Yvonne Watterson Writing
Yvonne Watterson Writing

considering the lilies & lessons from the field ©

More About Yvonne

More About Yvonne

More about Yvonne

Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Yvonne's writing life began in November 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing beyond this blog in The Irish Times, Irish Central, Reading Ireland, and other outlets. Yvonne's essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, a six-piece Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, also a writer, lives in Arizona. “If you have the words, there's always a chance that you'll find the way.” ― Seamus Heaney

About Yvonne

From there to here . . . Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans nearly 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Her writing life began in 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing in The Irish Times, Irish Central, Reading Ireland, and other outlets. Her essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, an Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, is also a writer, living in Arizona.

  • Arizona,  Dispatch from the Diaspora,  Immigration,  Immigration,  Racial Profiing

    A Spectacular Risk ~ for Guadalupe García de Rayos

    February 9, 2017 / No Comments

    Immigration policy should be generous; it should be fair; it should be flexible. With such a policy we can turn to the world, and to our own past, with clean hands and a clear conscience. ~ President John F. Kennedy My circumstances are different from those of my grandparents and so many Irish before me, immigrants who were obliged to leave home…

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  • Archbishop Desmond Tutu,  Governor Jan Brewer,  Immigration,  Memoir,  Politics,  Racial Profiing,  SB1070,  Seamus Heaney,  Sectarianism

    America – a no-go area.

    January 30, 2017 / No Comments

    In his first ten days in office,  the President of the United States has shown us that the lessons of history do not apply to him. Swiftly and proudly, he has signed a string of Executive Orders, the most recent barring citizens of Iran, Iraq, Libya, Somalia, Sudan, Syria and Yemen from entering America for at least 90 days. He’s not done…

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  • Arizona,  Belfast Peace Lines,  Berlin Wall,  Borders,  Bruce Springsteen,  Dispatch from the Diaspora,  Immigration,  Phoenix,  United States-Mexico Border

    Achtung, baby – tear down that wall.

    August 12, 2016 / No Comments

    Families separated by their immigration status – some of them for decades – were reunited yesterday. For just three minutes during the Hugs not Walls event, relatives clung to each other in a concrete canal between the border cities of El Paso, Texas and Ciudad Juárez. Mothers and children, husbands and wives, grandparents and newborn babies, all on the honor system and under the watchful eye of…

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  • Arizona,  Being young,  Belfast,  Best friends,  California,  Concerts,  Eamon De Valera,  Hypnotic Eye Tour 2014,  Immigration,  Irish Diaspora,  Jerry MaGuire,  Road trips,  Songs for the Road,  Soundtracks of our Lives,  Tom Petty & the Heartbreakers

    running down a dream – part one

    August 26, 2014 / 7 Comments

    I have been in love with Tom Petty for over 35 years. I can’t help it. I’m convinced that had Tomcat met me when I was younger and could hold a tune, he would have snagged me to be one of his “heartbreakers.” Yes, I know Stevie Nicks is the Honorary female Heartbreaker, but she had proximity on her side.  The…

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