Writing by Yvonne Watterson

~ considering the lilies & lessons from the field ©

Writing by Yvonne Watterson

Monthly Archives: January 2018

spare me the cancer celebration – a reprise

20 Saturday Jan 2018

Posted by Editor in Act Two, Amputation, Breast Cancer Advocacy, Breast Cancer Treatment, Breast Reconstruction, Cancer Language, david bowie, Diagnosis, Glenn Frey, Language matters, Mastectomy, Memoir, Milestones

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Tags

Breast, Cancer, cancerversary, Deaths of David Bowie and Glenn Frey, DIEP Flap, dolores o'riordan, Lumpectomy, mastectomy, medical euphemisms, Memoir, Piestewa Peak, reconstruction, Sherman Alexie, sniglets, Surgery, Tom Petty

Profoundly saddened by the recent death of Dolores O’Riordan and news that Tom Petty died of an accidental overdose, I barely looked at the clock yesterday, the way I have done for the past six years, on January 19th.  I am loath to declare the date I underwent the mastectomy and reconstruction of my right breast, a “cancerversary,” one of those cheery-sounding sniglets often used to mark milestones for those ensnared within the disease. There are too many milestones – the day a lump is discovered or a diagnosis delivered; the date of a surgery undertaken to remove tumors or breasts or pieces of a lung; the day, five years after diagnosis, when an oncologist makes a pronouncement of NED – No Evidence of Disease.

Maybe it’s because we don’t have the right words to respond to cancer, that we make up other words – to minimize and manage its havoc, to shelter us from it, to make us smile through it even as it terrifies us. We are terrified.

me with Sherman Alexie

Sherman Alexie. says that writers must write about the scariest things in their lives. Intrigued by this advice, I bought a ticket to hear him speak one evening at the Heard Museum in Phoenix. Accompanying me was my daughter, in Junior High at the time and immersed in his Absolutely True Diary of a Part-Time Indian. Along with everyone else, we laughed as he shared what were surely the scariest things about his early years on the Spokane Indian Reserve.  His laughter as he described his father’s beverage of choice,”Squodka” – a mix of Squirt soda and vodka – belied, I imagine, the anguish of a young boy confronting the reality of an alcoholic father who would disappear for days at a time. I know Sherman Alexie knows that  alcoholism on the rez  is no laughing matter.

Nor is cancer. It is a serious disease deserving of serious words, but we do a lousy job of talking about it in a way that confronts its reality or that leads us to knowing its cause or how to prevent it. We speak in codes that keep this scariest of things at a safe distance. Code is acceptable in the cancer conversation and not just in the pink stuff of Breast Cancer Awareness Month – “save the boobies” fare. Codes. “Mastectomy,” for example,  is code for “amputation.”  It makes me wonder. Were I an amputee in the “traditional” sense, would I refer to the day I lost a limb as my “ampuversary”? No. I would not.  Medical euphemisms abound. I used to toss around “lumpectomy” as though it were the removal of an inconsequential wart, instead of what it really is – a partial amputation. When I was first diagnosed, I presumed a lumpectomy was in the cards for me. As a word, it didn’t pack much of a punch, so it didn’t frighten me. Then I met my surgeon who pointed out that my cancer was not amenable to lumpectomy given its proximity to the nipple and the fact that I was not endowed with large breasts.  Essentially, she didn’t have enough to work with; therefore, the surgery to remove my breast and reconstruct it would be trickier than the “simple” lumpectomy I had anticipated. As her meticulous notes would later confirm, “dissection was very difficult given the very small circumareolar incision used for the skin-sparing mastectomy.” It would require additional time and effort, not to mention skill and patience. So she recommended (and I nodded sagely in agreement as though I knew what she was talking about) a skin-sparing mastectomy which entailed removing only the skin of the nipple, areola, and the original biopsy scar to create an opening – a small opening – through which she would remove the breast tissue. Duly spared – spared, no less – the skin would then accommodate a reconstruction using my own tissue. Simple.

Reading through the details of my surgery, you would never know that cancer and its treatment is ugly or that it hurts. At times it sounds downright regal, befitting a fanfare of trumpets, especially that climactic moment when my breast tissue was “elevated off the pectoralis and delivered from the wound.”

While three surgeons operated on me, my weary husband waited, leaning on our daughter, she on him. It would have been about ten o’clock in the morning when my surgeon came out to announce to them what she would later write, that “the frozen section was negative for metastatic disease,” that there were no abnormal nodes, that no further dissection would be needed. She and my husband performed a silent high-five in the hospital hallway. And, after three hours, she had removed all the cancer she could see and could go about her day, leaving me in the capable hands of two highly sought after plastic surgeons, one being one of the best in Phoenix, the other a master of DIEP flap reconstruction, who had flown in the previous evening from Texas.

They worked on me for the next six hours, and a day later released me back to my life. Six years later, I am told I look just like myself. You would never know, unless you asked to see, or I summoned the courage to show you, that I really don’t look like myself. Not my original self. Hidden under my clothes, since the DIEP flap reconstruction, is a trivial but nonetheless relocated belly button, its circumference now dotted with tiny white scars. Below it, a thin scar, faded to white, stretching from hip to hip, with ‘dog-eared’ reminders on either end where JP drains pulled excess bloody fluid for days after the surgery. I have a right breast too. Sort of. It is in the shape of a breast, impressively so, now that all the post-surgical swelling and discoloration has gone. Its skin is the same, spared by the mastectomy that removed its cancerous tissue through a very small incision around the areola also removed with its nipple.

I tend not to dwell in the macabre, but I cannot help wonder about my old right breast, now a mastectomy specimen preserved in a container of formaldehyde solution. It weighed 294 grams, “the words expressly are ‘a pound of flesh.'”

Contemplating all that has happened in the past six years – the cancer, the death of my daughter’s daddy, the shift in priorities – I suppose you could say what they say in Northern Ireland. “God love her, she’s come through the mill.” Lest I wallow too much, however, there is always the reminder that I could be worse off.

I recall encountering someone I hadn’t seen for a few years, and he asked me if I had read Joan Didion’s Year of Magical Thinking. Yes. Indeed I have. Several times. I know great chunks of it by heart.  And then he said, “Well, at least your daughter didn’t die.”

At least your daughter didn’t die. 

No. She didn’t. She is right here. She is 20 years old now and beautiful. She is tough without being hard. She is vulnerable without the man who was her first word and who bought her ice-cream every Friday afternoon. She learned to drive without him and walked across the stage to receive her high school diploma without his cheers ringing in her ears. She earned her first paycheck without the winks and smiles that encouraged her to keep being great at at being herself. She completed her Associate’s Degree and is off to complete a degree in Psychology, so she can one day work with young people who have lost parents.  Sometimes my lovely girl reminds me of a beautiful bird.  Exotic. Rare. Endangered.

On the anniversary of his death, she told me it was beyond her grasp that two years had passed and that one day it would be ten years, twenty years, forty years, since her dad last held her hand in the frozen food section of the grocery store. To keep her warm.

At least my daughter didn’t die.

So I didn’t know what to say to the person who asked me about Joan Didion and therefore said nothing. I should know but still don’t that when people show you who they are, believe them.  Instead I reminded myself of  Lou Reed’s reminder of magic and loss and of Sherman Alexie who told us that night in the Heard Museum that when we despair at the lack of compassion in the world, we might remember that the world gave us Hitler – but it also gave us Springsteen.

The world gave us Bruce Springsteen.

And Dolores O’Riordan. And Tom Petty. And, yes, the world also gave us Donald Trump.  And all the people who say the wrong thing at the wrong time. And somehow we have to find the sweet spot in which to live and die.

Magical thinking . . .

So what will I do to mark the day?

A day late, I may just climb again to the summit of Piestewa Peak in the Phoenix Mountain Preserve. It has been over a year since I sat at the top, and I have missed it. Up there, I will survey the valley below. And, glad to be so high up and far away from where I lay eight years ago, I will weep.

I will weep.

IMG_1765

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pretty in pink – for my daughter

18 Thursday Jan 2018

Posted by Editor in Memoir

≈ 2 Comments

Tags

childhood, gardening, Hong Kong orchid tree, Memoir, Phoenix summers, poetry, Writing

For almost twenty years, this Hong Kong orchid tree has welcomed me home every day.  I recall the evening we planted it. It was at the end of a hot Saturday when our little family drove to a nursery in Moon Valley in search of a tree exactly like those which provided shade during our weekend strolls through the Biltmore Fashion Park. At the time, this open-air mall boasted a row of what I finally learned were Hong Kong Orchids.  My then two year old loved to stand on the tips of her toes and stretch each of her piano-player fingers high into the sky, hoping to pluck one of the enticing pink blossoms that hung there, blooms  as worthy as lilies of Georgia O’Keefe’s attention.

So enchanted was Sophie by these, that she wanted a pretty pink tree for our yard. Naturally, I had the perfect spot, because right in front of her bedroom window, she should have something magnificent to look out to every morning. Too, it would fill, at last, a space previously occupied for over seven decades by a grapefruit tree that had given up the ghost.

My girl was at that tender age when she needed to and wanted to hold my hand everywhere we went, on a mission to find a stray cat, a hummingbird drinking from Mexican honeysuckle, or the pink tree, the one that was proving to be more elusive than we had anticipated. The nursery was all out of mature orchid trees, and the saplings were wholly unimpressive. It was anti-climactic at best when we finally found, attached to a single green stalk, all of three feet tall and the width of my little finger, a price tag identifying it as the coveted Hong Kong orchid. Nary a bloom just a couple of leaves drooping sadly from the top of the stalk. The young man who sold it to me was very charming and assured me it would be providing “all kinds of shade” for us in no time. Skeptical, we bought it anyway, and off we went.

More to appease this tired little girl and her mother, than to show off any horticultural prowess, her daddy planted and staked what he called a skinny little excuse for a tree in the vacant spot. Then we began tending it. Like the watched kettle, it was naturally unresponsive to our vigilance. Then, almost magically, not unlike Sophie herself, it grew up all too quickly. Beautiful, independent, fragile and alert, with a strength that sometimes takes my breath away.

Bending and swaying just when it should, at all the right times for almost twenty years, our pink tree is a survivor, standing up to scorching, record-breaking temperatures, frost, intense monsoons, and even a “haboob” in spite of our abandoning it for the cool central coast of California. Unfazed, it was waiting for us when we returned as if to remind us that we live and move in its shadow.

 

This, my favorite tree, for many years, annually inspired a shock of petunias in the flower beds, geraniums, fragrant pink stock, freesias that remind me of my father planting bulbs, and snapdragons. Too, it played a role in the color of paint I chose for my front door – I had entirely too much fun mixing colors, one of which was “black raspberry” to create something that would complement the pink tree. And as I remembered this week while reading through old scrapbooks, the tree was the inspiration behind Sophie’s first foray into poetry for which she earned a blue ribbon and honorable mention in her grade school’s annual poetry contest.

Through all the beginnings and endings, the reminders of the fragility and fleetingness of life, and the finality of death, the pink tree abides. Transcendent. 

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The Lilies at Rideau Hall, Ottawa, Canada ~ photograph by Ken Kaminesky .

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From there to here . . .

Yvonne hails from Antrim, Northern Ireland, and has lived in the desert southwest of the United States for almost thirty years. Married, with a daughter who is navigating her path through the "teen tunnel," and a haughty cat, Atticus, she has spent the better part of the last three decades in the classroom as a student, teacher, and administrator. Her mid-life crisis came as a sneaky Stage II invasive breast cancer diagnosis which subsequently sent her to the blogosphere where she found a virtual home away from home . . .
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