Yvonne Watterson Writing

More about Yvonne

Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Yvonne's writing life began in November 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing beyond this blog in The Irish Times, Irish Central, Reading Ireland, and other outlets. Yvonne's essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, a six-piece Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, also a writer, lives in Arizona. “If you have the words, there's always a chance that you'll find the way.” ― Seamus Heaney

About Yvonne

From there to here . . . Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans nearly 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Her writing life began in 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing in The Irish Times, Irish Central, Reading Ireland, and other outlets. Her essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, an Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, is also a writer, living in Arizona.

"Let's Go Crazy", "Little Red Corvette", American Dream, Antrim, Dispatch from the Diaspora, Dispatches from the Diaspora, In Memoriam, Northern Ireland, Prince, Soundtracks of our Lives

‘you need a love that’s gonna last . . .’

April 21, 2016 / No Comments

Little red Corvette Baby you’re much too fast Little red Corvette You need a love that’s gonna last. I first paid attention to Prince and the Revolution when I was about twenty years old, and “Little Red Corvette” was getting regular airplay on Radio One. It was the eighties. I had big hair, big enough to be in The Revolution, and…

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Dispatch from the Diaspora

following the sun, following my grandmother

March 19, 2016 / 1 Comment

My grandmother died when I was just six years old. I have never forgotten her – maybe because hers was my first experience with death or maybe because it was my first time to feel completely loved. To this day, the sunshine that spills into my front room every morning, reminds me of Granny urging her daughter – my mother – to “follow the…

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Coming of age, craic, Dispatch from the Diaspora, Northern Ireland Culture, St. Patrick, Sunningdale Agreement, The Troubles, United Workers Council Strike 1974

by the wayside again on st. patrick’s day

March 16, 2016 / 1 Comment

I’m a bit ambivalent about St. Patrick’s Day. What is it about March 17th that renders so many people Irish or some version of it that I do not recall from living the first twenty-seven years of my life in Northern Ireland? Everywhere I turn tomorrow, there will be Americans proclaiming their Irishness , some in T-shirts emblazoned with a command for everyone…

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Barney Devlin RIP, Death and dying, Dispatch from the Diaspora, FInal wishes, Funeral, Grieving, Northern Ireland Culture, Seamus Heaney, Seamus Heaney, The Forge

A Moment of Silence for Barney Devlin

February 18, 2016 / 4 Comments

“The Forge” by Seamus Heaney (1969) All I know is a door into the dark. Outside, old axles and iron hoops rusting; Inside, the hammered anvil’s short-pitched ring, The unpredictable fantail of sparks Or hiss when a new shoe toughens in water. The anvil must be somewhere in the centre, Horned as a unicorn, at one end and square, Set…

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