Yvonne Watterson Writing

More about Yvonne

Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Yvonne's writing life began in November 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing beyond this blog in The Irish Times, Irish Central, Reading Ireland, and other outlets. Yvonne's essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, a six-piece Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, also a writer, lives in Arizona. “If you have the words, there's always a chance that you'll find the way.” ― Seamus Heaney

About Yvonne

From there to here . . . Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans nearly 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Her writing life began in 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing in The Irish Times, Irish Central, Reading Ireland, and other outlets. Her essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, an Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, is also a writer, living in Arizona.

Lou Reed, Memoir, Mother Daughter Relationship, Music, The Velvet Underground

hand ballet

September 21, 2024 / No Comments

The day Lou Reed died shouldn’t have been particularly relevant, but I remember it. I remember the way the afternoon sun made shadows on my daughter’s fingers. Graceful and elegant. Just a twinkling ago, my baby girl first discovered her hands. For me, her besotted mother, it was a magical milestone in her development. She was surely the first child…

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Dispatch from the Diaspora, Hank Thompson, Lou Reed, Seamus Heaney, Stiff Little Fingers, The Clash, Kevin Rowland, Dolores O'Riordan, Christy Moore, The Good Friday Agreement, The Troubles, Themes of Childhood, Trouble Songs

Good Trouble – in the Back Seat with Stuart Bailie.

June 21, 2019 / No Comments

Far away from Belfast, Stuart Bailie and I find ourselves in the foothills of the Santa Cruz mountains in Los Gatos, California. A perfect place to ponder politics, protest, and punk rock, it’s where John Steinbeck penned his angriest book, the soundtrack of America’s Great Depression and Tom Joad’s California. By any other name, The Grapes of Wrath is a…

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Act Two, After death of a spouse, Art, Awesome Women, Death and dying, Laurie Anderson, Lou Reed, Love, Marriage, Memoir, Music, Rites of passage, saying goodbye, Scaffolding, Seamus Heaney

perfecting a marriage

April 9, 2016 / 6 Comments

Laurie Anderson tells this story about the day she married her best friend, Lou Reed: It was spring in 2008 when I was walking down a road in California feeling sorry for myself and talking on my cell with Lou. “There are so many things I’ve never done that I wanted to do,” I said. “Like what?” “You know, I…

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After death of a spouse, Being a Widow, Dirty Boulevard, Dispatch from the Diaspora, Lou Reed, magic and loss

Lou Reed and My Rock ‘n’ Roll Heart.

October 26, 2015 / 4 Comments

For as long as I can remember, I have known that Holly came from Miami, FLA and hitch-hiked her way across the USA; that little Joe never gave it away; and, that Jackie thought she was James Dean for a day. As young as I was when I first heard Lou Reed’s “Walk on the Wild Side,” I cannot possibly have…

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