Yvonne Watterson Writing

More about Yvonne

Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Yvonne's writing life began in November 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing beyond this blog in The Irish Times, Irish Central, Reading Ireland, and other outlets. Yvonne's essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, a six-piece Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, also a writer, lives in Arizona. “If you have the words, there's always a chance that you'll find the way.” ― Seamus Heaney

About Yvonne

From there to here . . . Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans nearly 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Her writing life began in 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing in The Irish Times, Irish Central, Reading Ireland, and other outlets. Her essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, an Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, is also a writer, living in Arizona.

A Call, Coming of age, Death of parent, Dennis O'Driscoll, Dispatch from the Diaspora, Father Daughter Relationships, Father's Day, magic and loss, Saying Thank You, Seamus Heaney, The Diviner, Those Winter Sundays

what love sounds like – for father’s day

June 16, 2016 / No Comments

We knew love. It wasn’t a matter of declaring it. It was proven. ~ Seamus Heaney I am part of a tableau of ordinariness in which a cold beer sweats on the kitchen table, and an artichoke simmers on the stove. A man who makes me smile checks for doneness. Again. It is not quite ready, so his daughter adds more water. Laughing and lovely and impatient to eat, she spies…

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Damian Gorman, Devices of Detachment, Dispatch from the Diaspora, Mass shootings, Orlando, The Troubles, Themes of childhood

blood on my hands and yours . . . from sea to shining sea

June 14, 2016 / No Comments

Since he took office, President Obama has had to publicly address sixteen mass shootings in these United States. Sixteen times he has stared into a camera and uttered the best words for the worst of times knowing he will probably have to do it again. Each time, we listen to him, we ask why, and we shake our heads and shed tears…

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Aging, Art, Bob Dylan, Daniel Kramer, Dispatch from the Diaspora, It's Not Dark Yet, Michael Gray, Photography, Positively 4th Street, Street Legal, Tangled up in Blue, Where Are You Tonight? Subterranean Homesick Blues

Bob Dylan – Someone You Want To Photograph.

May 24, 2016 / No Comments

May 24 2016: Happy 75th Birthday Bob Dylan Bob Dylan has always been almost as old as my parents. He has also always been forever young, staring up at me from the cover of the book that has graced my coffee table for decades. I don’t remember when what he sang first mattered to me, yet I can’t remember a time when it didn’t, a time…

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"Let's Go Crazy", "Little Red Corvette", American Dream, Antrim, Dispatch from the Diaspora, Dispatches from the Diaspora, In Memoriam, Northern Ireland, Prince, Soundtracks of our Lives

‘you need a love that’s gonna last . . .’

April 21, 2016 / No Comments

Little red Corvette Baby you’re much too fast Little red Corvette You need a love that’s gonna last. I first paid attention to Prince and the Revolution when I was about twenty years old, and “Little Red Corvette” was getting regular airplay on Radio One. It was the eighties. I had big hair, big enough to be in The Revolution, and…

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