Yvonne Watterson Writing

More about Yvonne

Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Yvonne's writing life began in November 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing beyond this blog in The Irish Times, Irish Central, Reading Ireland, and other outlets. Yvonne's essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, a six-piece Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, also a writer, lives in Arizona. “If you have the words, there's always a chance that you'll find the way.” ― Seamus Heaney

About Yvonne

From there to here . . . Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans nearly 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Her writing life began in 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing in The Irish Times, Irish Central, Reading Ireland, and other outlets. Her essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, an Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, is also a writer, living in Arizona.

After death of a spouse, Aging, Being a Widow, Bellaghy, Castledawson, Death and dying, Dennis O'Driscoll, Derry, Dispatch from the Diaspora, FInal wishes, Funeral, Grieving, Keeping Going, Loss, Love, Memoir, Milestones, Mourning, Northern Ireland, Northern Ireland Culture, Postscript, Rituals, Seamus Heaney

Walking on air . . . for your birthday

September 21, 2021 / No Comments

The girl with her head in the clouds should never have doubted the man who kept her feet on the ground too. Not for a second. All that's left of him now is love - to give away. I am walking on air.

Read More

Editor
9.11.2013, 9/11, Anything can Happen, Belfast, Billy Collins, Blogging, bombing, British Army, cancer, Diary, Dispatch from the Diaspora, Healing Field Tempe, Loss, Memoir, Memoir, Northern Ireland, Northern Ireland Culture, Ordinary Things, Peace, Poetry, Remembering September 11th, Seamus Heaney, September 11, The Peace Process, The Troubles, The Troubles, Themes of Childhood, Writers

Dear Igor . . . the last name on the list

September 11, 2021 / No Comments

Time after time, I have stood on the virtual doorsteps of people in the middle of lives parallel to my own, beautifully blindsided by unexpected coincidences and exchanges of truths that may not otherwise have seen the light of day. In my virtual home, it is often easy to pull up a chair and trade ideas and opinions with people…

Read More

Editor
Dispatch from the Diaspora

Remembrance Sunday 2020 – for my Grandfather

November 8, 2020 / 1 Comment

My grandfather died on June 22, 1977, a decade before the Enniskillen bombing. Had he been alive on that day, he would have been wearing his pressed suit, with medals and a poppy attached to the lapels, not unlike those pensioners gathered respectfully at the Cenotaph where at 10:43am where, with chilling choreography, an IRA bomb exploded, killing eleven and…

Read More

Editor
Death of parent, Dispatch from the Diaspora, Father's Day, Fatherless daughters, learning to drive, Milestones, riding a bicycle

just like riding a bike . . . taking the strain on father’s day

June 21, 2020 / No Comments

“The first grip I ever got on thingsWas when I learnt the art of pedalling(By hand) a bike turned upside down, and droveIts back wheel preternaturally fast.” ~ from Wheels within Wheels by SEAMUS HEANEY My first bike arrived on Christmas morning, 1967. It had training wheels, or “stabilizers” as we called them in Northern Ireland. Stabilizers – my first big word.…

Read More

Editor