Yvonne Watterson Writing

More about Yvonne

Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Yvonne's writing life began in November 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing beyond this blog in The Irish Times, Irish Central, Reading Ireland, and other outlets. Yvonne's essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, a six-piece Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, also a writer, lives in Arizona. “If you have the words, there's always a chance that you'll find the way.” ― Seamus Heaney

About Yvonne

From there to here . . . Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans nearly 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Her writing life began in 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing in The Irish Times, Irish Central, Reading Ireland, and other outlets. Her essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, an Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, is also a writer, living in Arizona.

Death of parent, Dispatch from the Diaspora, Father's Day, Fatherless daughters, learning to drive, Milestones, riding a bicycle

just like riding a bike . . . taking the strain on father’s day

June 21, 2020 / No Comments

“The first grip I ever got on thingsWas when I learnt the art of pedalling(By hand) a bike turned upside down, and droveIts back wheel preternaturally fast.” ~ from Wheels within Wheels by SEAMUS HEANEY My first bike arrived on Christmas morning, 1967. It had training wheels, or “stabilizers” as we called them in Northern Ireland. Stabilizers – my first big word.…

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Aging, Art, Bob Dylan, Daniel Kramer, Dispatch from the Diaspora, It's Not Dark Yet, Michael Gray, Photography, Positively 4th Street, Street Legal, Tangled up in Blue, Where Are You Tonight? Subterranean Homesick Blues

For Bob Dylan on his Birthday – in Black & White

May 24, 2020 / No Comments

Bob Dylan has always been almost as old as my parents. He has also always been forever young, staring up at me from the cover of a book that has graced my coffee table for decades. When was it when a Dylan song first mattered to me? I can’t be sure, yet I can’t remember a time when it didn’t,…

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Dispatch from the Diaspora

en cuarentena & the rare ould times

April 29, 2020 / 2 Comments

Having now spent most of every day for sixty days in a beautiful house that is not yet home, this quarantine has me in its grip, a relentless barrage of questions about Coronavirus keeping me apart from and a part of a world that feels adrift and different. How do I escape it? When will it end? Will I ever…

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Dispatch from the Diaspora

the day eavan boland died . . .

April 27, 2020 / No Comments

Where I have been living since the beginning of the pandemic, there is no mailman, no mailbox at the end of the driveway, no letterbox in the front door. To send or receive a letter, we have to drive about a mile to a shop on the carraterra between here and the lovely little village which has been deadly quiet…

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