Yvonne Watterson Writing

More about Yvonne

Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Yvonne's writing life began in November 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing beyond this blog in The Irish Times, Irish Central, Reading Ireland, and other outlets. Yvonne's essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, a six-piece Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, also a writer, lives in Arizona. “If you have the words, there's always a chance that you'll find the way.” ― Seamus Heaney

About Yvonne

From there to here . . . Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans nearly 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Her writing life began in 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing in The Irish Times, Irish Central, Reading Ireland, and other outlets. Her essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, an Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, is also a writer, living in Arizona.

Act Two, Death and dying, Dispatch from the Diaspora, Grief, Joan Didion

At Sea on Father’s Day – Grief Reconsidered.

May 18, 2017 / 1 Comment

Each day, we wake slightly altered, and the person we were yesterday is dead. ~John Updike This is not a truism we consider daily. Typically, it is reserved for the day we are handed bad tidings – the cancer diagnosis that forces us to stare down our own mortality, or when the dreaded or unexpected news arrives that someone we love is dead…

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Act Two, Castledawson, Family, Memoir, Mother Daughter Relationship, Mother's Day, Northern Ireland, Northern Ireland Culture, Ordinary Things, Poetry, Rites of passage, Rituals, Seamus Heaney

still we dance – on mother’s day in america

May 6, 2016 / No Comments

This weekend marks another Mother’s Day without the man who made a mother out of me, the man who loved me so well and for so long. Our girl plans to take time off work to spend the day with me, and we know – but we keep it to ourselves – that looking forward to a special Sunday together will lead to looking back to the…

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Act Two, After death of a spouse, Art, Awesome Women, Death and dying, Laurie Anderson, Lou Reed, Love, Marriage, Memoir, Music, Rites of passage, saying goodbye, Scaffolding, Seamus Heaney

perfecting a marriage

April 9, 2016 / 6 Comments

Laurie Anderson tells this story about the day she married her best friend, Lou Reed: It was spring in 2008 when I was walking down a road in California feeling sorry for myself and talking on my cell with Lou. “There are so many things I’ve never done that I wanted to do,” I said. “Like what?” “You know, I…

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After death of a spouse, Aging, Being a Widow, Death and dying, Dispatch from the Diaspora, Dying, Grieving, Joan Didion, Meghan ORourke, Love, Marriage, Mastectomy, sickness, Starting over

in sickness & in health

February 11, 2016 / 14 Comments

I think I said that grief is passive. It creeps over you in those famous waves, you know, whereas mourning is an active process of remembering, reliving the good and the bad, and defanging it in a way. Until you have examined all those memories, they don’t lose their power to undo you. ~ Joan Didion It is a beautiful…

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