Writing by Yvonne Watterson

~ considering the lilies & lessons from the field ©

Writing by Yvonne Watterson

Category Archives: Rituals

the write stuff … for valentine’s day

13 Thursday Feb 2025

Posted by Editor in Being a Widow, Facebook, Friendship, Loss, Love, Memoir, Milestones, Rites of passage, Rituals, Social Media, Themes of childhood, Valentines Day, widowed

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A Life in Letters, Advice, Air Mail, E-mail, Friendship, Letter Writing, Letters home, Letters of Note, long distance relationships, Love, marriage advice, matters of the heart, Memoir, Michael Reagan, Nancy Reagan, Par Avion, President Ronald Reagan, Shaun Usher, Skype, social media, telegram, Telephone, Themes of childhood, treasure chest, Unbound books, Valentine's Day, Words of Wisdom, Writing

I have conducted many of the most significant relationships in my life almost entirely by telephone. With so many miles of ocean or freeway stretching between our houses, it has been easier to carry on conversations from the comfort of our own homes. There is always something to talk about even when there is nothing to talk about.

Once upon a time, before WhatsApp and Facebook, there were long-distance phone calls with my mother. We would schedule these for odd hours during weekends when we could be less circumspect about the time difference and the cost per minute. There were also sporadic phone calls from childhood friends, the rhythm of home so achingly familiar, we would fall easily and softly into conversation, picking up from where we left off years before.

By telephone, we delivered and received the most important news of our lives—the kind that cannot be shared quickly enough: “I got the job!” “She said yes!” “We’re having a baby!” “It’s a girl!” to the stuff that startles the silence too early in the morning or too late at night to be anything good. From a tiny village in Wales, news from an old friend that her husband had been killed outright in a car accident: “My darling is gone! My darling is gone! Gone!” From me in a parking lot outside a Scottsdale hospital, to my best friend, who, fingers crossed waiting for “benign,” answers before the end of the first ring, only to hear, “I have cancer.”  A couple of years passed before it was my turn to wait on the other end of the line on another continent while she, parked outside my Phoenix home, told me on a bad connection that, yes, both my car and his were parked in the driveway, that, yes, our little dog, Edgar, was inside sitting on the couch, silently staring back at her. My ear pressed hard to the phone, I heard her open the front door and tentatively call my husband’s name once, twice, and then after a third time, the words traveling over the wires “He’s passed away! He’s passed away! Oh, he’s so cold. I’m so sorry.” And then the hanging up so she could make another call to 9.1.1. And then I was back on the line again to listen to the sounds of my sunny little house on the other side of the world fill up with kind and efficient strangers from the police and fire departments, the crisis management team, and then the people from the sole mortuary that agreed to take my husband’s body even though there was some unresolved fuss over who would sign the death certificate.

If nobody would sign it, perhaps he wasn’t dead.

“Are you sure he’s dead?” I breathed into the phone.

“Yes. He’s dead. He’s dead. Yes. I’m so sorry. He’s dead. He’s gone.”

Gone.

Thus, two best friends are connected in an ephemeral silence with nothing to hold on to. 

Nothing. 


In a different time, I would have received a telegram, or a hand-written letter. Words on paper deal the blow differently—better than the surreal real-time of a phone call. Sitting down to write a letter brings more time to shape our tidings with the very best words we have.

The best words are still inadequate.

The letter-writing of my youth has fallen out of favor generally, snuffed out by e-mails and texts that, regardless of font and typeface, emoji and GIF, are just not the same.  I miss what Simon Garfield says we have lost by relinquishing “the post, the envelope, a pen, a slower cerebral whirring, the use of the whole of our hands and not just the tips of our fingers,” I miss walking out to a brick mailbox, to find the red, white and blue trimmed letter that was its own envelope, thin as onion-skin, marked By Air Mail, Par Avion. I used to imagine its journey and all the hands it passed through on its way from a red pillar box in a Northern Ireland village across the Atlantic Ocean to me in the desert southwest of the United States. I miss the creases and ink-smudges; the tea-stained ring of my mother’s cup; and, the barely there fragrance of her soap.

I have saved so many of them. Along with faded picture postcards, they are in a cardboard box, waiting to be reread, immortal reminders of people I treasure and who treasure me. I cannot say the same of my textual exchanges.


I have been living in Mexico since the beginning of the COVID-19 pandemic. I don’t know if there is a mailman here. I have yet to see him, but still check the letterbox in our front door every day. Although it never arrives on time, there is always a card from my mother —the envelope marked par avion—to mark my birthday and Christmas, and a Northern Ireland calendar.

To send or receive a letter, I’ll drive about a mile to a shop between here and the lovely little village which four years later has returned to normal after on-again-off-again lockdowns, mask mandates, social distancing protocols, new vaccines, new variants, and never-ending social media debates about all of these. These days, the online discourse has shifted to Trump and Elon Musk and how the world as we know it is a) over or b) entering the ‘golden age.’ I’m not sure people are exchanging letters about this.

Nonetheless, in the heady days of 2020, the United States Postal Service reported that letter writing had  increased, perhaps gaining more interest because unlike digital and disposable exchanges, letters require a little more labor, a little more intention. You have to find your best pen, write the letter, place it in an envelope, put a stamp on it, and send it.

You have to slow down – even as the world around you spins at breakneck speed.

In part, these are the sentiments behind the Letters of Note website, a homage to the craft of letter-writing. Editor, Shaun Usher, has painstakingly collected and transcribed letters, memos, and telegrams that deserve a wider audience. Among my favorite books is this beautiful book of letters.  Because I am of a time when telegrams came from America and other places, to be read by the Best Man at wedding receptions, I opted for the collectible first edition. It arrived in my Phoenix mailbox along with an old-fashioned telegram.

Anyway, considering telegrams and old letters, and the heart laid bare on stationery this Valentine’s Day, I thought I’d share some advice from then future President Ronald Reagan to his son, Michael.

Regardless of what I may think of Reagan as a President, there is both heart and craft in this love letter, originally published in Reagan – A Life in Letters. 

Happy Valentine’s Day.

Michael Reagan

Manhattan Beach, California
June 1971

Dear Mike:

Enclosed is the item I mentioned (with which goes a torn up IOU). I could stop here but I won’t.

You’ve heard all the jokes that have been rousted around by all the ‘unhappy marrieds’ and cynics. Now, in case no one has suggested it, there is another viewpoint. You have entered into the most meaningful relationship there is in all human life. It can be whatever you decide to make it.

Some men feel their masculinity can only be proven if they play out in their own life all the locker-room stories, smugly confident that what a wife doesn’t know won’t hurt her. The truth is, somehow, way down inside, without her ever finding lipstick on the collar or catching a man in the flimsy excuse of where he was ’til three A.M., a wife does know, and with that knowing, some of the magic of this relationship disappears. There are more men griping about marriage who kicked the whole thing away themselves than there can ever be wives deserving of blame. There is an old law of physics that you can only get out of a thing as much as you put in it. 

The man who puts into the marriage only half of what he owns will get that out. Sure, there will be moments when you will see someone or think back to an earlier time and you will be challenged to see if you can still make the grade, but let me tell you how really great is the challenge of proving your masculinity and charm with one woman for the rest of your life. Any man can find a twerp here and there who will go along with cheating, and it doesn’t take all that much manhood. It does take quite a man to remain attractive and to be loved by a woman who has heard him snore, seen him unshaven, tended him while he was sick and washed his dirty underwear. Do that and keep her still feeling a warm glow and you will know some very beautiful music. If you truly love a girl, you shouldn’t ever want her to feel, when she sees you greet a secretary or a girl you both know, that humiliation of wondering if she was someone who caused you to be late coming home, nor should you want any other woman to be able to meet your wife and know she was smiling behind her eyes as she looked at her, the woman you love, remembering this was the woman you rejected even momentarily for her favors.

Mike, you know better than many what an unhappy home is and what it can do to others. Now you have a chance to make it come out the way it should. There is no greater happiness for a man than approaching a door at the end of a day knowing someone on the other side of that door is waiting for the sound of his footsteps.

Love,

Dad

P.S. You’ll never get in trouble if you say ‘I love you’ at least once a day.

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Haunted

23 Wednesday Oct 2024

Posted by Editor in Dispatch from the Diaspora, Northern Ireland, Rituals, The Troubles, Themes of Childhood, United Workers Council Strike 1974

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Halloween, Northern Ireland Troubles, Storytelling for Peace, The Wayside Halt, United Workers Council Strike 1974, Van Morrison

This weekend, inspired by an Instagram post about a perfect Fall appetizer, I bought a pumpkin. Looking at it taking up too much space on the kitchen counter, it occurs to me that it’s too big for the Hot Honey Pumpkin Baked Brie I planned. It will be better as a jack-o’-lantern by the front door. This leads me to Halloweens past and a story you should know.


Where I’m from, there’s some debate about Halloween, with some saying it’s derived from the ancient pagan festival of Samhain and others that it started out as Hallows’ Eve, the day before All Saints’ Day. Whatever it is, it remains my favorite time of year when, on the cusp of winter,  the veil between the living and the dead is at its thinnest, the souls of our long-dead ancestors emerging through it, seeking warmth and communion with us.

Halloween in 1970s Northern Ireland was different from the holiday I eventually embraced in the United States. There were no expensive costumes and no elaborately carved pumpkins—there were no pumpkins. Wrapped up in our duffel coats, “disguised” in hard plastic ‘false faces’ attached to our real faces with a thin elastic band and through which it was almost impossible to breathe we roamed the estate, ringing doorbells and singing at the top of our lungs:

We roamed the housing estate, ringing doorbells and singing at the top of our lungs:

Halloween is coming and the goose is getting fat,
Would you please put a penny in the old mans hat,
If you haven’t got a penny, a ha’penny will do,
If you haven’t got a ha’penny then god bless you

Somebody always thought to bring a torch to light up our faces. Sweating under our false faces, I suppose we thought we looked menacing. Meanwhile, our parents stayed at home and watched television. If we were lucky, somebody gave us sparklers which was very exciting because fireworks had been banned—outlawed due to fears that they might sound like bomb blasts or gunfire. I suppose there were also concerns that they might be used to make bombs or weapons.

With this behind me by the time I became a mother in the United States, I embraced Halloween in all its commercialized glory, unaware of its origins in my native land. I didn’t know until recently the legend of Stingy Jack who had been sentenced by the devil to roam the earth for eternity, his path lit by a burning coal inside the carved-out turnip he carried.  To scare away Jack and any other wandering evil spirits, Irish people eventually made their own versions of his lantern, carving ghoulish faces into turnips placed in windows.  When Irish immigrants arrived in America with their jack-o′-lantern tradition, they discovered that pumpkins made the perfect Halloween lantern. Indeed they do.

Every year, we’d go to the nearest pumpkin patch for three perfect pumpkins which would be carved and decorated, and when the sun went down on Halloween, my husband lit candles inside them to welcome the scores of children who walked to our door over the years. It always reminded me of that whimsical scene in E.T., tiny versions of Cinderella, Red Riding Hood, Tinkerbell, Spiderman, Jack Sparrow, Pikachu, even the sitting President of the United States.


There was never a trick, always a treat from a big popcorn bowl filled with Kit-Kat bars, M&Ms, Reese’s Peanut Butter Cups, and full-size Snickers bars. Word on the street was that all the good candy was at our house. Between us, we took turns handing out the candy, but I preferred to be with the merry band of trick-or-treaters, strolling along Montebello Avenue, stopping only a few paces behind to wait while my miniature make-believe princess knocked on the doors of strangers. This annual trek through the neighborhood always ended with her sprinting to our front door, where she rang the doorbell and called out “Trick or treat!” Feigning surprise, her daddy would fling the door open and fill her plastic pumpkin basket to the brim.

Our last family Halloween was quiet. It was a school night, the Wednesday before the 2012 General Election. Not yet a United States citizen, I couldn’t vote, but I nonetheless studied the pamphlet of Arizona Propositions on our kitchen table, and my husband let me fill in the bubbles on his ballot. I remember promising him I would become a citizen in time for the next presidential election.

When I voted early last week, I imagined him smiling down at me. Imagine. Me, early.

That particular Halloween didn’t feel right, with November just hours away and the night air still hovering around 80 degrees. Nonetheless, when the sun went down, our ritual began. We lit the candles in the pumpkins, and Sophie decided it was her turn to dole out the Halloween candy. Sporting ears of a fictional Japanese cat and a black tail, both hand-sewn by her best friend, she took great delight in the younger children who couldn’t wait to be scared by the pale motion-sensitive ghost howling above our door.


I remember I was preoccupied, sitting at my computer paying bills for the breast cancer treatment that had dominated our lives that year, scrolling through work emails I hadn’t found time to read at work, and following news of the devastation wrought by Hurricane Sandy. I was also half-listening to Van Morrison playing in the background, and as he repeated the ritual of nights spent “spinning and turning in the alley like a whirling dervish,” I remember feeling a strong pull to days gone by. Surreal and visceral, maybe the kind of moment Greill Marcus described in his Listening to Van Morrison.

Given the courage, we live by moments of interference between past and present, moments in which time comes back into phase with itself. It is the only meaning of history. We search the past not for other creatures but for our own lost selves.

In an instant, Van Morrison takes me back to County Antrim and into the lives of two sisters I have yet to meet in real life. The first, Mary, had once stumbled upon something I had written online and left a comment that forever connected us, as is the way of the virtual world. You know how it goes—we search for one thing and find another that renders the first forgotten. Within this much smaller world, I learned that her cousin, Pauline, had been my hairdresser in the 1980s.

Every time I visited her for bigger hair or more highlights, there was always a moment—a ritual— when I considered silently, the family pub across the road. The Wayside Halt stood on the edge of the dual carriageway between Antrim and Ballymena. Nondescript, it was the kind of place that wouldn’t merit a second look, unremarkable except to those of us who knew about the horror that had visited on May 24, 1974. When I sank into Pauline’s hairdresser’s chair, I thought about it.

It wasn’t until one night years after I had left Northern Ireland, that I learned more about what had happened at The Wayside Halt. I don’t remember how the subject came up—my father was maybe trying to explain The Troubles to my American husband, and the ways in which we were all impacted by those years. He recalled for us that evening, when one of his friends had suggested they call into The Wayside Halt for a quick pint since it was on the road home. Knowing the unlikelihood of a “quick pint” and because he was in a rush to complete bread deliveries before dark, my father declined.

Even in the days before cell phones, news in our place always traveled fast. Before daddy reached Randalstown not an hour later, the harrowing word had arrived that a mob of Loyalist paramilitaries had barged into the Wayside Halt and shot at point-blank range, Mary’s uncles—Shaun Byrne and his brother, Brendan. Other pub owners in the Ballymena area had been attacked too, their places of business vandalized because they had remained open during the United Workers Council Strike of 1974 a seminal two weeks in Northern Ireland’s ‘Troubles.’ Just a child at the time, I remember the rolling electricity blackouts—the “power cuts” that meant candle light and dinners cooked on a camping stove to cook. In my naivete, I didn’t know I had any reason to be afraid.


Shaun and his brother Brendan were executed while the children were in the sitting room upstairs. In the picture Mary sent me, the only child not home that evening was the little girl at her father’s right shoulder.

Eight fatherless children. Two widows. A community devastated.

The Byrne Brothers.

The Quinn brothers –  Richard, Mark, and Jason –  three little boys burned to death on July 12, 1998. Just eleven, nine, and seven years old, they had been asleep when a petrol bomb was thrown through their bedroom window. In our small world, their grandmother was the subject of my brother’s first interview as he started a career in journalism covering the kinds of atrocities that should only have happened once.

Bloody Sunday, La Mon Restaurant, Crossmaglen, The Miami Showband Massacre, Kingsmills, Internment, the bombing of Omagh and Enniskillen, Greysteel, Frizzell’s fish shop.

The list goes on, hearts grows numb …

Physically untouched by this string of horrors, but changed nonetheless, the images are indelible in the storehouse of my memory. Father Daly waving a blood-stained white handkerchief; the blood on Market Street in the heart of Omagh’s little market town; the platform boot on the side of the road near Banbridge; mourners at the Ballymurphy funeral on a little black and white television.

So many names.

Too many ghosts among us.

This is Anne Byrne’s Halloween story first posted on November 1, 2005. Like her sister Mary, she had left a comment for me. The world contracts once more.


Uncle Brendan and the Hallowe’en Parties

I loved Hallowe’en when I was wee, except it was called Holloween in those days. Next to Christmas, it was the best holiday of the year.  It was also mid-term break. Holloween was always celebrated in our house.  When we were very small my mother would make a lantern from a turnip she’d scobe out with a knife which, if you’ve ever tried to do it, is bloody hard work. The next oldest sister to me was very keen on traditions even ones she’d made up herself.  When she was around eight she decided that every year she and I would make witches’ hats out of newspapers rolled into cones and blackened with shoe polish.  So we did this for at least 3 or 4 years.  We’d run around the yard with the pointy, floppy hats falling down over our eyes, our faces and hair stained with polish, singing:

I’m Winnie the Witch, Witches can fly and so can I, I’m Winnie the Witch’

I have no idea where this came from.

In the evening we would tie apples from a string attached to the ceiling and try to bite lumps out of them or duck for apples in a basin of water set on the kitchen floor.  This involved much splashing on the quarry tiles and younger siblings spluttering and snottering into the water.   I was pretty crap at it but my brother would have drowned himself rather than admit defeat. He would suddenly rear out of the water, his whole upper body soaked, grinning so widely that he was in danger of dropping his prize.  Later we’d have apple tart with hidden money in it wrapped up in silver paper.

When we all got to be a bit older my aunt and uncle, who had no children of their own,  held a party each Hallowe’en.  They only invited our family and one set of cousins which meant they had 15 children in attendance. There was always a bonfire and sparklers but no fireworks as they were banned in Northern Ireland.In the middle of the party there would be a loud clatter on the door and my uncle would go and investigate.  Without fail he would return with a scary stranger with a stick, wearing a thick coat and a scarf wrapped round his face.  Usually the stranger did a lot of muttering and, more often than not, he’d use his stick to take a swing at you if you came too close.  As the evening progressed and we worked ourselves up into a frenzy the stranger would suddenly reveal themselves to be the man who lived next door or even occasionally our Aunt Mary.  Presumably she got drafted in by my uncle in the years when he couldn’t persuade any of the neighbors to come and scare us half to death. I think the parties started coming to an end when I was in my early teens but by then I’d grown out of them.

I always think of my uncle at this time of year.  He was murdered, along with his brother, in the mid 70s but in Spring not October.  The scary, masked strangers who came to the door that night didn’t reveal themselves to be friends or family.

All this happened a long time ago and besides, the past is a different country – but it has been haunting me lately.

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walking away on the last first day of school

18 Friday Aug 2023

Posted by Editor in Aging, Art, Children's Books, Coming of age, Death of parent, Education, Fatherless daughters, learning to drive, Memoir, Milestones, Mother Daughter Relationship, Mr. Jones, Poetry, Rituals, The Gone of You

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Cecil Day Lewis, children's books, Going back to work, Irish DIASPORA, Memoir, mother daughter relationship, Separation, Themes of childhood, Walking Away

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Her last first day at school – 2015

WALKING AWAY – Cecil Day Lewis

It is eighteen years ago, almost to the day –
A sunny day with leaves just turning,
The touch-lines new-ruled – since I watched you play
Your first game of football, then, like a satellite
Wrenched from its orbit, go drifting away

Behind a scatter of boys. I can see
You walking away from me towards the school
With the pathos of a half-fledged thing set free
Into a wilderness, the gait of one
Who finds no path where the path should be.

That hesitant figure, eddying away
Like a winged seed loosened from its parent stem,
Has something I never quite grasp to convey
About nature’s give-and-take – the small, the scorching
Ordeals which fire one’s irresolute clay.

I have had worse partings, but none that so
Gnaws at my mind still. Perhaps it is roughly
Saying what God alone could perfectly show –
How selfhood begins with a walking away,
And love is proved in the letting go.


The best year of my life was the one I spent at home after the birth of my baby girl. With her daddy off at work, our girl was all mine.  Spectacularly high on new baby smell, I held her in my arms as I danced around a house filled with sunshine and Van Morrison. In the afternoons, I spent interminable hours just looking at her.

Just. Looking. At. Her.

I examined every feature, every furrow, every flicker across her tiny face, searching for resemblances to me, her father, her grandparents, marveling that two imperfect people had created this perfection. Unbothered by my hovering, or maybe she was, these were the days before she had a cache of words or discovered the beautiful hands that fly with expression today. We called it hand ballet.

Mostly, our darling girl bounced with curiosity and glee. When she cried, it was for food or comfort or maybe just to let us know she was right there in front of us. I couldn’t bear it. In spite of criticism from well-meaning friends who thought they knew better, I was one of those mothers who refused to let her ‘cry it out’ at night. When I heard the tiniest whimper, I bolted to her bedroom to pick her up and comfort her.  My mother encouraged me, reminding me the way only an Irish mammy could, that there would be plenty of nights further on down the road when my daughter would have to cry herself to sleep without me there to make it all better. She was right – of course she was right, and it has been on such desperate nights that I have found myself wishing we mothers could have banked all those hours spent holding and comforting our infant children and built a rainy day fund to help us help them weather the waiting storms.

When the time came for me to return to work, I was unprepared for the crying – mostly mine – that preceded and continued after I deposited her in the waiting arms of Bonnie, a cheery classroom assistant at the Montessori school. Most of the other mothers didn’t appear to have jobs outside the home. In their comfortable cargo pants and Birkenstocks and – in the era pre-Starbucks – sipping coffee in mugs brought from home, they chatted in the parking lot.  I like to think I conveyed a vague impression of adulthood with my Anne Klein suits and a hairdo on the verge of sensible. A school principal at the time,  I was hell-bent on impressing on someone – mostly me – the notion that I was “A Professional Working Mother,” that I could do it all or have it all, all at the same time.

In spite of my grown-up job, I failed to impress Bonnie. Mortified and avoiding eye-contact with her, I would hand to her my wailing, flailing girl. Unflappable, Bonnie would placate me with reassurances that the writhing child in her arms would be absolutely fine as soon as I was out of sight. If only I would just leave . . . Although she had to tell me more than once, Bonnie showed restraint, never once rolling her eyes as I stood there wild-eyed and fretting about the impending separation from my daughter. Irrational and crazed, I wanted my child to have Bonnie’s undivided attention. I wanted Bonnie to spend hours staring, like the Madonna – mother of Jesus, not of Lourdes –  at my beautiful girl, cheering with delight and recording on film and in writing when she did something – anything – for the first time. I was sad that I would miss the first time she watered a plant in the school garden or threw a rock or cracked a nut or blew bubbles. I would miss telling her daddy, my parents, my friends – just falling short of alerting the media – that Sophie had experienced another developmental milestone as when she had spoken her first word, or clapped her hands for the first time, or let go of my hand and stood straight like a little warrior to my ovation, “Sophie’s standing! Sophie’s standing!”

I was madly jealous that it would be the magnanimous Bonnie – not me – with a magic trick up her sleeve to charm my inconsolable daughter and make the crying stop. Walking away from the child writhing in the arms of “the other woman,” cleaved me in two. I would pretend to leave, but I remained in the car with the air-conditioning on and the window down, torturing myself as I listened to children crying.  How, out of that early morning cacophony, could we mothers pluck out the sound of even the tiniest whimper from our own children?

Daily, I waited until the wails gave way to worn-out sobs and the final shuddering stop. Then I would reapply the makeup I had wept off, and when my face matched the boring business suit with no hint of guilt-stricken working mother, off I went to work for other people’s children.

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Around this time, I discovered Kathi Appelt’s book, Oh My Baby Little One. Appelt knew this anguish of leaving a child to go back to work and relived it when her 12 year old son went off to summer camp. Bracing herself for how she would feel as he prepared to go off to college and inspired by the lovely Sweet Sorrow in the Wind sung by Emmylou Harris, she wrote the book I would find one Saturday afternoon on the discard table at a real bookstore where I could also get The Irish Sunday Times albeit on a Wednesday.

Every night, I read aloud the story of Mama Bird, who reassured Baby Bird that every day when she was off at work, her love – a little red heart – would still be with him. Magically, this love would slip inside his lunch box or sit on his shoulder during playtime or nestle on his pillow at nap-time. At the same time, it would curl around Mama Bird’s coffee cup as she went about her daily business.

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Every night, before closing the book and kissing her goodnight, I would ask my sleepy girl, “Where’s the love?” and she would whisper, as though it were a secret:

All around, mama. The love is all around.

It eased those morning goodbyes when I left her with Bonnie and numerous other teachers throughout the years. There were too many of them. Never satisfied with them because they never seemed to understand that I was her first teacher and that I knew best what was best for her, I kept switching schools. Why didn’t they understand I was sending them the very best child I have? By the time she was in the third grade, my daughter had become a veritable tourist in the public education system, hopping from school to school, while I kept searching for the one teacher who would change her life as Mr. Jones had changed mine. Regrets? Yes.


On her last first day at school, I packed a lunch for my girl – now a high school Senior, a young woman –  and slipped a note inside the brown paper sack the way I used to do when she was in grade school. Watching her stride to the car her dad used to drive, my heart cracked open – another milestone without him.

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But I pulled myself together the way we do and gave into the day,  knowing as it released us to our respective distractions and mundanities, it would unfold with delight or difficulty or both in unequal measure.


Some days still, in an unguarded moment between emails and zoom meetings, in the middle of things that matter and things that don’t, I wonder what she’s doing, and find myself recalling my three-year-old darling, fighting sleep with all her might to search once more for the love so cleverly hidden on each page of Jane Dyer’s watercolor illustrations.

And I will remind myself – as I will again today –  that the love is all around.

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Epitaph . . . for your birthday

20 Tuesday Sep 2022

Posted by Editor in After death of a spouse, Aging, Being a Widow, Bellaghy, Castledawson, Death and dying, Dennis O'Driscoll, Derry, Dispatch from the Diaspora, FInal wishes, Funeral, Grieving, Keeping Going, Loss, Love, Memoir, Milestones, Mourning, Northern Ireland, Northern Ireland Culture, Postscript, Rituals, Seamus Heaney

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Funerals, Northern Ireland, Seamus Heaney, The Gravel Walks, Traditions of Dying, widowhood

Epitaph
by Merrit Malloy

When I die
Give what’s left of me away
To children
And old men that wait to die.
And if you need to cry,
Cry for your brother
Walking the street beside you.
And when you need me,
Put your arms
Around anyone
And give them
What you need to give to me.

I want to leave you something,
Something better
Than words
Or sounds.

Look for me
In the people I’ve known
Or loved,
And if you cannot give me away,
At least let me live on in your eyes
And not on your mind.

You can love me most
By letting
Hands touch hands,
By letting
Bodies touch bodies,
And by letting go
Of children
That need to be free.

Love doesn’t die,
People do.
So, when all that’s left of me
Is love,
Give me away.

I’ll see you at home
In the earth.


He always knew he would be the first to go. Far better that way, he used to say, because then he wouldn’t have to miss me. Far better – for him. A private man, my late husband also insisted that death was a private business. When the time came, he wanted to die alone, just to sleep on. There was to be no fuss, no funeral, no flurry of condolences, not even a goodbye if he could help it. Maybe he was afraid I wouldn’t know what to do or say; maybe he thought it would be easier if he just disappeared into nothingness without ceremony. He would have been wrong.

Like a catechism, I know what to do and say. Knowing is part of the Northern Ireland culture that formed me – it is sewn tidily in our DNA – and I am bound to it. Where I’m from, we know to mark the time of death, to stop the clocks and cover the mirrors, to draw down the blinds and close the curtains; we know what to say and what to do at the wake  when led silently into a small bedroom where the deceased has been “laid out” in an open coffin; we know how to pay our respects in private and in public, how to offer condolences over tea in china cups balanced on saucers bearing digestive biscuits; we know when to shake hands, when to whisper, when to weep and when to throw our heads back in laughter over the craic about a life lived in full.

There would be no funeral, the likes of which I remember from my childhood, the women staying behind and staying busy, making sandwiches cut into tidy little triangles and placed with shortbread and buns on three-tiered china cake stands. After the burial, the men returned to the house followed by a steady stream of mourners, to pay their respects over cups of tea and maybe a half-un of whiskey. After my grandfather’s funeral, my mother reminds me the men came back to the house not for a cup of tea in your hand, in the parlance, but instead to sit down at a tea-table, on which a white linen tablecloth bore plates of salad, meats, chutneys, and homemade damson plum jam to spread on just baked wheaten bread. Well into the wee hours, callers came and went with hugs and home-baked Victoria sponges and songs and stoic handshakes punctuated with that simple salve – “I’m sorry for your trouble” that conjures Big Jim Evans and the old men in Heaney’s Mid-Term Break – parochial and intimate.

There was none of that for Ken, and without these rituals in the days following his death, I raged internally and selfishly. Only because he expected me to accept and respect his wishes – and because I had promised – I complied. Against my will, I privatized my mourning and got lost in the ever-widening distance between the Arizona desert and a blacksmith’s forge on the side of the road in rural South Derry. I  wanted the bits and pieces of a public goodbye and to fill the air with his favorite music, a bit of trad, a toe-tapping Irish reel. I wanted a place to go on his birthday, to bring flowers, maybe some freesias because he loved their scent.  He wanted none of that. No ceremony. No punctuation mark. Just an empty space.


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I was far away when he died. A few days before, I had visited the graveyard in Bellaghy where Seamus Heaney is buried. My recollection of that visit is fresh – the mound of Derry soil not yet settled under a sycamore tree, no marker other than a makeshift sign at the entrance to the car park, two struggling plants, a bouquet, and a handwritten thank you note. The sycamore leaves scattered on the dirt and wet from the rain, the clouds hanging heavy and low, I remember thinking that when the time came,  a naturalist like my husband would maybe consider such a spot as a final resting place.

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575765_10202486824553021_27462196_n The local grave-digger, P.J. Rea, honored to tend to this particular task and moved by the number of people visiting to pay their respects, considers the unasked question:

I don’t know what Seamus would have made of it but I think he might be pleased enough.

I think so too.

When I returned to Bellaghy the following summer, I visited the grave again. This time, a simple wooden cross leaned into the dirt. This time, I was a widow, changed and contemplative, convinced that cosmic strings keep us connected. This time, I wondered about the spiritual space in which both men might move. Where are they? 

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In Stepping Stones, Heaney tells Dennis O’Driscoll that he did not fear death the way he had done as a boy.

It’s more grief than fear, grief at having to leave ‘what thou lovest well’ and whom thou lovest well.

Unsure of what to say but saying it anyway,  some people in those early days told me my husband had gone on to a better place. What place could be better than here among the living?  What place could be better than at our kitchen table opening a hand-made birthday card from his daughter or at the Motor Vehicle Department when she nailed the parallel parking and got her license, or on the other end of the line to hear the news of her acceptance into a graduate program or that she’s madly in love with a boy who is kind and true?  How could any place be better than a ring-side seat at the milestones yet to come?  

There is no more desolate space than the empty seat at the table.

For just a minute today, I’d like to hear the two of them laugh over a comic strip in the Sunday paper.  The truth is that all these years later, it still sometimes feels as though he just went missing.

Where is he?  

The lingering wonderings are different from the madness that accompanied the early urgent grip of grief, the all-consuming quest to fix the unfixable, stop time, close distance, find the right word, and do the right thing. Doing the right thing – as he had requested – felt wrong.

He did not want to be buried in the ground. He wanted to be cremated, and he wanted his ashes – all of them – strewn on a piece of ground in the desert, at the base of Black Mountain, where his childhood home had once stood –  his first place.

We obliged. My parents, far from Heaney country, our daughter, and a close friend did as he asked, each of us taking turns to empty the bag that contained the cremated remains of this man we loved. That bag probably weighed no more than five pounds. Fixating on that detail, I wondered about his soul and the weight of it and its whereabouts. Where was it?  Where is it? Is it possible he knows we’re thinking of him today?

On his birthday, two years after he died, we returned there to find “his” tree had been cut down and the surrounding area chained off for commercial development. For the time being, an empty space that brought me to tears even though the rational part of me knew and knows that not for one second would he have expected his desert space to remain unspoiled. Coolly resigned to the price of urban progress, he would have been unfazed. Still, I was resentful again, angry that there was no place for us to visit, no headstone to adorn with fresh flowers on milestone days – the anniversaries of the day we married, the day our girl was born, the day of his death, or a day like today – his birthday.

With the right words at the right time – again – came Seamus Heaney and the epitaph from The Gravel Walks inscribed on the headstone in place for the second anniversary of his death. Lines he had explained once to  the Harvard Crimson

A person from Northern Ireland is naturally cautious. You grew up vigilant because it’s a divided society. My poetry on the whole was earth-hugging, but then I began to look up rather than keep down. I think it had to do with a sense that the marvelous was as permissible as the matter-of-fact in poetry. That line is from a poem called ‘The Gravel Walks,’ which is about heavy work—wheeling barrows of gravel—but also the paradoxical sense of lightness when you’re lifting heavy things. I like the in-betweenness of up and down, of being on the earth and of the heavens. I think that’s where poetry should dwell, between the dream world and the given world, because you don’t just want photography, and you don’t want fantasy either.

The girl with her head in the clouds should never have doubted the man who kept her feet on the ground too. Not for a second.

All that’s left of him now is love – to give away. 

I am giving it away. I am walking on air.

Happy birthday.

Courtesy: Laurel Villa

Photograph: Laurel Villa

 

So walk on air against your better judgement
Establishing yourself somewhere in between
Those solid batches mixed with grey cement
And a tune called The Gravel Walks that conjures green

 
The Gravel Walks reel starts around 3:02

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Yvonne hails from Antrim, Northern Ireland, and has lived in the desert southwest of the United States for almost thirty years. Married, with a daughter who is navigating her path through the "teen tunnel," and a haughty cat, Atticus, she has spent the better part of the last three decades in the classroom as a student, teacher, and administrator. Her mid-life crisis came as a sneaky Stage II invasive breast cancer diagnosis which subsequently sent her to the blogosphere where she found a virtual home away from home . . .
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