Yvonne Watterson Writing
Yvonne Watterson Writing

considering the lilies & lessons from the field ©

More About Yvonne

More About Yvonne

More about Yvonne

Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Yvonne's writing life began in November 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing beyond this blog in The Irish Times, Irish Central, Reading Ireland, and other outlets. Yvonne's essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, a six-piece Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, also a writer, lives in Arizona. “If you have the words, there's always a chance that you'll find the way.” ― Seamus Heaney

About Yvonne

From there to here . . . Yvonne Watterson is a Northern Irish-born writer and educator, now based near Guadalajara, Mexico. Her career in public education spans nearly 30 years, during which she led school reform initiatives featured in national outlets including The New York Times and Education Week. Her work as a high school principal in Arizona focused on equity, inclusion, and student advocacy, earning both local and national attention. Her writing life began in 2011, after an invasive breast cancer diagnosis sent her searching for answers online. What began as survival grew into a practice of storytelling, with her work appearing in The Irish Times, Irish Central, Reading Ireland, and other outlets. Her essays and reflections explore themes ranging from The Troubles in Northern Ireland and the poetry of Seamus Heaney to personal experiences of illness, loss, and resilience after being widowed in 2013. She compiled and edited Documented Dreams, a bilingual collection of letters documenting her advocacy with young immigrant students, and she contributed to Bravados: An Anthology, featuring 21 personal narratives by expats living in the Lake Chapala region. Most recently, she collaborated with Stephen Travers on The Bass Player – Surviving the Miami Showband Massacre. Yvonne’s social justice advocacy has earned her numerous honors, including the City of Phoenix Martin Luther King “Living the Dream” Award and the YWCA Tribute to Women Social Justice Leader Award. She is also a musician, performing with her partner, Scott Henrich, in The Old Souls Band, an Americana ensemble based in Ajijic, Mexico and she plays violin in the Lake Chapala Community Orchestra. Her daughter, Sophie, is also a writer, living in Arizona.

  • Art,  Belfast,  Christmas,  Memoir,  Photography,  Saying Thank You,  Thanksgiving,  Van Morrison,  Writers

    thank goodness, thanksgiving & astral weeks

    November 26, 2015 / 5 Comments

    In the Fall of 2012,  my friend and I enrolled in a college photography class. Not a bucket list kind of thing by most standards, but it was something I had been meaning to do for thirty years. I had just never been able to find the time for it. I had been so busy being busy and bemoaning the pace of…

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    Editor
  • Coming of age,  Dispatch from the Diaspora,  La Mon House Hotel Bombing,  Paris Attack,  Rory Gallagher,  Stiff Little Fingers,  Terrorism,  The Miami Showband,  The Troubles,  The Ulster Hall Belfast,  Themes of childhood

    Vive La Musique! No “No Go Area” for Stiff Little Fingers

    November 19, 2015 / 3 Comments

    In the early hours of July 31, 1975, five members of The Miami Showband were heading home from a gig at the Castle Ballroom in Banbridge. Their drummer, Ray Millar, had gone home to Antrim instead to stay with family members. On a narrow country road outside Newry, the band was flagged down by a group of uniformed men at what…

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    Editor
  • 9/11,  Anything can Happen,  Being young,  Belfast,  bombing,  Dispatch from the Diaspora,  Heartbreak Beat,  Northern Ireland,  Paris Attack,  Sectarianism,  Soundtracks of our Lives,  The Psychedelic Furs,  The Troubles,  War

    Paris – Heartbreak Beat.

    November 14, 2015 / 2 Comments

    “They stopped France when its guard was down,” announces the BBC reporter from a TV in the corner of my house so far away from Paris. Of course they did. I should know by now that a popular concert venue in Paris on a Friday night is not an unexpected place, that there are some for whom Paris is “a legitimate target.” I…

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    Editor
  • Breast Cancer Awareness,  Dispatch from the Diaspora,  Enniskillen,  Remembrance Sunday 2015,  Wilfred Owen

    For Granda on Remembrance Day

    November 8, 2015 / 3 Comments

    My grandfather died on June 22, 1977, a decade before the Enniskillen bombing. Had he been alive, he would have been wearing his suit, with medals and poppy attached to the lapels, not unlike those pensioners gathered respectfully at the Cenotaph where at 10:43am, with chilling choreography, an IRA bomb exploded, killing eleven and wounding 68. Granda never forgot the…

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