Yvonne Watterson Writing

More about Yvonne

Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Yvonne's writing life began in November 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing beyond this blog in The Irish Times, Irish Central, Reading Ireland, and other outlets. Yvonne's essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, a six-piece Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, also a writer, lives in Arizona. “If you have the words, there's always a chance that you'll find the way.” ― Seamus Heaney

About Yvonne

From there to here . . . Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans nearly 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Her writing life began in 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing in The Irish Times, Irish Central, Reading Ireland, and other outlets. Her essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, an Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, is also a writer, living in Arizona.

American Dream, Being young, Belfast, Dispatch from the Diaspora, Glenn Frey, Take It Easy, The Eagles

On becoming an American Girl – on the Corner of Winslow, Arizona

January 18, 2016 / 6 Comments

When I was young, I wanted to be Linda Ronstadt. I knew by heart the lyrics of every song she covered, and in my teenage bedroom, I sang along with her, having deluded myself that I was within her range. Bored and adolescent, I just wanted to be far away from grey skies and Margaret Thatcher and from Northern Ireland – its politics…

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"Crediting Poetry" - Nobel Lecture 1995, British Army, Dispatch from the Diaspora, IRA, Kingsmill Road Massacre, Northern Ireland, Ruefrex, Sectarianism, The Troubles, Themes of childhood

“the music of what happens”

January 5, 2016 / No Comments

It is January 5, 1976 at the end of a work day, and sixteen men are in a red minibus on their way home from the Glenane textile factory Four of them get out at Whitecross. and the van continues on to Bessbrook. The craic turns to football and whether Manchester United or Liverpool will make it to the top of the First…

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Act Two, Being a Widow, Death and dying, Dispatch from the Diaspora, Dispatches from the Diaspora, Friendship, Happy New Year, James Gandolfini, Love, magic and loss, Maurice Sendak, Milestones, saying goodbye, Seamus Heaney, Starting over, Ted Kooser, Time

We’ll Take A Cup of Kindness Yet . . .

December 31, 2015 / 28 Comments

Life isn’t some vertical or horizontal line — you have your own interior world, and it’s not neat. ~ Patti Smith Beginnings and endings are rarely tidy as this New Year’s Eve reminds me. Again, I ponder how best to pack up the stuff of the past twelve months before stepping into the new year. Just begin. Pluck out a memory, wrap…

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Coming of age, Dispatch from the Diaspora, La Mon House Hotel Bombing, Paris Attack, Rory Gallagher, Stiff Little Fingers, Terrorism, The Miami Showband, The Troubles, The Ulster Hall Belfast, Themes of childhood

Vive La Musique! No “No Go Area” for Stiff Little Fingers

November 19, 2015 / 3 Comments

In the early hours of July 31, 1975, five members of The Miami Showband were heading home from a gig at the Castle Ballroom in Banbridge. Their drummer, Ray Millar, had gone home to Antrim instead to stay with family members. On a narrow country road outside Newry, the band was flagged down by a group of uniformed men at what…

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