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Act Two, Castledawson, Family, Memoir, Mother Daughter Relationship, Mother's Day, Northern Ireland, Northern Ireland Culture, Ordinary Things, Poetry, Rites of passage, Rituals, Seamus Heaney
and still we dance . . . happy mother’s day
In Ireland, it is Mother’s Day and it is also still impossible to visit my mother and the place that made her. A phone call later will help minimize the miles between Castledawson and a village in Mexico, me falling easily back into the comforting colloquialisms of home, but it won’t be the same as surprising her the way I used…
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Antrim, Belfast, Belfast Peace Lines, bombing, British Army, Bruce Springsteen, Castledawson, Good Vibrations, IRA, Joe Strummer, La Mon House Hotel Bombing, Memoir, Mix tapes, Movies, Music, Northern Ireland, Omagh, Pop-in Records, Record Shops, Regrets, Sectarianism, Sherman Alexie, Terri Hooley, The Clash, The Miami Showband, The Troubles, The Undertones, Themes of childhood, UVF, Vinyl Records
for the record . . . a reprise
When Terri Hooley decided – again – to close down the Good Vibrations record shop in the summer of 2015, I wrote this for him. Again. I rarely watch movies when I’m flying, but that changed one November night on the plane from Chicago to Dublin. Perusing my options for in-flight entertainment, I paused when I heard the unmistakable hiss…
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Aging, Awesome Women, Castledawson, Coming of age, Family, grandmother, Irish culture, Irish mammies, Memoir, Mother Daughter Relationship, Mother's Day, Northern Ireland, Northern Ireland Culture, Seamus Heaney, Soundtracks of our Lives, Themes of Childhood
mothering in the time of COVID-19 . . .
Having worked in education for over thirty years, it is not uncommon for me to encounter – in real life or the virtual version – my former students, all grown-up, some of them married with careers and children. Surreal to find myself standing shoulder to shoulder with these adults who, just a twinkling ago, were scribbling in composition books about…
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Antrim, Belfast, bombing, British Army, Castledawson, Claudy, IRA, La Mon House Hotel Bombing, Memoir, Northern Ireland, Omagh, Sectarianism, The Miami Showband, The Troubles, Themes of childhood, UVF
How Long Must we Sing This Song? For the Miami Showband . . .
Any atrocity reported in isolation can be used to beat the other “side,” but together with stories from both communities, it is clear that no “side” has a monopoly on suffering or loss. ~Stephen Travers, July 30, 2018 On July 30, 1972, the year of Bloody Sunday and Bloody Friday, the final details were being planned for what would happen…
