Yvonne Watterson Writing
Yvonne Watterson Writing

considering the lilies & lessons from the field ©

More About Yvonne

More About Yvonne

More about Yvonne

Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Yvonne's writing life began in November 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing beyond this blog in The Irish Times, Irish Central, Reading Ireland, and other outlets. Yvonne's essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, a six-piece Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, also a writer, lives in Arizona. “If you have the words, there's always a chance that you'll find the way.” ― Seamus Heaney

About Yvonne

From there to here . . . Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans nearly 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Her writing life began in 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing in The Irish Times, Irish Central, Reading Ireland, and other outlets. Her essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, an Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, is also a writer, living in Arizona.

  • Act Two,  Castledawson,  Family,  Memoir,  Mother Daughter Relationship,  Mother's Day,  Northern Ireland,  Northern Ireland Culture,  Ordinary Things,  Poetry,  Rites of passage,  Rituals,  Seamus Heaney

    a dance for mother’s day

    March 27, 2022 / 1 Comment

    It is Mother’s Day in Ireland. I am hoping the flowers arrived and that the florist remembered to write on the card, “I’ll see you next weekend.” It’s been a long three years, the pandemic and its attendant restrictions keeping us apart. As my brother – only 250 odd miles away from her – reminded me, “this thing has made…

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  • After death of a spouse,  Animals,  Arizona Humane Society,  Best friends,  Dog Rescue,  Dogs,  Friendship,  Love,  Mary Oliver,  Memoir,  Mother Daughter Relationship,  Rites of passage,  Themes of Childhood,  Van Morrison

    an emotional rescue . . . happy birthday edgar.

    October 18, 2021 / No Comments

    Sometimes in the early hours of the morning, when I am contemplating all that has happened in recent years, I find myself wanting to be reassured that as his fragile heart stopped working, Ken's last interaction on this earth was tender, with three pounds of unconditional love curled up like a comma on his chest.

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  • After death of a spouse,  Aging,  Being a Widow,  Bellaghy,  Castledawson,  Death and dying,  Dennis O'Driscoll,  Derry,  Dispatch from the Diaspora,  FInal wishes,  Funeral,  Grieving,  Keeping Going,  Loss,  Love,  Memoir,  Milestones,  Mourning,  Northern Ireland,  Northern Ireland Culture,  Postscript,  Rituals,  Seamus Heaney

    Walking on air . . . for your birthday

    September 21, 2021 / No Comments

    The girl with her head in the clouds should never have doubted the man who kept her feet on the ground too. Not for a second. All that's left of him now is love - to give away. I am walking on air.

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  • A Poem for Michael and Christopher,  Act Two,  Door into the Dark,  Postscript,  Seamus Heaney,  The Underground

    P.S. Codladh sámh, Seamus Heaney.

    August 31, 2021 / 1 Comment

    Whether it be a matter of personal relations within a marriage or political initiatives within a peace process, there is no sure-fire do-it-yourself kit. There is risk and truth to yourselves and the world before you. And so, my fellow graduates, make the world before you a better one by going into it with all boldness. You are up to…

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