April 2020 – Yvonne Watterson Writing

More about Yvonne

Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Yvonne's writing life began in November 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing beyond this blog in The Irish Times, Irish Central, Reading Ireland, and other outlets. Yvonne's essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, a six-piece Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, also a writer, lives in Arizona. “If you have the words, there's always a chance that you'll find the way.” ― Seamus Heaney

About Yvonne

From there to here . . . Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans nearly 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Her writing life began in 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing in The Irish Times, Irish Central, Reading Ireland, and other outlets. Her essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, an Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, is also a writer, living in Arizona.

Dispatch from the Diaspora

en cuarentena & the rare ould times

April 29, 2020 / 2 Comments

Having now spent most of every day for sixty days in a beautiful house that is not yet home, this quarantine has me in its grip, a relentless barrage of questions about Coronavirus keeping me apart from and a part of a world that feels adrift and different. How do I escape it? When will it end? Will I ever…

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Dispatch from the Diaspora

the day eavan boland died . . .

April 27, 2020 / No Comments

Where I have been living since the beginning of the pandemic, there is no mailman, no mailbox at the end of the driveway, no letterbox in the front door. To send or receive a letter, we have to drive about a mile to a shop on the carraterra between here and the lovely little village which has been deadly quiet…

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Dispatch from the Diaspora

in spite of himself

April 8, 2020 / 2 Comments

Right around the time that big old pink supermoon arrived in the sky last night, John Prine left us. I like to think he would have liked to pen a song about that, capturing it in lines that rhyme. Within the confines of four verses, it would be full of mischief and marvel, working us over the way a Prine…

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Covid-19, Death and dying, Dispatch from the Diaspora, Funeral, Rituals, saying goodbye, Seamus Heaney, Seamus Heaney

Ireland, I’m sorry for your trouble . . .

April 7, 2020 / 3 Comments

. . .feelthe strumming, rooted, long-tailed pull of grief.You were born fit for it.Stand in here in front of meand take the strain. From A Kite for Michael and Christopher by Seamus Heaney My mother tells me she and my dad were able to attend Palm Sunday services on Sunday,virtually, on the iPad I gave her a few years ago. It took a wee while to get the hang of it, she…

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