Writing by Yvonne Watterson

~ considering the lilies & lessons from the field ©

Writing by Yvonne Watterson

Category Archives: Great Advice

with all boldness

11 Monday Nov 2024

Posted by Editor in Anahorish, Anna Deavere Smith, Anna Deavere Smith, Anna Deavere Smith, Art, Awesome Women, Great Advice, Human Rights, Justice, Language matters, Northern Ireland, Northern Ireland Culture, Oprah Winfrey, Peace, Phoenix, Politics, Prop 300, Punishment, Seamus Heaney, The Peace Process, The Troubles, Theater

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Anna Deavere Smith, Gloria Steinem, Kamala Harris, Presidential Election 2024

On her afternoon talk show some years ago, Oprah Winfrey shared a list of eight powerful women she thought we should all know— as if we might encounter any of them at the grocery store or on the bus.  I remember one of them got my attention—Anna Deavere Smith, perhaps better known to some of you as Nancy McNally from the The West Wing, or as Gloria in Nurse Jackie. She told Oprah that woman should be bolder; that we should argue as much as our male counterparts, and that we shouldn’t try so hard to avoid conflict. We should speak up and out, she said. Boldly.

We should, and we do. At least two of us—the only two women ever nominated to be president by a major party—ran for President of the United States by doing so. They lost. Of course they lost. As post-election analyses continue to dissect the results with historians and pundits presenting their conclusions about why America overwhelmingly chose to elect Trump again, the fact remains that the United States is still bedeviled by misogyny.  If you don’t want to go that far, you’ll maybe look up and see that there’s only one crack in the ultimate glass ceiling.

Gender has always played a role in presidential politics, and the 2024 campaign was no exception. During the last one hundred odd days of it, we heard many of the same old story lines from the same old playbook that, according to Kristina Wilfore, co-founder #shepersisted  “undermine voter behavior toward women,”

Gendered disinformation is the spread of deceptive or inaccurate information and images against women political leaders, journalists, and female public figures. Following story lines that draw on misogyny, and gendered stereotypes, the goal of these attacks is to frame female politicians and government officials as inherently untrustworthy, unintelligent, unlikable, or uncontrollable – too emotional to hold office or participate in democratic politics. 

Vice President Harris chose to downplay her gender, her eyes fixed on a new era where it would be irrelevant in America. She rarely spoke about it or the historic nature of her candidacy as potentially the first Black woman to be elected president. Instead, she talked about the cost of groceries and prescription drugs and issues that should have galvanized the Democratic party—affordable housing,  protecting reproductive rights, bringing an end to gun violence, and strengthening the middle class. But it didn’t work, and too many Democrats chose to stay home on November 5th. Meanwhile, Trump and his allies chose to talk a whole lot about the Vice President’s  gender, to exploit it, with some of his allies branding her a “DEI candidate,”  “a childless cat lady,” “crazy,” “dumb as a rock.” One of them even likened her to a prostitute at a Madison Square Rally in the final stretch of the campaign.

She rose above it all. Was that a mistake? Maybe. Maybe she should have confronted him directly about his misogynistic remarks. Maybe during her one debate with him, she should have challenged him passionately on his overt sexism and his plans to put women back in their place, where he will protect us “whether we like it or not.” Maybe the more apathetic voters in those all-important swing states would have been more motivated to vote if they had seen Harris campaign harder on breaking the glass ceiling. Maybe it wouldn’t have mattered.

Sure. Women turned out for Harris. She won a higher share of white women with college degrees, but her opponent won an even wider margin with women who did not go to college. And, in 2024 there were more of them who voted. Add his gains with men in every age group, there was just no way for Harris to make up that ground, no path to victory.  In a nutshell, Trump won the working and middle classes, and Kamala Harris won over college-educated people who are financially better-off. Why? Maybe the prospect of electing a woman to the Oval Office is too much for the United States. 

Maybe not. Maybe misogyny wasn’t the deciding factor in Trump’s victory, but for many women it certainly feels like the “same old tired playbook” helped him win.  It will take some time to retire that particular playbook. The fight will take time, as Kamala Harris reminded us in her concession speech, but “That doesn’t mean we won’t win.”

It will take outrageous acts—lots of them.


An Outrageous Act

The week before Barack Obama won his second term, I met Gloria Steinem in Phoenix.  Following her remarks at a YWCA luncheon, she described a deal she has been making for years at the end of organizing events. To sustain momentum, she promised organizers that if, in the next 24 hours, they would do just one outrageous thing in the name of simple justice, that she would do the same. She told us it could be anything. Anything we wanted it to be. She also said that only we would know what it should be—pick it up yourself, run for office, suggest that everyone in the office say out loud how much they make thereby allowing everyone to know who is being discriminated against.

In return, Steinem guaranteed two outcomes. First, she guaranteed that after just one day, the world would be a better place, and secondly that we would have a good time. Never again would we wake up wondering if we would do an outrageous thing; rather, we would wake up and consider which outrageous thing we might do today, tomorrow, and the next day.

I’m not sure I did anything that even felt remotely bold or outrageous until I was in my forties. The principal of a small high school in Phoenix at the time, I was struggling to turn it around while dealing with the devastating impact of a new Arizona law, Proposition 300. It required me to inform 38 of my bright immigrant students that they would no longer be able to take state-funded college courses, because they were in the country without documentation. They had been brought to the US as infants by parents in pursuit of a better life for them, but without Social Security Numbers or visas, the American Dream would remain achingly elusive.

The irony wasn’t lost on me as an immigrant from Northern Ireland, being asked to segregate children at school—school which should be the sacred space in any country – placing those who could prove citizenship in college classes and denying those who could not prove residency and could certainly not afford to pay their own way. Over 90% of my students lived below the American poverty level. The law was unfair. It felt un-American and anti-immigrant. To be specific, it felt anti-Mexican immigrant. My white Northern European skin seemed much more acceptable. Who isn’t Irish on St. Patrick’s Day? Because nobody told me what to do or what not to do about my students, I decided to reach out to the local media and anyone who would listen. By my own standards, this was outrageous. Bold, I even asked for money. The kindness of strangers helped raised over $100,000 to pay for tuition. The world was a little better, the way Gloria Steinem would one day tell me it would be, and the story made it to the New York Times, “A Principal Sees Injustice and Picks a Fight with It.”

Of all people, Anna Deavere Smith read the New York Times on a morning in March 2008 during a trip to Phoenix. Later that day, during Spring parent-teacher conferences, Nancy from the West Wing arrived at my office. Initially star-struck, I wasn’t sure what to say to one of Oprah’s phenomenal women. But as she explained what she was doing in Phoenix, we fell into an easy conversation that covered a lot of ground—from Northern Ireland to Arizona. She was in town to interview, along with me, an array of politicians, community activists, lawyers, and incarcerated women, for her one-woman play, “The Arizona Project,” commissioned to honor the 2006 naming of Arizona State University’s law school for retired Supreme Court Justice Sandra Day O’Connor—the first U.S. law school to be named for a woman. We talked about our respective childhoods, and Anna recalled that when she was a girl, her grandfather had told her that

 . . . if you say a word enough, it becomes you.

Walking in Other People’s Words

Inspired, Anna Deavere Smith traveled around the United States, interviewing people touched by some of our most harrowing social and racial tensions, recording her conversations with them, and shaping them into collections of monologues which she presents, verbatim, on stage. Using the real words of real people, Anna Deavere Smith breathes in – and out – America. It was surreal, sitting in my office talking to an acclaimed actress. She had “people”  who set up the camera in my office and left us to chat about justice and education and my beloved Seamus Heaney.

A fan of Heaney, she admired the picture of him hanging on my office wall. I made a copy of it for her,  and now that he’s gone, I like knowing his picture hangs in our respective living rooms.

Worlds apart but connected all the same. 

When our conversation ended, and the camera and tape recorder packed away, Anna Deavere Smith told her assistant to be sure to get a picture of the shoes. My shoes. They weren’t my favorites. They were uncomfortable. Beige, high-heeled and professional, chosen that morning I suppose in an effort to look a bit bolder at work, to be perceived as strong— a part of my armor.

It wasn’t until the night after President Obama was elected to his first term, when my students and I went to see Anna perform her one-woman show at the Herberger Theater that I understood the shoes.

Changing shoes between each of her monologues, Anna Deavere Smith walked for miles in our words, in our world. Boldly, she crisscrossed Arizona and America and showed us ourselves—how interconnected we are—prison system employees, incarcerated women, female lawyers, immigration activists and others including Justice O’Connor who was in the audience,  Sheriff Joe Arpaio, the Mayor of Phoenix, and the principal I was at the time. We were looking in the mirror, and much of what we saw was bleak. At the same time, with a brand new President elected the night before, there was hope in the air.

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It’s time to get back at it, to look in the mirror, to take a walk in the shoes of other people—people with whom we vehemently disagree, people who appear to want something very different from the same place all Americans call home.  This is not the time to retreat or to recriminate. It’s a time for boldness, and I can think of no better voice to remind us than that of Seamus Heaney:

… make the world before you a better one by going into it with all boldness. You are up to it and you are fit for it; you deserve it and if you make your own best contribution, the world before you will become a bit more deserving of you.

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memorial day reminder: maya angelou

29 Monday May 2023

Posted by Editor in Awesome Women, Being young, Coming of age, Death and dying, Great Advice, Great teachers, Loss, Maya Angelou, Memoir, Mother Daughter Relationship, saying goodbye

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Great souls, I Know Why the Caged Bird Sings, Maya Angelou, mother daughter relationship, the human condition, wisdom

“We live in direct relation to the heroes and sheroes we have. The men and women who without knowing our names or recognizing our faces, risked and sometimes gave their lives to support our country and our way of living. We must say thank you.”


… a reminder this Memorial Day to say thank you to the strangers who made so much possible for so many of us.

I first encountered  Maya Angelou’s writing as a young teacher in America. In the English textbook provided to me by the school district was an excerpt from “I know Why the Caged Bird Sings,” and even though it was the story of a Black woman’s childhood in the South during the 1930s and 1940s, it resonated with me, then a young woman from another generation and from a tiny country on the other side of the world. The humanity in Angelou’s story reaches out into the universe where it will take up permanent residence in millions of hearts.

I remember reading aloud to teenagers from affluent white families, Angelou’s lyrical and clear-eyed account of a harrowing world in which she had been abused, raped as a child by her mother’s boyfriend, abandoned by her parents, left homeless, poor, and, for almost five years, unable to speak. But in this tumultuous life, she also fell in love with William Shakespeare and Dickens, with the written and spoken word.  We are all the better for that, and I suppose the lesson for my students and for me was, as Anne Frank wrote in her diary,

I don’t think of all the misery, but of the beauty that still remains.

Such beauty. At 86, the indomitable Maya Angelou was active on Twitter, sending out to almost half a million followers, soul-stirring messages in 140 characters or less. Miniature poems. The day before she died, she took to social media again:

Screen shot 2014-05-29 at 12.46.55 AM


Over the years, I have collected bits and pieces of wisdom and encouragement that I turn to when the going gets tough, as it invariably does. Growing up, I was often told, “show me who your friends are, and I’ll show you who you are.” I was unconvinced of that,  but with age comes experience and discernment and a willingness to listen again to advice I may not always have heeded:

people know themselves much better than you do. That’s why it’s important to stop expecting them to be something other than who they are.

As my daughter made her way into to adulthood, I hoped she would  learn that the very first time a person lies to her or about her would be the first of all the other times; that the very first time someone wounds her with indifference or arrogance, manipulation or meanness, acts merely as precedent. The same might be said for integrity and loyalty which I suppose is why betrayal hurts so much, or as Arthur Miller once put it, why it is “the only truth that sticks.”

When people show you who they are, believe them.

Believe them – the first time, not the millionth time, so you know sooner rather than later, whether to walk this road with them or without them, dignity intact either way.

And for that perspective, Maya Angelou, I am forever in your debt.

maya-angelou-writing-vintage-black-and-white-portrait

And when great souls die,
after a period peace blooms,
slowly and always
irregularly. Spaces fill
with a kind of
soothing electric vibration.
Our senses, restored, never
to be the same, whisper to us.
They existed. They existed.
We can be. Be and be
better. For they existed.

~ from When Great Trees Fall by MAYA ANGELOU (1928 -2014)

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Remembering Ken on our 25th ‘Anniversary’

13 Tuesday Jan 2015

Posted by Editor in Act Two, Aging, Being a Widow, Birthdays, Breast Cancer Advocacy, Breast Cancer Treatment, Castledawson, Coming of age, Death and dying, Dying, Family, Fatherless daughters, FInal wishes, First birthday without him, Funerals, Great Advice, Grieving, Loss, Love, Marriage, Memoir, Mourning, Northern Ireland, Poetry, Robin Williams, saying goodbye, Thanksgiving, Themes of Childhood, Tommy Edwards, W.H. Auden, Wedding Anniversary

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All in the Game, Bob Seger, Castledawson, Cheers, Christmas, cultural identity, First Thanksgiving without Husband, Firsts, Funeral Blues by W.H. Auden, Grief, Irish in America, jukebox, Patsy Cline, Physical pain of grief, Thanksgiving Dinner, widowed

Twelve days after Ken died, I wrote this post.  I haven’t read it since, and I’m not going to read it tonight. Somewhere in the middle of the grief-stricken ramblings, I remember is a pure – and good – memory of this day twenty five years ago – January 13, 1990 – the day when Ken and I embarked on what we both knew was one hell of a love story.

So, I’ll raise a great big whiskey to you tonight, Ken, and tell you that I’d do it all again.

x


11/27/2013

A friend, one who knows, told me the other day that it will take at least a year before the sharp stone of grief will shift from the very center of my being. She told me not to make any big decisions until I make it through all the “firsts” – the first Thanksgiving without him, Sophie’s first birthday without her dad, Christmas and decorating the tree, New Year’s Eve and not-quite-legal fireworks at the end of our street, Valentine’s Day, St. Patrick’s Day, Easter, my birthday, Mother’s Day, Father’s Day, the Fourth of July and fireworks over Morro Bay, summer vacation (will I ever be able to face Morro Bay again?), his birthday, Halloween and pumpkin carving, our Wedding Anniversary, and finally, the first anniversary of his death. His death.

My. Husband. Is. Dead.  

And then she said, well, she texted me, which is a good thing because if it’s written down, I’m less likely to forget it:

. . . after a while that pain will feel like a friend. And you will be afraid to lose it because that will mean you are better and over it and not missing Ken any more.

~ just one of the mind games that Grief plays.

This grieving business has brought out the best in people who care about me, beautiful expressions of sheer humanity. It has also brought out the worst – albeit unintentional – in people who don’t know me and don’t love me but who are paid to deal with me, to deal with death for a living, to know what to say to new widows, to know not to say stupid things. (Recent days have brought me back to when I first landed in cancer country, but if you’ve visited this blog before, you know I have beaten that horse to death).

From the people at the mortuary, those with years of experience in the funeral industry, who called me with the first-time-I’d-ever-heard-it-details of Kenneth H‘s last wishes as opposed to Kenneth M’s which I knew like the back of my hand, to the automated email telling me about the online obituary and memorial page even though my husband, a very private man, had been adamant about no obituary and no fuss; to the doctor whose office assistant left a voice-mail telling me that there was nothing else she could do for me because I take four medications already; and then, my husband’s primary care doctor who wanted me to place myself in his position, to take a minute and see where he was coming from, regarding the whole debacle over who should sign the death certificate – his position, if you don’t mind – and then my oncologist (whose assistant didn’t return my call for help until after it was too late to call my primary care physician) who wouldn’t prescribe anything for me because, you know, the physical pain of grief has nothing to do with cancer, now does it?

I wanted to scream that if we were still in South Derry, there would be a very nice doctor on the other end of the line, telling my mother he was sorry for my trouble and that he would sort us all out with enough Diazepam to help cope with the shock, the journey back to America, the jet lag, the grief, the pain, the immeasurable sadness. The same doctor didn’t know my mother or me; he was merely the doctor on call, a kind stranger, and he had a heart of gold. 

In the twelve days since my husband died – my husband died – can you hear me now? – I have cried and cursed and ranted and raged. I have been irreverent and exhausted and delirious and despondent. I have even laughed about things that should make me cry. I went out today and bought lipstick. Honest to God. I actually got up, showered, put make-up on a haggard face and drove to a store the way I have done thousands of times before, and I bought a cheery lipstick called ninety-nine red balloons. Just like the song.

Floating in the summer sky
Ninety-nine red balloons go by

I also bought a too-expensive-even-though-I-should-be-watching-my-finances-now-that-I’m-a-widow autumnal centerpiece for a Thanksgiving table that will be missing a place-setting. At some point, I noticed I had already changed my Facebook status to “widowed.” I don’t like the ring of it one bit. 

Some of these trifling things are great distractions – wondering who will show me how to back-flush the swimming pool or tell me what that even means, or set the timer on the sprinklers or develop that intuition my husband seemed to have about knowing when to change the oil, or rotate tires, or change air filters, or get gas (I always forget to get gas, usually I’m on “E” with the light on. I used to joke about how running on empty is my last stab at living dangerously). It may actually not be that funny.

In the past twelve days, I have learned how to comfort people whose husbands are still alive. I held in my arms the neighbor I don’t know but who brought cheery chrysanthemums to my door. She couldn’t stop crying about the tragedy that has befallen my daughter and me, and I had to get some Kleenex for her and nod that time will ease the pain. Hell, I even consoled the discomfited doctor after she realized that my situation was sort of “urgent” and that, yes, Xanax might help.

Of course Xanax helps. Just ask any of my family members back home, who have endured incredible pain and loss in recent years. At every wake, there’s always some kindly soul passing around the Diazepam the way we used to pass around a pack of cigarettes at the pub. No. I’m not saying that Xanax, Diazepam, or Ativan numbs the grief or takes it away or helps me avoid the reality of loss. It just dulls – briefly –  the excruciating physical pain of the sharp stone of grief that’s stuck somewhere in the vicinity of my heart. 

Here’s the thing. I was Ken’s wife for one day shy of twenty-two years. That’s a lifetime. When we met, we both knew something special was happening. I used to think we would have fit in rather handily on the cast of Cheers. Ken wasn’t Norm or Cliff, but he was a regular. When he came in to the bar where I was a bartender, I always had a beer ready for him.  I would position myself behind the bar, right across from him and nonchalantly wrap silver-ware in paper napkins, exchanging quips and innuendoes with him without making eye-contact, because when I did, I blushed.

A bit of a cliché I was a twenty-something Irish immigrant who had over-stayed her welcome in America and still had a broad Antrim accent. As such, I was the main source of entertainment for the men who had just come off the day-shift; they were easily enchanted by  what they considered an Irish brogue, and the more alcohol I served up, the more they wanted to tell me all about their Irish roots. I often dismissed them as “Plastic Paddys,” which they considered a compliment. Now, this was before microbreweries were de rigueur, but I was still overwhelmed by the variety of beer in variously colored cans – yellow for Coors, the Silver Bullet Lite version, blue and white Miller Lite etc The regulars indulged me, “Hey Irish,” they’d beckon and to help me out, they ordered rounds of beer by color: “Gimme three silver bullets, one red and blue, two white and blue, and two yellow.”  Ken said I always charged $11.50 a round, but none of them minded.

Ken wasn’t fictional Sam Malone, Cheers owner erstwhile recovering alcoholic and former Red Sox player with a little black book full of women’s names and numbers. Ken didn’t need a team of writers, and I never met a woman who didn’t love him; and, I wasn’t Diane Chambers (well, maybe just a little) but the chemistry between us was undeniable and made up for the lack of compatibility. For almost two years, we denied what was so obvious to everyone else. He loved that I loved music and that I could give as good as I got. I remember he was very impressed when I sneaked some of his favorite tunes on to the bar’s jukebox, a contraption that could be described as “country thunder.” When the bar-owner wasn’t paying attention, I added Neil Young’s “Ohio,” and The Rolling Stones “Sympathy for the Devil,” Bob Seger’s “Night Moves,” Tom Petty’s “Don’t Come Around Here No More,” the Buffalo Springfield’s “For What It’s Worth,” LA Woman by The Doors and, well, anything by The Moody Blues. Admittedly, I was a bit thrown when Ken told me one of his favorite songs was “All in the Game” by Tommy Edwards.  Now, it was easy for me to hijack the jukebox, because I had the flat-out awesome job of going with the other bartender to a wonderful warehouse, somewhere in Phoenix, that was loaded with row after row of 45-inch singles. It was my job – a job – every other week, to replace some of the records in the jukebox, to keep it somewhat “current.” To stay on the owner’s good side, I’d throw in some Hank Williams, and I never interfered with Patsy Cline’s “Crazy” – nobody in her right mind would get rid of “Crazy” – but every new record I added was for Ken. And he knew it. Bob Seger’s “Sunspot Baby” would start up, he’d wink at me and then complain to the owner about how the new Irish waitress was ruining the jukebox.

The banter and badinage flew like electrical sparks between us, and we made those around us laugh and wink knowingly. We were the entertainment, and everybody knew we belonged together. Even before we did. I imagine had Dr. Frasier Crane been a regular, he would have had this to say about our performance:

“I know, I know. Now you’re going to deny it. Even though it’s ludicrously obvious to everyone around you, you two will go on pretending it’s not true because you’re EMOTIONAL INFANTS. You’re in a living HELL. You love each other, and you hate each other, and you hate yourselves for loving each other. Well, my dear friends, I want no part of it. It’s time I just picked up where I left off. It’s time to put Humpty Dumpty back together again. So I’ll get out of here so you can just get on with your denial fest.”

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And then one day, Ken folded. I always loved that he broke first.  It was January 13, 1990, which thereafter we considered our official anniversary. I ran outside to give him his change. After all, $11.50 for one beer was a bit much, even by my standards. When he had me outside and alone, he looked right at me, told me he was crazy about me, that he always knew I had been out there, and that he had almost given up waiting for me. Quite a pick-up line, but it worked. Then he asked me to plant a kiss on his lips, and I reverted to being coy and strategic. But that didn’t last.

Within a matter of months – one month – we had moved in together. He brought nothing from his previous life, just a lot of love for me, and I dragged the collected Shakespeare, my Seamus Heaney poetry books, my collection of Life and Rolling Stone magazines, and a whole lot of crazy love for him. Crazy love – like the kind Van Morrison sings about, especially with Ray Charles:

Yes it makes me feel righteous, makes me feel whole
Makes me feel mellow down into my soul

While I never convinced him that Van Morrison was, in fact, God, I managed to turn Ken on to tennis, and we watched Wimbledon and the US Open on a tiny black and white TV-radio-alarm clock combo in a tiny apartment that amounted to a shack in the back of an old ranch house in central Phoenix.  Then one day when we were watching TV, I said, “Let’s go get married.” He said, “OK,” and put his boots on.

I remembering digging out a big fat phone book – the yellow pages – and found a wedding chapel in an old neighborhood in west Phoenix. The preacher there reminded me of a lovely blue-eyed old man in Field of Dreams, earnest and patient, as he told Kevin Costner’s, Ray Kinsella about Moonlight Graham and all the blue hats he never got around to giving his wife, Alicia. 

We asked a stranger to officially witness the ceremony, and we vowed to each other that we would stay together in sickness and health, till death us do part. Health is easy, but sickness is a bitch. Madly in love, we had no reason to suspect that breast cancer (mine) or aneurysms (his) would move in and turn things upside down more than once and make us resent our own bodies.  Thus, we filled up that ordinary November morning with a time-honored succession of extraordinary promises. We couldn’t stop smiling. We didn’t even tell anyone. Young and wild, it was as though we had eloped to Gretna Green.  I think we probably even went to work afterwards.  Along with all the other rituals we performed every day, the getting married was just something we could have done any day, at any time. No fanfare. No hoopla. Completely ours. Private.

We loved being answerable to only one another, doing whatever we wanted to without having to worry too much about other people. I remember one night when I was homesick for the smell of the sea.  I just wanted to stare out at the ocean which seemed another world away from the desert southwest. It was a Friday afternoon, and we had nothing else to do. Still years before Sophie was born, we got in the car and started driving. No map. No GPS. No specific destination. Just ocean. That night, we were in Los Angeles, and I was inhaling the sea air. The next evening, we were in Pismo Beach, strolling along the pier. As if to put America’s vastness to the test, I asked him to keep driving. Eventually, we stopped by a lighthouse where we balanced the camera on the car, set the self-timer, and took a picture of ourselves, windswept and clinging to each other, completely unaware that a decade later, we would stand again on that very same spot on the road to Monterey, smiling for a picture that would be taken by our little girl. Then, for a decade, San Luis Obispo County – Morro Bay – became our family’s vacation spot. 

We created hundreds of lovely little rituals and routines over the years. My mother always said I could set my watch by Ken. True. I always knew where he was, what he was doing, how much he loved me, how proud he was of things I had done professionally. He was my greatest cheerleader and the person who once told the young me who used to get her feelings hurt easily and who cared too much about what other people thought, that she needed to grow some hard bark, because she would need it. Well, Ken, I need it now. I know you didn’t want me to harden; you wanted me to be tough. But, it is just so hard to be tough enough to fully absorb the blow of your death, to look up and expect you to walk in with another cup of coffee for me and ask what I’m blogging about and then wonder aloud – with a wry smile – if the woman I once was would be coming back any time soon. Each of us wrestled with the truth that cancer changed me, as a brush with mortality would. It wasn’t bad or good. It just was.

It was not a perfect marriage, but it was an honest marriage. We argued about little things but never about the big stuff. One of our first arguments was over what it was he was thinking about. We never argued about that again. It went something like this:

What’s wrong?

Nothing.

Are you sure?

Yup.

So what are you thinking about?

Nothing.

Well, it must be something. I can tell. Are you mad at me? Is it about me? (I mean, isn’t it always about me?) Well, can you at least tell me what it begins with?

No baby. Just private thoughts. Private thoughts, my honey.

Private thoughts. Well, you can imagine how well that went over with someone who has to know the inner details, the finer points, the “how are you really feeling” details about everything. But he never told me. And the strangest thing happened. I realized over the years that we all have private thoughts, secrets never to be told, things that stay deep within us – not bad, necessarily, just private thoughts. Most people just wouldn’t say that out loud. But Ken did.

Looking back on it, he said it the same way he once told the cashier at a Pep Boys, after he’d paid in cash for new windshield wipers, that she couldn’t have his address. Not that he was a conspiracy theorist; he just hated his name and address being placed on some list only for it to be sold to someone who would profit from it. Annoyed because he was just not cooperating the way most customers did, the young cashier’s jaw dropped when Ken looked at her, deadpan, and with a twinkle in his eye, said quietly, “I just can’t do it. I can’t tell you where I live. The cops are after me.” And I had to walk out of the store because I was laughing so hard.

Then I learned to cook. It was before Food TV Network, and I relied almost entirely on an eclectic group of chefs on PBS so there was lots of Cajun cooking going on in the early years. Our first Thanksgiving Dinner together was a foreign affair as far as I was concerned. Never mind the Food TV Network, this was before the Internet and Google, so I had to go out and buy a holiday cookbook from Williams and Sonoma to learn exactly what went into a Thanksgiving Dinner and what this quintessential American tradition was all about. I’m sure like most Northern Irish folk, I would have the natural tendency to ask, with just a touch of martyrdom “Sure what would we have to be thankful for?” And then there would be some hand-wringing and worst-case scenarios about what happened to your man whose wife took up with somebody else, or the state of unemployment or Maggie Thatcher and terrorists, or The Troubles in general, and the brain-drain with all our young people like me leaving for America, Australia, New Zealand – following the sun.

A quick study, I was soon fixing turkey and all the trimmings like a pro. I even made pumpkin pie and candied yams (nothing from a can), and amber colored side-dishes and butternut squash soup, fare that would never have shown up at a fork supper or tea after a Harvest Home service at a country church in Northern Ireland. As if there wasn’t enough food to feed a small country, I was compelled to assert my Irish-ness with Brussel sprouts which Ken hated and roast potatoes and, for good measure, a Pavlova or a sherry trifle for desert – I could only make sense of Thanksgiving Dinner if I considered it an early Christmas Dinner.  As if I’m not confused enough about my cultural identity. And to make it truly my Thanksgiving, we would listen to the entire Last Waltz soundtrack. 

For tomorrow, I have ordered a turkey breast dinner. Just the breast, because that means there will be nothing to carve and no carcass for soup.  Ken always carved the turkey, and he loved my turkey-noodle soup. Oh, how could I possibly brine and roast a turkey without Ken here to do the basting and the carving and telling me not to put apples or anything sweet in the stuffing? I always put apples in the stuffing. Why not? And when he wasn’t looking, I basted the turkey with maple syrup. I always add marmalade to the yams too and slices of clementines or even the syrup from cans of mandarin oranges. If it’s not sweet, what’s the point?

My parents are here, and already I am dreading the day they tell me it’s time for them to go back home to Castledawson and for me to resume living again. I hope they will stay for Christmas. My lovely irreverent friend in Tempe who hails from Ballynahinch and who knows about grief (as she will tell you herself, she is hands-down the winner in “The Sad Contest”) is going to bring a Pavlova and maybe even some currant squares and custard. And my mother will put the kettle on for us and make tea with Barry’s teabags and bring out a plate of Hobnob biscuits. I will complain if she puts too much milk in it, because I like a good County Derry cup of tea the way my Granda did, so strong “you could dance on it.’  Our meal tomorrow might feel a bit like a Northern Ireland Christmas dinner from days gone by. I just hope I remember to eat.

We have lots of food in the fridge – baskets of sympathy from near and far from heartsome people who ache for us. I don’t know what to say to them, other than thank you. And, my gratitude is heart-felt and genuine.  But if I’m honest, I hate that it is these strange new gestures I am thankful for this year. It would be so much easier to give thanks that the turkey’s not dry.

Oh, Ken. Why did you have to die? There was something I wanted to tell you. It was important.

It doesn’t matter. By now, I have to believe you have run into Lou Reed, that the two of you have scored some really good weed from J.J. Cale, and you are feeling no pain. And maybe Seamus Heaney will raise a glass to you.

Fly, fly away my love. I’ll see you on the other side.

xo

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for she existed ~ thank you, Maya Angelou

29 Thursday May 2014

Posted by Editor in Awesome Women, Being young, Coming of age, Death and dying, Great Advice, Great teachers, Loss, Maya Angelou, Memoir, Mother Daughter Relationship, saying goodbye

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Great souls, I Know Why the Caged Bird Sings, Maya Angelou, mother daughter relationship, the human condition, wisdom

And when great souls die,
after a period peace blooms,
slowly and always
irregularly. Spaces fill
with a kind of
soothing electric vibration.
Our senses, restored, never
to be the same, whisper to us.
They existed. They existed.
We can be. Be and be
better. For they existed.

~ from When Great Trees Fall by MAYA ANGELOU (1928 -2014)

I first encountered Maya Angelou’s writing as a young teacher in America. In the English textbook provided to me by the school district was an excerpt from “I know Why the Caged Bird Sings,” and even though it was the story of a black woman’s childhood in the South during the 1930s and 1940s, it resonated deeply with me, then a young woman from another generation, from a tiny country on the other side of the world. Maya Angelou’s story and its humanity reached far out into the universe and took up permanent residence in our hearts.

I remember reading aloud to teenagers from affluent white families, Angelou’s lyrical and clear-eyed account of the harrowing world in which she had been abandoned by her parents, abused, raped as a child by her mother’s boyfriend, left homeless, poor, and, for almost five years, unable to speak. But in this tumultuous life, she also fell in love with William Shakespeare and Dickens, with the written and spoken word.  And we are all the better for that. The lesson for my students? As Anne Frank wrote in her diary,

I don’t think of all the misery, but of the beauty that still remains.

And such beauty. At 86, the indomitable Maya Angelou was active on Twitter, sending out to almost half a million followers, soul-stirring messages in 140 characters or less. Messages such as this, her final Tweet just six days ago.

Screen shot 2014-05-29 at 12.46.55 AM

– reminding me again of her ability to convey something intensely personal, yet public, in the same moment.

Over the years, I have collected pieces of home-spun wisdom that I turn to when the going gets tough (as it invariably does). Growing up, I was often told, “show me who your friends are, and I’ll show you who you are.” That has turned out to be true. With age, comes even greater discernment and wisdom, and with the death of Maya Angelou, I am thinking of advice she dispensed a time or two, advice I have not always heeded:

people know themselves much better than you do. That’s why it’s important to stop expecting them to be something other than who they are.

My hope for my daughter is that she will learn that the very first time a person lies to her or about her will be the first of all the other times; the very first time someone wounds her with indifference or arrogance, manipulation or meanness, acts merely as precedent. The same might be said for integrity and loyalty which I suppose is why betrayal hurts so much, or as Arthur Miller once put it, why it is “the only truth that sticks.”

When people show you who they are, believe them.

Yes. I should believe people the first time they show me who they really are, as opposed to the second or third or tenth. Then I will know, sooner rather than later, whether to walk this road with them or without them, dignity intact either way.

And for that perspective, Maya Angelou, I am forever in your debt.

maya-angelou-writing-vintage-black-and-white-portrait

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Yvonne hails from Antrim, Northern Ireland, and has lived in the desert southwest of the United States for almost thirty years. Married, with a daughter who is navigating her path through the "teen tunnel," and a haughty cat, Atticus, she has spent the better part of the last three decades in the classroom as a student, teacher, and administrator. Her mid-life crisis came as a sneaky Stage II invasive breast cancer diagnosis which subsequently sent her to the blogosphere where she found a virtual home away from home . . .
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