Yvonne Watterson Writing

More about Yvonne

Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Yvonne's writing life began in November 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing beyond this blog in The Irish Times, Irish Central, Reading Ireland, and other outlets. Yvonne's essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, a six-piece Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, also a writer, lives in Arizona. “If you have the words, there's always a chance that you'll find the way.” ― Seamus Heaney

About Yvonne

From there to here . . . Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans nearly 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Her writing life began in 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing in The Irish Times, Irish Central, Reading Ireland, and other outlets. Her essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, an Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, is also a writer, living in Arizona.

9.11.2013, 9/11, Anything can Happen, Belfast, Billy Collins, Blogging, bombing, British Army, cancer, Diary, Dispatch from the Diaspora, Healing Field Tempe, Loss, Memoir, Memoir, Northern Ireland, Northern Ireland Culture, Ordinary Things, Peace, Poetry, Remembering September 11th, Seamus Heaney, September 11, The Peace Process, The Troubles, The Troubles, Themes of Childhood, Writers

The Last Name on the List on the Eleventh of September

September 10, 2018 / 2 Comments

I have yet to be disappointed by what happens when my online world collides with its ‘real’ counterpart. Landing on the virtual doorsteps of people in the middle of lives parallel to my own, I have been beautifully blindsided by unexpected coincidences and exchanges of truths that may not otherwise have seen the light of day. In my virtual home, it…

Read More

Editor
American Dream, Being young, Belfast, Concerts, Eagles Tour 2018, Glenn Frey, Irish Diaspora, Take It Easy, The Eagles

The Eagles – on a Corner in Phoenix, Arizona.

September 9, 2018 / 2 Comments

When I was young, I only liked the Eagles because I knew they had been Linda Ronstadt’s backing vocalists – and I loved Linda Ronstadt. I wanted to be her and therefore learned by heart the lyrics of every song she covered. In my teenage bedroom, I spent hours singing along to her records, dreamy and delusional, telling myself that I was…

Read More

Editor
Antrim, Belfast, bombing, British Army, Castledawson, Claudy, IRA, La Mon House Hotel Bombing, Memoir, Northern Ireland, Omagh, Sectarianism, The Miami Showband, The Troubles, Themes of childhood, UVF

july 31 – just another day in northern ireland

July 31, 2018 / 2 Comments

Any atrocity reported in isolation can be used to beat the other “side,” but together with stories from both communities, it is clear that no “side” has a monopoly on suffering or loss. ~Stephen Travers, July 30, 2018 I remember reading a book about Northern Ireland and realizing I was probably a Child of The Troubles, even though I was always,…

Read More

Editor
American Dream, Belfast, Bob Dylan, Concerts, Dispatch from the Diaspora, Irish Diaspora, Las Vegas Shooting, Red Rocks Amphitheater, saying goodbye, Soundtracks of our Lives, Tom Petty and the Heartbreakers

Dear Tom Petty . . .

October 2, 2017 / 6 Comments

Dear Tom, Last Friday night, you and your Heartbreakers played the Hollywood Bowl in Los Angeles, and I was there with my boyfriend. It was his first time seeing you perform, but I’ve lost count since I first saw the Grateful Dead open for you and Bob Dylan at Rich Stadium, Buffalo, in 1986. This was special, every bit as…

Read More

Editor