribbling in composition books about…

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Belfast Peace Lines, Borders, Dr. Martin Luther King, Gay Marriage, Gay Rights Movement, Human Rights, Ireland, Justice, Marriage Equality Referendum, Memoir, Northern Ireland, Politics, Seamus Heaney, Themes of Childhood

A Lesson in Domestic Affairs – Northern Ireland style. (P.S. Thank you Louise Kennedy)

November 29, 2019 / No Comments

It is the morning after Thanksgiving, uncharacteristically rainy and gray in the desert southwest. Relishing my solitude and a second cup of coffee, I settle in to read the Irish Times. When I spot this headline, I put down my cup. She doesn’t know it, but writer, Louise Kennedy, has just made my Thanksgiving complete. She doesn’t know me either,…

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After death of a spouse, Animals, Arizona Humane Society, Best friends, Dog Rescue, Dogs, Friendship, Love, Mary Oliver, Memoir, Mother Daughter Relationship, Rites of passage, Themes of Childhood, Van Morrison

dog days ~ an emotional rescue

October 17, 2019 / No Comments

Sometimes in the early hours of the morning, when I am contemplating all that has happened in the past couple of years, I find myself wanting to be reassured that as his fragile heart stopped working, Ken's last interaction on this earth was tender, with three pounds of unconditional love curled up like a comma on his chest.

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