Yvonne Watterson Writing
Yvonne Watterson Writing

considering the lilies & lessons from the field ©

More About Yvonne

More About Yvonne

More about Yvonne

Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Yvonne's writing life began in November 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing beyond this blog in The Irish Times, Irish Central, Reading Ireland, and other outlets. Yvonne's essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, a six-piece Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, also a writer, lives in Arizona. “If you have the words, there's always a chance that you'll find the way.” ― Seamus Heaney

About Yvonne

From there to here . . . Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans nearly 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Her writing life began in 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing in The Irish Times, Irish Central, Reading Ireland, and other outlets. Her essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, an Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, is also a writer, living in Arizona.

  • Language of Cancer,  Leontia Flynn,  Memoir,  Northern Ireland,  Rituals,  Seamus Heaney,  Themes of childhood

    the lovely uselessness of poetry

    March 22, 2015 / 9 Comments

    For World Poetry Day 2015. The freedom and the lovely uselessness of poetry is its whole point. ~ Leontia Flynn My parents were raised in rural County Derry, Heaney country, where they learned to be thrifty and resourceful, and also  – when all else failed – to believe in the mystical powers of “folk healers,” those individuals uniquely gifted with…

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  • Act Two,  Castledawson,  Family,  Memoir,  Mother Daughter Relationship,  Mother's Day,  Northern Ireland,  Northern Ireland Culture,  Ordinary Things,  Poetry,  Rites of passage,  Rituals,  Seamus Heaney

    my mother’s day dance

    March 14, 2015 / 5 Comments

    In Ireland, it is Mother’s Day. In Arizona, it is just another Sunday that finds me thinking about my mother – ma –  in Castledawson, County Derry, a great armful of sheets rescued from the clothes-line before the rain begins to fall. Then, the folding, a precise ritual, and my father her partner in a dance handed down from one generation to the next.…

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  • A Poem for Michael and Christopher,  Blackberry Picking,  Clearances,  Family,  Feminism,  nikki giovanni,  Northern Ireland,  Northern Ireland Culture,  Poetry,  removing training wheels,  Rites of passage,  Rituals,  Soundtracks of our Lives,  Starting over,  Themes of childhood,  Time,  Wheels within Wheels

    a year since you left us ~ noli timere

    November 15, 2014 / 18 Comments

    “Bicycles: because love requires trust and balance.” NIKKI GIOVANNI “The first grip I ever got on things Was when I learnt the art of pedalling (By hand) a bike turned upside down, and drove Its back wheel preternaturally fast.” ~ from Wheels within Wheels by SEAMUS HEANEY Ah, Seamus, I sometimes think you could have scored my life with your…

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  • Aging,  bombing,  Children of The Troubles,  Death and dying,  Gerry Adams,  Ian Paisley,  IRA,  Irish Diaspora,  Martin McGuinness,  Memoir,  Northern Ireland,  Northern Ireland Culture,  Peace,  Rituals,  Seamus Heaney,  Sectarianism,  The Good Friday Agreement,  The Peace Process,  The Troubles,  UVF

    Remembering Ian Paisley & Dreams Deferred

    September 14, 2014 / 12 Comments

    I suppose if you live long enough, almost nine decades, all is eventually forgiven.  At least that’s what the obituaries for Rev. Ian Paisley suggest. Like many of us, I was raised to observe the “de mortuis nil nisi bonum” credo, to speak no ill of the dead, but in the days since Ian Paisley’s passing, I have grown increasingly vexed over the glowing…

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